The Academy of Country Music has revealed the Radio Awards nominees for the 60th ACM Awards, set for May 8 in Frisco, Texas.
Stations earning double nominations include KCLR-FM (Columbia, Missouri), WHKO-FM (Dayton, Ohio), WIVK-FM (Knoxville), WQDR-FM (Raleigh, North Carolina), WSIX-FM (Nashville), WUSN-FM (Chicago), WUSY-FM (Chattanooga), and WYCT-FM (Pensacola, Florida). Due to ties, the Large Market Radio Station of the Year category features six nominees, while the Medium Market category has seven.
ACM Radio Awards winners will be revealed prior to the main event and honored during ACM Awards week, with further details forthcoming. Hosted by Reba McEntire, the 60th ACM Awards will occur at the Ford Center at The Star in Frisco, streaming live worldwide exclusively on Prime Video. Tickets are on sale now at ACMawards.com. ACM Members and country music industry professionals can request tickets directly by emailing ticketing@acmcountry.com.
The complete nominee list, along with performers, presenters, and specifics on ACM Awards week events in the Dallas area, will be shared soon. These events will include both ticketed experiences and free, public-access activities for fans.
Cumulus Media announces that it has expanded the reach of its popular Cat Country 96 audio brand, as it launched simulcasts this morning of Cat Country 96 (WCTO-FM) in Allentown, PA, on sister stations 93.7 WSJR-FM (formerly NASH 93.7 FM) and 95.7 WBHD-FM (formerly Hot 97.1) in Wilkes-Barre, PA. The move makes Cat Country 96 the largest Country station in Pennsylvania.
The high-energy Country station can now be heard on 96.1 in Allentown, at 107.1 in the Poconos, and at 93.7 and 95.7 in the Wilkes-Barre/Scranton market. With this expansion, Cat Country 96 now blankets all of Eastern Pennsylvania and the Poconos on 107.1 FM, bringing even more listeners the best in Country music, live personalities, and local engagement. Country fans from south of Binghamton, NY, all the way to the Northern Philadelphia Metro Area, and into western New Jersey (Warren and Hunterdon Counties) can now enjoy Cat Country 96, Pennsylvania’s home for the hottest Country music and content.
“This is an exciting day for all of us,” said Jerry Padden, Operations Manager, Cat Country 96. “We are thrilled to bring the Cat Country brand to Northeast PA, making our listener community and station bigger and better than ever. We can’t wait to hear from our new listeners!”
The Cat Country lineup features Sam Malone in the mornings, Kristy O’Brien in middays, and Jerry Padden in the afternoons.
Audacy has announced that News Radio 1120 AM KMOX will be heard on 104.1 FM beginning March 24, further expanding the reach of the voice of St. Louis and the official home of Cardinals baseball across the metropolitan area.
Previously heard on the 98.7 FM translator, KMOX will continue to broadcast on 1120 AM.
“We’re thrilled to expand KMOX’s reach and bring the trusted news and entertainment our listeners rely on, as well as Cardinals baseball, on an enhanced FM signal that covers the greater St. Louis region,” said Becky Domyan, Senior Vice President and Market Manager, Audacy St. Louis and Wichita. “We’re equally as excited to continue delivering the hottest hip-hop and R&B on HOT 98.7’s new dial position.”
This strategic move aims to provide listeners in the St. Louis metropolitan area and beyond with greater accessibility to KMOX's trusted news, talk, and sports programming. KMOX-AM, a heritage station with a rich history dating back to 1925, is known for its comprehensive coverage of local and national news, as well as being the flagship station for St. Louis Cardinals baseball and St. Louis Blues hockey broadcasts.
By adding the 104.1 FM frequency, Audacy ensures that KMOX's award-winning content, delivered by its team of experienced journalists and personalities, will be available to an even wider audience through both AM and FM bands, enhancing the station's presence in the ever-evolving media landscape as of March 11, 2025.
HOT 104.1 (WHHL-FM) will move to 98.7 FM and will rebrand as HOT 98.7.
📻Listeners can tune in to News Radio 1120 AM and 104.1 FM KMOX in St. Louis on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.
Paul Schadt is a legendary figure in Charlotte radio, known for his long tenure as the co-host of "The Paul Schadt & Sarah Lee Morning Show" on iHeartMedia’s Country station 96.9 The Kat (WKKT) in Charlotte is signing off today.
Schadt announced his retirement last October , after an illustrious 44-year career in the Charlotte market, with the last 27 years spent at 96.9 The Kat.
Schadt’s career in Charlotte radio began in 1981, initially spending 16 years at 103.7 WSOC before transitioning to WKKT in 1997 when the station adopted the "Kat" branding. His longevity—44 years in the same market—makes him the current longest-running personality on Charlotte radio, a testament to his enduring appeal and connection with listeners. Since 2018, he has co-hosted the morning show alongside Sarah Lee Owensby, blending country music with family-friendly conversation, a formula that has kept the show a staple for Carolina audiences.
A native of Charlotte, Schadt’s contributions extend beyond local airwaves. He was inducted into the Country Radio Hall of Fame in 2014, recognizing his significant impact on the industry. He’s earned multiple nominations and awards from the Academy of Country Music (ACM) and Country Music Association (CMA), underscoring his influence in country radio. Additionally, for 29 years, he has co-hosted the syndicated "Racing Country USA" with Cathy Martindale, forging deep ties with NASCAR drivers and owners, reflecting his passion for racing alongside music.
SiriusXM Radio reportedly implemented a round of layoffs on Monday, March 10, 2025. According to Adweek, the layoffs primarily affected the operations department, with a particular focus on the product and technology group. The exact number of employees impacted has not been officially disclosed by the company at this time, leaving the scale of the cuts unclear. However, this move aligns with SiriusXM’s ongoing efforts to adjust its organizational structure amid shifting business priorities.
The latest wave of layoffs occurred approximately one week following the appointment of Scott Walker as the company's new chief advertising revenue officer, succeeding John Trimble, who is retiring after a 16-year tenure with the organization.
Walker steps into this position at a pivotal moment for SiriusXM. The company became independent from its former parent, Liberty Media, in September. Last year, its revenues declined by 3%, totaling around $8.7 billion. Advertising accounted for approximately 20% of that figure—about $1.8 billion—while the majority of its income was derived from its subscription service.
This isn’t the first time SiriusXM has reduced its workforce in recent years. For context, the company has undergone multiple rounds of layoffs:
In March 2023, SiriusXM laid off 475 employees, approximately 8% of its workforce, citing economic uncertainty and the need for a more efficient structure.
In February 2024, another round saw about 160 employees let go, roughly 3% of its staff, as part of a push to become "more efficient, agile, and flexible," according to CEO Jennifer Witz.
The layoffs announced Monday appear to reflect a “new strategic focus,” as mentioned in X posts, possibly tied to investments in technology, content, or other operational shifts. SiriusXM has been evolving its business model in recent years, moving beyond traditional satellite radio to emphasize streaming services, podcasts, and a revamped app experience. These changes have included high-profile acquisitions like Stitcher (2020), Team Coco (2022), and a $100 million deal with SmartLess Media in 2024, alongside efforts to modernize its platform for digital and in-car dashboards.
There hasn't been any official statement from SiriusXM has been widely cited yet—the pattern suggests a continuation of cost-cutting or resource reallocation.
An EF-2 tornado struck the Fox 35 Orlando television station in Lake Mary, Florida, about 16 miles northeast of Orlando, while meteorologist Brooks Garner was live on air delivering a weather broadcast.
The tornado, with peak winds of 115 mph—equivalent to a Category 3 hurricane—hit the station’s studio, causing a dramatic scene as Garner warned viewers and staff alike. As the tornado approached, he instructed employees to take shelter, saying, “Everybody in the Fox 35 building, get to your safe space under your desk,” while debris could be heard hitting the roof and walls. The station’s weather camera captured the tornado crossing Interstate 4, with winds blasting trees and rain across the parking lot.
The event was a rare occurrence for Garner, who noted it was the first time in his 30-year career that a tornado had struck while he was broadcasting. The station’s building shook, lights flickered, and the roof sustained damage, including the destruction of a newly built weather deck. Outside, the storm broke car windows in the parking lot and caused visible damage to the surrounding area. Despite the intensity, no injuries were reported at the station.
Beyond the studio, the tornado carved a roughly 1.8-mile path through Seminole County, collapsing at least one home in Longwood, overturning a semi-truck, and damaging several other structures. Fortunately, no fatalities or serious injuries were reported in the affected areas.
The National Weather Service confirmed the tornado’s EF-2 rating based on wind speeds and initial damage surveys, marking it as the first significant tornado in Orange and Seminole counties in over 25 years. Fox 35 Orlando, known locally as WOFL-TV, continued to provide updates as emergency responders assessed the broader impact across Central Florida.
The social media platform X experienced multiple outages, which Elon Musk, the platform's owner, attributed to a "massive cyberattack."
The disruptions began early in the morning Monday, with users reporting issues accessing the app and website starting around 5:30 a.m. ET. According to Downdetector, a service that tracks online outages, reports peaked at over 40,000 at one point, with the platform going down at least three times throughout the day. The outages affected users globally, though the scale varied, and by late afternoon, the number of reports had dropped to around 2,000, indicating some stabilization.
Musk first commented on the situation on X at 1:25 p.m. ET, stating, "There was (still is) a massive cyberattack against 𝕏," and noted that while X faces attacks daily, this one stood out due to the significant resources involved. He suggested it could be the work of "a large, coordinated group and/or a country," and efforts were underway to trace its origin. Later, in an interview on Fox Business with Larry Kudlow, Musk elaborated, claiming the attack originated from IP addresses in the "Ukraine area," though he admitted uncertainty about the exact details, saying, "We’re not sure exactly what happened."
Additional context emerged from various sources. A hacking group called Dark Storm Team, known for pro-Palestinian cyber operations and formed in 2023, claimed responsibility via a now-deleted Telegram post, according to some reports. However, Musk’s focus remained on the Ukraine link, and no definitive evidence has been publicly released to confirm the attackers’ identity or motives. Speculation on X and in news outlets suggested the attack might involve advanced tactics like DDoS (Distributed Denial of Service) floods—overwhelming servers with traffic—or phishing, though no technical breakdown has been officially confirmed by X.
The outages sparked broader discussions about X’s cybersecurity resilience, especially given Musk’s significant staff cuts since acquiring the platform in 2022, reducing its workforce by about 80%. Some experts and users questioned whether the issue stemmed from internal vulnerabilities rather than solely an external attack.
By the end of March 10, X appeared to be recovering, with Musk and some users, including TechRadar staff, reporting restored functionality. However, the lack of detailed updates from X’s official channels left many questions unanswered about the attack’s nature, scope, and resolution.
Cumulus Media announces that it has partnered with Rhode Island FC (“RIFC”) for the second consecutive year and will expand its coverage of the RIFC for the 2025 USL Championship season.
Cumulus Media’s Providence Sports station 790 The Score/WPRV kicks off its live-action coverage of all 17 RIFC away games and the first home game with its broadcast of the season opener at Charleston Battery on Saturday, March 15th, at 7:30pm. Nick Giuliano (Nick G.) of Cumulus Providence News/Talk station 92 PRO-FM and Tommy Quinlan of Cumulus Media CHR station WPRO-FM will call the plays for the season, including for RIFC’s first-ever game at The Stadium at Tidewater Landing on May 3rd at 4:00pm, against San Antonio FC.
In addition, beginning this Thursday, March 13th, long-time Rhode Island sportswriter and columnist Kevin McNamara will host a brand-new 790 The Score feature, “Extra Time with Rhode Island FC,” every Thursday at 6:20pm throughout the season. The weekly interview segment will include conversations with RIFC Head Coach and General Manager Khano Smith, select players, and front office executives throughout the 2025 season.
Holly Paras, Regional Vice President/Market Manager, Cumulus Providence/New London, said: “We are thrilled to continue and expand our broadcast partnership with Rhode Island FC. It’s an exciting time for Rhode Island soccer fans, especially with the opening of the new stadium this year. We look forward to a great season.”
Last season, Cumulus Media broadcasted 14 RIFC games, including 10 during the regular season and all four of the Ocean State club’s historic playoff matches.
Hispanic Radio Network (HRN), the largest independent Hispanic radio network in the US, has announced the launch of two 24/7 Spanish-Language music formats, JUAN-FM and Los40 24/7. JUAN-FM is a Regional Mexican format and Los40 24/7 is a Tropical/Caribbean format.
“The audience and appetite for Hispanic radio programming is there,” stated Alex Quintero, Director of Product Services. “For owners and operators, JUAN-FM or Los40 24/7 work well as a compliment to their other formats in the market. These Spanish-Language formats can be a solution for underperforming stations, as well.”
According to the latest US Census, there are 65 million Hispanics in the US, with buying power valued at $3.6 Trillion by Axios.com.
“ With the launch of HRN-24/7 we now offer an efficient turnkey solution to the growing multi-cultural advertising market. Radio station owners and operators can get the best Hispanic formats with a simple call to Alex. We feel this will benefit both the owners and the advertisers who are always looking for more content in this ever-growing space,” said Clark Logan, President.
JUAN-FM spotlights music from favorites, such as Banda MS, Joan Sebastian, Calibre 50, Juan Gabriel, Los Bukis/ Marco Antonio Solís, and others. Los40 24/7 plays hits from the hottest Hispanic artists, including Bad Bunny, Shakira, Daddy Yankee, Karl G, J Balvin, and more.
Stations interested in learning more about HRN’s 24/7 Spanish-Language formats may contact Alex Quintero at 212-380-9323 or aquintero@radioresources.com.
Craig Wolfley, a former NFL offensive lineman who played most of his 12-year career under Chuck Noll with the Pittsburgh Steelers and later became a beloved figure on the team's radio broadcasts, has passed away at the age of 66.
WDVE-FM in Pittsburgh, where Wolfley held various roles during Steelers broadcasts, most recently serving as a color commentator, confirmed his death. Wolfley had recently been diagnosed with an undisclosed type of cancer.
Chuck Wolfley
Drafted by the Steelers in the fifth round of the 1980 NFL Draft after a stellar career at Syracuse, Wolfley became a mainstay on the offensive line, starting 104 games over 10 seasons, primarily at left guard and left tackle. He concluded his playing career with two seasons in Minnesota in 1990 and 1991 before retiring.
Steelers president Art Rooney II commended Wolfley's "work ethic and commitment to excellence" on the field and his contributions as a broadcaster on the team's radio network. "His passionate voice and deep understanding of the game made him a trusted figure for Steelers fans," Rooney said in a statement. "And his humor, warmth, and enthusiasm left a lasting impact on our community."
Wolfley teamed up with his close friend and former teammate Tunch Ilkin for the popular radio show "In the Locker Room with Tunch and Wolf." Their effortless chemistry became a highlight of Steelers game broadcasts during their tenure together. Ilkin passed away from ALS in 2021.
Affectionately known as "Wolf," Wolfley transitioned from the sideline to the broadcast booth full-time, replacing Ilkin as the color analyst on the Steelers Radio Network. His hearty laugh and kind nature—he often replied "better than I deserve" when asked how he was doing by listeners—contrasted with his tough, physical playing style and remarkable strength. Wolfley finished fifth in the World's Strongest Man competition in 1981 and later owned a boxing club in the Pittsburgh suburbs.
➦In 1903... Lawrence Welk born in Strasburg, ND (Died May 17, 1992). He was a musician, accordionist, bandleader, and television impresario, who hosted the TV program The Lawrence Welk Show from 1951 to 1982. His style came to be known to his large audience of radio, television, and live-performance fans (and critics) as "champagne music"
During the 1920s, he performed with various bands before forming an orchestra. He led big bands in North Dakota and eastern South Dakota, including the Hotsy Totsy Boys and the Honolulu Fruit Gum Orchestra. His band was also the station band for the popular radio programming WNAX in Yankton, South Dakota.
When he settled in for 10 years at Chicago’s Aragon Ballroom, his dance remotes developed a national radio following. In 1951 Welk began weekly appearances on KTLA Los Angeles, which led to an ABC television show beginning in 1955. His show was near the top of the ratings throughout the 1950’s and ’60s.
His big hit was the 1961 million-seller, Calcutta.
➦In 1925..President Calvin Coolidge’s inauguration was broadcast live on 21 radio stations across the United States. This event marked a significant milestone in radio broadcasting history as one of the earliest instances of a presidential inauguration being transmitted to a wide audience in real time. It demonstrated radio’s growing capability to connect the nation, paving the way for future political broadcasts, such as Franklin D. Roosevelt’s famous "Fireside Chats" starting in 1933.
➦In 1969...After several failed auditions for Motown Records, Berry Gordy Jr. signed The Jackson Five to a contract. Gordy sent them to Hollywood in July, hiring Suzanne de Passe to become their mentor.
Starting in August, the Jackson Five performed as the opening act for the Supremes, whose lead singer Diana Ross was planning to leave for a solo career at the end of the year. The group then recorded their first single "I Want You Back", written by the Corporation which consisted of Freddie Perren, Deke Richards, and Alphonzo Mizell with Gordy as a fourth partner. In October, their first single for Motown was released and the group promoted it while performing at the Hollywood Palace with Ross hosting. In December, the brothers made their first appearance on the Ed Sullivan Show, and their debut album 'Diana Ross Presents the Jackson 5' was released that same month.
After emerging from a nearly two-year bankruptcy process in June 2024, Audacy, has embarked on a significant cost-cutting campaign to stabilize its financial footing.
The company’s first major step in this direction came last week, when it laid off as many as 300 employees—approximately 10% of its workforce—across its sprawling network of 227 stations. This sweeping reduction, executed in early March 2025, marks a pivotal moment for Audacy as it seeks to reshape itself in a post-bankruptcy landscape amid ongoing challenges in the radio industry.
The layoffs span a broad swath of the company, affecting employees at both local and national levels and cutting across all departments, from programming and on-air talent to behind-the-scenes staff.
The impact is keenly felt in major markets, with prominent personalities and stations bearing the brunt. In New York City, 101.1 WCBS-FM lost morning host Annie Leamy, a fixture in the market. Boston’s Magic 106.7 (WMJX) parted ways with David O’Leary. Philadelphia’s Big 98.1 (WOGL) bid farewell to afternoon host Trey Morgan, and Greensboro’s 98.7 Simon (WSMW) let go of host Charley McCain. Detroit’s 104.3 WOMC saw midday host Aricka McCauley depart, and Cleveland’s Star 102.1 (WDOK) lost afternoon host and public service director Glenn Anderson. Even the BetMGM Network, Audacy’s sports betting arm, was not spared, with several team members released.
Other notable casualties include Elista Hathaway, who wore multiple hats as Assistant Brand Manager, Music Director, and midday host at WBZZ in Pittsburgh.
CEO and COO Both Gone
These layoffs hit a mix of veteran broadcasters and rising talents, underscoring the scale of Audacy’s restructuring. The cuts reflect not just a financial recalibration but a strategic pivot as the company grapples with a media environment increasingly dominated by streaming platforms, podcasts, and digital advertising—a shift that has eroded traditional radio’s once-dominant position.
The layoffs follow a turbulent period for Audacy, which entered Chapter 11 bankruptcy in January 2023 with $1.9 billion in debt, a burden accumulated through aggressive expansion and acquisitions, including the 2017 merger with CBS Radio. The company emerged leaner in mid-2024 after shedding $1.6 billion of that debt, thanks to a restructuring plan backed by lenders like Soros Fund Management, which converted debt into equity stakes. However, the exit from bankruptcy has not insulated Audacy from broader industry headwinds, including declining ad revenues and competition from tech giants like Spotify and SiriusXM.
Compounding the operational upheaval, Audacy has undergone significant leadership changes in 2025.
In January, President and CEO David Field stepped down after 27 years with the company, including two decades at the helm. Field, who guided Audacy through its growth into a radio powerhouse, left amid the bankruptcy fallout and was replaced on an interim basis by Kelli Turner, a board member since September 2024 with a background in finance and media operations. In February, Chief Financial Officer Rich Schmaeling also resigned after seven years, with no immediate successor named—a move that raised eyebrows given the company’s fragile recovery. These executive departures signal a broader reset, though the lack of permanent replacements suggests uncertainty at the top as Audacy navigates its next chapter.
Looking ahead, Audacy’s cost-cutting measures may extend beyond this initial wave. Industry analysts speculate that the company could divest underperforming stations or further consolidate operations to bolster its balance sheet. With a market cap still dwarfed by pre-bankruptcy levels and a stock price languishing after relisting, Audacy’s survival hinges on its ability to adapt—whether through digital innovation, like its Audacy app, or leaner operations.
Alex Silverman, the Director of News and Programming at KNX News in Los Angeles, is set to leave his position at Audacy in the coming weeks to pursue new opportunities.
Silverman announced his departure via LinkedIn, expressing gratitude for his time at KNX and the team he worked with, while noting that he doesn’t yet know what his next step will be. He plans to remain with the station until April 2025 to ensure a smooth transition for the staff and operations.
Silverman joined KNX in 2022, relocating from Philadelphia where he had served as Brand Manager at KYW Newsradio since 2018.
During his tenure at KNX, he played a pivotal role in leading the station’s news coverage, most notably during the Los Angeles wildfires in January 2025. His leadership earned the station industry recognition for delivering real-time updates and critical information that helped keep Southern California residents informed and safe. Silverman himself contributed directly to the coverage, reporting from the fire lines while managing his team under challenging circumstances.
His exit coincides with a turbulent period for Audacy, which recently implemented widespread layoffs following its emergence from bankruptcy. This included the departure of veteran KNX news anchor Charles Feldman on the same day Silverman’s resignation was announced, March 6, 2025. Silverman’s decision to leave was described as difficult, given his pride in the team’s accomplishments, but he emphasized his intent to explore new possibilities moving forward.
Before his time at Audacy, Silverman had a background as a reporter, which he drew upon during crises like the wildfires. His departure marks the end of a significant chapter for KNX News, where he also oversaw the station’s move to a new studio on L.A.’s Miracle Mile in December 2024, integrating it with other Audacy stations for better collaboration. As of now, no specific plans for his next venture have been disclosed, leaving open the question of where his extensive experience in news and programming will take him next.
Efforts to defund the Public Broadcasting Service (PBS) and National Public Radio (NPR) have gained significant momentum, particularly with the Trump administration and Republican lawmakers intensifying their focus on slashing federal funding for public media.
These efforts target the Corporation for Public Broadcasting (CPB), the primary mechanism through which federal funds support PBS, NPR, and their affiliated local stations.
Recent Developments: Legislative Proposals: In February 2025, Senator Mike Lee (R-UT) introduced the "Defund Government Sponsored Propaganda Act," aiming to eliminate all federal taxpayer funding for PBS and NPR. This bill, mirrored in the House by Representative Claudia Tenney (R-NY), argues that these outlets exhibit political bias and should compete in the marketplace without public subsidies. Earlier, in late 2024, Representatives Jim Banks (R-IN) and Kat Cammack (R-FL) proposed similar legislation to cut funding to NPR, labeling it "liberal propaganda." Senator John Kennedy (R-LA) has also pushed the "No Propaganda Act," claiming public media misuses taxpayer dollars.
Greg Gutfeld, the host of Fox News' late-night show Gutfeld!, discussed his comedy philosophy Saturday in an interview with NPR's Scott Simon. Known for his sharp, irreverent style, Gutfeld has carved out a unique space in late-night television, blending political satire with a conservative perspective. His show, which airs at 10:00 P.M. ET, has gained significant traction, often outperforming traditional late-night giants like Stephen Colbert, Jimmy Kimmel, and Jimmy Fallon in viewership.
In the interview, Gutfeld addressed his approach to comedy, particularly his tendency to "punch left" rather than "punch up" at powerful figures, as is often expected in traditional comedy circles. When Simon questioned this choice, suggesting it avoids targeting those in power, Gutfeld countered that he sees the media—specifically the left-leaning, dominant voices in journalism and entertainment—as the true wielders of cultural power. He argued that these entities, which he claims are "95% left-wing," have controlled the narrative for years, making them his primary target. "I'm interested in the people that manipulate the narrative," he said, dismissing politicians as "interchangeable" and less influential than the media.
Gutfeld’s philosophy rejects the conventional setup-punchline structure of late-night comedy, favoring a conversational style that tackles "real stuff" over polished jokes. He positions his show as an alternative to what he sees as a stagnant, predictable format upheld by his competitors. This approach, paired with a live audience and a rotating cast of conservative comics and commentators, has resonated with viewers, making Gutfeld! a standout in Fox’s lineup.
He also touched on broader themes, like his disdain for identity politics, which he views as a "terrible thing to lead with." Gutfeld emphasized individuality over group characteristics, suggesting that shared experiences across diverse identities are more meaningful than divisive labels—a stance that aligns with his broader critique of progressive cultural trends.
The discussion wasn’t without tension. Simon noted labels applied to Gutfeld’s comedy, such as "insult conservatism" or "provocative," hinting at its polarizing nature. Gutfeld leaned into this, playfully jabbing at NPR’s audience as "kale-sniffing vegetarians" while admitting he likes kale himself. His comments reflect a self-awareness of his outsider status in the predominantly liberal comedy world, a position he relishes as he challenges its norms.
This interview underscores Gutfeld’s rise as a key figure in late-night TV, where his unapologetic "punching left" and rejection of traditional comedy conventions have fueled both his success and his controversy.
The iconic forecast cone used by the National Hurricane Center to predict the paths of tropical cyclones is set to undergo its annual update, with forecasts indicating that the product's size will shrink in 2025 due to decreasing errors in forecast tracks.
FOX Weather reports the NHC states that the new forecast cone overall will be 3 to 5% smaller compared to last year’s, as prediction errors have improved in recent years.
First used during the 2002 season, the forecast cone is made up of a series of forecast circles that represent the probable track of a cyclone's center over a specific period of time.
The cone is revised annually, taking into account forecast track errors from the past five years, and identifies the most likely area where the center of circulation could follow.
The size of the tropical cyclone forecast error cone for 2025 will be about 3-5% smaller for systems in the Atlantic basin and 5-10% smaller for systems in the eastern Pacific. The greatest reduction is at the 96-hour mark where the cone's width will decrease by 6%.
The updated forecast cone is about 45 miles wide around forecast hour 24 and up to 245 miles wide during hour 120.
Despite the enhanced accuracy, hurricanes only track within the cone about two-thirds of the time, with the remaining third veering outside the cone, prompting updated forecasts.
Gwen McCrae, the renowned soul, funk, and disco singer affectionately dubbed the "Queen of Rare Groove," passed away on February 21, 2025, at the age of 81. Her death marked the end of a remarkable career that spanned decades and left an indelible mark on the music world, particularly in the realms of R&B, soul, and dance music.
Born Gwen Mosley on December 21, 1943, in Pensacola, Florida, McCrae grew up in a musical, church-going family. She began singing in her church choir at age seven, laying the foundation for a voice that would later captivate audiences worldwide.
Her career took off in the 1960s after meeting and marrying George McCrae, with whom she initially performed as a duo. Discovered by singer Betty Wright, the couple signed with Henry Stone’s TK Records in Miami, a hub for the emerging "Miami Sound." While George scored a global hit with "Rock Your Baby" in 1974, Gwen found her own success with the 1975 smash "Rockin’ Chair," which hit number 9 on the Billboard Hot 100 and topped the R&B chart. This track, with its infectious groove and soulful delivery, became her signature song and a proto-disco classic.
McCrae’s career flourished through the 1970s and beyond, with hits like "Funky Sensation" (1981) and "Keep the Fire Burning" (1982) cementing her status as a dance music icon. Her rich, throaty voice and ability to infuse emotional depth into dance-floor anthems made her a standout artist. After TK Records folded, she signed with Atlantic Records and continued recording, later finding a devoted following in the UK’s northern soul and rare groove scenes. Her music was widely sampled by artists like Lady Gaga, Cassius, and Avicii, ensuring her influence reached new generations.
Her performing career was cut short in June 2012 when she suffered a severe stroke while on stage in England. The stroke left her paralyzed on her left side and unable to walk or sing, effectively ending her live performances. For the next 13 years, she battled the lingering effects of this health crisis.
According to her former husband, George McCrae, she died in a care facility in North Miami Beach, Florida, from complications related to that stroke. Joe Stone, son of TK Records co-founder Henry Stone, confirmed it, noting her role in shaping hip-hop and dance music.
KYMN Radio, a community station in Northfield, Minnesota, has launched an urgent “Save Our Tower” campaign, turning to its listeners for financial support to preserve its 56-year legacy.
The station last week initiated a GoFundMe fundraiser with a goal of raising $50,000 to replace the aging tension wires on its 300-foot broadcast tower—critical infrastructure that it warns is “in bad shape” and nearing the end of its lifespan. The appeal underscores the station’s deep roots in the community and the pressing need to ensure its voice continues to resonate across the region.
In its heartfelt pitch, KYMN writes, “Not only have we been with you for fifty-six years, but a lot of our equipment has been, too. Our 300-foot tower, the thing that makes it possible for us to talk to you, is in bad shape. Without getting too deep into the technical terms, the tension wires that hold the tower up need to be replaced, and that’s not cheap. Sixty years is a long time, and those wires are just plain worn out.” The station’s candid tone reflects both its predicament and its reliance on the very community it has served since its founding by Stan Stydnicki in 1968.
KYMN’s journey began as a modest AM operation at 1080 kHz, delivering a mix of local news, politics, weather, music, and cultural programming to Northfield and beyond. Stydnicki, a broadcast pioneer with a vision for community-driven radio, nurtured the station through decades of change until it evolved into a 24-hour lifeline for its listeners.
In 2016, under new ownership, KYMN expanded its reach with an FM signal at 95.1, rebranding as “95.1 The One.” This upgrade extended its coverage to neighboring towns like Cannon Falls, Nerstrand, Faribault, and Lonsdale, amplifying its role as a regional hub. Today, the station is owned by Rich Larson, a local media figure committed to preserving its mission.
The 300-foot tower, erected in the station’s early years, relies on guy wires—steel cables that anchor it against wind and weather. After nearly six decades, these wires have succumbed to rust, fatigue, and wear, threatening the tower’s stability. Replacing them is no small feat: engineering assessments, labor, and materials could easily push costs into the tens of thousands, a burden KYMN—a small, independent outlet—cannot shoulder alone. Without intervention, the station risks losing its ability to broadcast, silencing a voice that has chronicled Northfield’s joys, struggles, and daily rhythms since the late 1960s.
The GoFundMe has garnered modest traction, with donations trickling in from loyal listeners and local businesses. Yet, the campaign remains far from its goal, amplifying the urgency of the situation.
Stephen A. Smith and Skip Bayless, two of the most recognizable figures in sports media, are set to reunite for the first time in nearly a decade on an episode of The Skip Bayless Show podcast.
This marks their first on-air collaboration since Bayless left ESPN’s First Take in 2016 to join FS1’s Undisputed. The episode, which was reportedly taped on Friday, is slated to be released early this week, generating significant buzz among sports fans and media observers.
Smith and Bayless were co-hosts on First Take from 2012 to 2016, a period that transformed the show into a powerhouse of sports debate television. Their dynamic—marked by fiery exchanges, contrasting opinions, and a knack for polarizing audiences—helped elevate the program’s profile before Bayless departed for FS1, where he partnered with Shannon Sharpe on Undisputed. Since their split, Smith has solidified his status as a leading voice at ESPN, recently signing a five-year, $100 million contract, while Bayless, after leaving FS1 in August 2024, has focused on his independent podcast.
The reunion comes after years of public speculation about their relationship, which has seen its share of ups and downs. Despite occasional tensions—such as Bayless’s 45-minute podcast critique of Smith in 2024 over comments about JJ Redick, followed by a face-to-face resolution—the two have maintained a bond rooted in their shared history. Smith has often credited Bayless for reviving his career by bringing him onto First Take in 2012, while Bayless has expressed a lingering affection for his former partner, once hinting at a possible future collaboration.
The FCC under the leadership of Chairman Brendan Carr, has sent letters to 13 public radio stations requesting detailed information about their past sponsorships.
This request is part of an ongoing investigation initiated by Carr to determine whether public television and radio stations, including those affiliated with NPR and PBS, are violating federal guidelines by airing what could be considered advertisements rather than permissible sponsorship announcements.
Public radio stations, classified as noncommercial educational (NCE) broadcasters, are prohibited under federal law from broadcasting traditional commercial advertisements for for-profit entities.
Instead, they are allowed to air underwriting or sponsorship announcements, which must adhere to strict FCC rules. These rules, outlined in documents like the FCC’s “Sponsorship Identification Rules” and “Commission Policy on the Noncommercial Nature of Educational Broadcasting,” permit acknowledgments of financial supporters but forbid promotional content, calls to action, or anything that could be interpreted as endorsing a product or service.
The FCC’s letters require the 13 stations—including notable ones like WBUR in Boston and LAist in Southern California—to compile and submit materials detailing their sponsorship practices by March 31, 2025. The request builds on Carr’s broader inquiry, which began earlier in 2025 with letters to NPR and PBS leadership.
Carr has expressed concern that some underwriting announcements might “cross the line into prohibited commercial advertisements,” potentially misusing taxpayer dollars if these stations are supporting for-profit endeavors. This investigation aligns with his skepticism about the continued federal funding of public media through entities like the Corporation for Public Broadcasting, a stance that echoes sentiments from some political conservatives, including President Trump.
While the FCC does not directly regulate NPR or PBS as organizations, it oversees the licenses of their individual member stations. The investigation has sparked varied reactions.Critics, like Senator Edward Markey, have called the probe a “partisan stunt,” suggesting it’s an attempt to weaponize the FCC’s authority against public broadcasters.
Stations like WBUR, which reaches millions through syndicated shows, and others have confirmed receiving the letters but have largely refrained from sharing specifics.
Democrats are increasingly turned to sports radio shows and podcasts as a strategic move to reconnect with young men, a demographic that has shown a noticeable shift toward President Donald Trump in recent elections.
This pivot, detailed in a New York Times article reflects the party's response to its perceived loss of ground among apolitical or disengaged young male voters following Trump’s 2024 victory.
The effort involves prominent Democratic figures appearing on platforms traditionally outside the political sphere, leveraging the casual, conversational nature of sports media to reach audiences who may not tune into conventional news outlets.
For instance, Pennsylvania Governor Josh Shapiro served as an analyst for a University of Pittsburgh basketball broadcast in February 2025, while Minnesota Governor Tim Walz has been vocal about his disdain for the Green Bay Packers on sports talk shows. Maryland Governor Wes Moore expressed frustration over Baltimore Ravens quarterback Lamar Jackson’s MVP snub, tapping into local sports fervor. These appearances aim to humanize politicians and meet voters where they are—on platforms they already trust and enjoy.
Fox News’ chief foreign correspondent Trey Yingst this past week delivered a pointed rebuke of President Donald Trump during his acceptance speech for the First Amendment Award at the Radio Television Digital News Association’s (RTDNA) annual awards ceremony in Washington, D.C.
The event recognized Yingst for his exceptional journalism, particularly his coverage of global conflicts.
In his speech, Yingst directly addressed Trump’s oft-repeated claim that journalists are “the enemy of the people,” a phrase the former president has used to criticize media outlets he deems unfavorable. Yingst countered, saying, “Journalists are not the enemy of the people. Quite the opposite. Journalists are the voice of the people.” He emphasized the critical role of the press as the "fourth estate," amplifying the experiences of ordinary individuals and giving a platform to the voiceless. His remarks were a clear rejection of Trump’s narrative, reflecting a broader defense of journalistic integrity.
Elvis Duran, host of Elvis Duran was featured in an interview on CBS Sunday Morning. The segment was was hosted by correspondent Mo Rocca, who sat down with Duran to discuss his long and impactful career in radio.
In the interview, Duran reflected on his nearly three-decade tenure hosting the nation’s most popular Top 40 morning radio program, syndicated out of New York’s Z100 and reaching over 70 markets. Rocca delved into Duran’s perspective on the evolution of radio, a topic touched on in the earlier segment which aired In December, where Duran noted, “Radio isn’t what radio used to be,” highlighting how many stations have shifted away from personality-driven content toward cheaper music-only formats. Today's segment exploried how Duran keeps his show relevant in a digital age dominated by streaming and podcasts.
A key theme was Duran’s special bond with his listeners, a cornerstone of his career. He reiterated his philosophy from the December feature: “We are in the friendship business,” emphasizing how he sees his role as a companion to millions waking up each day—whether they’re escaping turmoil at home or facing a tough workday. The March 9 segment showcased this connection, possibly with fresh anecdotes or listener stories, reinforcing why Duran remains a rarity: a nationally known radio DJ in an era where such figures (beyond him and Ryan Seacrest) are scarce.
The interview also highlighted Duran’s personal evolution. Broadcasting from his Santa Fe home studio—where he rises at 2:30 a.m. local time to host the show—he discussed how the “New Mexico Elvis” differs from his New York persona, a point first raised in December. His team’s observation that he’s “more relaxed” in Santa Fe likely got further exploration, offering viewers a glimpse into how his environment shapes his on-air energy.
This interview solidified Duran’s status as a radio icon—inducted into the National Radio Hall of Fame in 2015 and honored with a Hollywood Walk of Fame star in 2017—while showcasing his humility and listener-centric ethos.
The NFL will undergo a significant shift this year in how its games are broadcast, marking a pivotal moment in the league's embrace of digital platforms.
Reports indicate that no NFL games will be exclusively broadcast on traditional television, meaning every game aired on conventional TV networks like CBS, NBC, or Fox will also be available through streaming services. This change ensures that fans won’t miss out on any game due to it being locked behind a traditional TV-only broadcast, reflecting the growing dominance of streaming in sports media.
The move doesn’t mean traditional TV broadcasts are disappearing entirely. Instead, games that have historically been available on "free TV" (accessible via an antenna in local markets) will continue to air on those channels but will also be offered for free on streaming platforms, likely through apps tied to the respective broadcasters.
Geolocation technology will play a key role here, allowing viewers in specific regions to access these streams without needing a paid subscription, mirroring the local-market availability of over-the-air broadcasts. For example, if a game is on CBS in your area, you might also stream it for free via the Paramount+ app or a similar service, provided you’re within the designated market.
This shift builds on the NFL’s ongoing experimentation with streaming. In recent years, platforms like Amazon Prime Video (Thursday Night Football), Peacock, ESPN+, and even Netflix (which streamed Christmas Day games in 2024) have hosted exclusive broadcasts. By 2025, the league appears to be standardizing this dual-access model, ensuring all games are streamable while maintaining traditional TV as an option. Reports suggest this could be a stepping-stone toward a future where streaming becomes the primary delivery method, potentially phasing out broadcast TV exclusivity as contracts evolve—though the NFL’s current deals with major networks run through 2029, so a full pivot might still be years away.
Bert Bertelkamp, a beloved figure in Tennessee basketball, announced his retirement Friday, after serving as the radio color analyst for the University of Tennessee men’s basketball team for 26 years.
His tenure with the Vol Network, spanning from the 1999-2000 season through the 2024-25 campaign, made him a fan favorite known for his energetic commentary and iconic catchphrases like “Money!” and “Talk to me!”—exclamations that punctuated big plays and thrilled listeners across Vol Nation.
Bertelkamp’s broadcasting career began alongside Bob Kesling, the “Voice of the Vols,” who also announced his retirement earlier in the season, set for April 2025 after 25 years. The duo became one of the most celebrated broadcast teams in Tennessee history, calling some of the program’s most memorable moments, including four SEC regular-season championships, one SEC Tournament title, 15 NCAA Tournament appearances, eight Sweet 16 runs, and two Elite Eight trips. Their final home game together at Food City Center was scheduled for March 8, 2025, against South Carolina, with plans to continue through the postseason.
Peter Bruce, a beloved radio personality in Flagstaff, Arizona, retired in early March 2025 after more than 40 years on the air with KAFF News Radio 93.5 FM/AM 930. His final broadcasts of Under Western Skies and Blue Mountain Blue Grass aired on March 1 and 2, 2025, marking the end of an era for the station and the community he served.
Bruce began his tenure at KAFF in 1983, becoming a fixture in Flagstaff’s media landscape.
Over the decades, he hosted several popular programs, most notably Flagstaff Mornings, a daily blend of classic country music, news, and interviews that connected listeners with local figures—politicians, teachers, and small business owners alike. His morning show evolved to include Pete’s Community Cafe, a segment dedicated to highlighting community events and initiatives.
Dolly Parton has released an emotional new song titled "If You Hadn’t Been There" as a heartfelt goodbye to her late husband, Carl Thomas Dean, who passed away last Monday at the age of 82. The couple had been together for nearly 60 years, having married on May 30, 1966, after meeting outside a Nashville laundromat in 1964 when Parton was 18 and Dean was 21.
Dean, a private man who ran an asphalt-paving business, largely stayed out of the public eye during Parton’s rise to stardom, yet he remained a constant source of support and inspiration in her life.
The song serves as a musical tribute to their enduring love, capturing the depth of their bond through tender lyrics and Parton’s signature emotive delivery. In "If You Hadn’t Been There," she sings, “If you hadn’t been there / Where would I be? / Without your trust, love, and belief,” reflecting on how Dean’s presence shaped her life and career. The track begins as a gentle piano ballad and builds into a powerful orchestral climax, with lines like “You made me dream / More than I dared / And I wouldn’t be here / If you hadn’t been there,” underscoring his role as her rock and muse. The single’s cover art features a throwback photo of Parton wrapping her arms around Dean, symbolizing their closeness, with their signatures and the equation "Dolly + Carl = [Love]" beneath it.
Parton announced the release on Instagram, writing, “I fell in love with Carl Dean when I was 18 years old. We have spent 60 precious and meaningful years together. Like all great love stories, they never end. They live on in memory and song. He will always be the star of my life story, and I dedicate this song to him.” This message came shortly after a “love note” she shared on March 6, thanking fans, friends, and family for their support following Dean’s death: “Thank you for all the messages, cards, and flowers that you’ve sent to pay your respects for the loss of my beloved husband Carl. … He is in God’s arms now and I am okay with that. I will always love you.”
➦In 1876...Alexander Graham Bell made the first successful telephone transmission of clear speech using a liquid transmitter when Bell spoke into his device, "Mr. Watson, come here, I want to see you." and Watson heard each word distinctly.
Scottish-born Bell made the call over 100ft of wire during trials in his Boston laboratory in the US, summoning his electrician assistant from the adjoining room. In his journal for that day, Bell writes: “To my delight he came and declared that he had heard and understood what I said.”
The two men changed places and Bell listened as Watson read passages from a book over the device. Bell records: “It was certainly the case that articulate sounds proceeded from the speaker. The effect was loud but indistinct and muffled.”
Just three days earlier, Bell had been granted a US patent for his invention. But it wasn’t an instant success. Communications company Western Union rejected the opportunity to buy the rights for $100,000, believing it wasn’t a rival to the telegraph. A decision it later regretted.
➦In 1920...Kenneth Charles "Jethro" Burns born (Died - February 4, 1989), He was a mandolinist and one-half of the comedy duo Homer and Jethro with Henry D. "Homer" Haynes.
Burns was born in Conasauga, TN. His family moved to Knoxville when he was three. In 1936, he auditioned for a talent contest at Knoxville radio station WNOX where he met Henry Haynes, also 16. The two formed a duo and WNOX program director Lowell Blanchard gave them the stage names Homer and Jethro after forgetting their names on the air.
Burns was drafted into the US Army and served in Europe during World War II and reunited with Haynes, who had served in the Pacific, in Knoxville in 1945. By 1947, the duo moved to Cincinnati, Ohio and were working at WLW on the station's Midwestern Hayride. They signed with King Records, where they worked as a house band and recorded singles on their own, and two years later signed with RCA Records. The pair were fired along with other stars by new management at WLW in 1948, and after a brief tour, they moved to Springfield, MO and performed on KWTO with Chet Atkins, the Carter Family and Slim Wilson.
In 1949, they moved to Chicago, Illinois and played at the Chicago Theater. Between shows, they would go to WLS to appear live on National Barn Dance.
In 1959, they won a Grammy for the best comedy performance in 1959 for "The Battle of Kookamonga", a parody of Johnny Horton's "Battle of New Orleans".
➦In 1922...Flashback: From Variety...1M radio receivers in use...
➦In 1922...KLZ-AM, Denver, Colorado began broadcasting. It is the oldest broadcasting station in the state of Colorado, and one of the oldest in the United States
Two years earlier, Dr. William "Doc" Reynolds, a dentist, founded Colorado's first experimental radio station, 9ZAF, at his 1124 S. University home in Denver.
The studio was on the front porch and the transmitter was in the back yard.
On March 10, 1922, the station's call sign changed to KLZ, then-Secretary of Commerce Herbert Hoover granted Reynolds one of the first commercial broadcasting licenses in the country, and KLZ became Colorado's first commercial radio station.
1920s-Era Radio Receiver
Today, KLZ is owned by Crawford Broadcasting and airs a talk format.
➦In 1934...Radio, TV personality Gary Owens was born in Mitchell, South Dakota. At 18 he began working as a news reporter at local radio station KORN, and two years later was made news director. After several moves in the midwest he became a DJ in Dallas, New Orleans, St. Louis, Denver, Sacramento and San Francisco, before finally settling in Los Angeles. He spent two decades playing music with humorous word play in PM drive at KMPC, and became nationally known as the ear-cupping announcer on TV’s Rowan & Martin’s Laugh-In. Owens is believed to have recorded some 30,000 commercials. He died Feb. 12, 2015 of complications from his life-long diabetes, at age 80.
➦In 1860..While not a broadcasting event in the modern sense, this date marks a significant precursor to radio technology. Édouard-Léon Scott de Martinville invented the phonautograph, the earliest known device for recording sound. This invention laid foundational groundwork for audio technology, which would eventually influence radio broadcasting by demonstrating that sound could be captured and studied. It wasn’t until later innovations, like those of Marconi and Fessenden, that sound recording evolved into wireless transmission, but this early step was critical.
According to John Schneider at The Radio Historian: KJR, begun by amateur radio operator Vincent I. Kraft, was the first radio station to be licensed in the Pacific Northwest.
Vincent Kraft
After World War I, the civilian radio stations that had been ordered closed during the war were allowed to reopen. One was Vincent I. Kraft’s amateur station 7AC in Seattle. Kraft operated a small radio parts store in downtown Seattle, and in his spare time played with a small 5 Watt deForest Wireless telephone transmitter, transmitting from his home at E. 68th Street and 19th NE. An antenna hung from a 90 foot tower in the back yard.
He soon applied for and received the experimental license 7XC for “wireless telephone” transmission. He moved a phonograph and a piano into the garage adjoining his home, and tacked carpeting on the walls to improve the acoustics. 7XC went on the air on 1110 kc. starting in 1919, transmitting voice and music programs. He played phonograph records, coaxed a local piano teacher into performing, and asked a neighbor boy to play the violin. There was no regular schedule. Every so often he would get a call from one of the few people that had a crystal radio set in Seattle, and he would turn on the transmitter and broadcast so they could demonstrate the new "wireless" to their friends.
In 1921, the U.S. Department of Commerce created a new class of license for radio broadcasting stations. At the same time, a new law was issued that prohibited amateur stations from broadcasting music. So Kraft immediately applied for and received the license KJR, and transferred his 7XC operations to this new license. Unlike its amateur station predecessor, KJR operated on a regular schedule of several hours per day, 3 days a week.
Beginning in the 1950s and lasting until 1982, KJR was a pioneer Top 40 radio station owned by entertainer Danny Kaye and Lester Smith, "Kaye/Smith Enterprises".
In the 1960s, under the programming guidance of Pat O'Day, the station was top rated in Seattle and well known for introducing the Pacific Northwest to many recording stars such as Jimi Hendrix, the Beatles, Merrilee Rush & The Turnabouts and the Ventures. Today, the call letters are used by KJR-FM, which broadcasts a format that includes many of the songs and shows (including original American Top 40 shows from the 1970s) from that era.
Gary Lockwood was THE big morning show on Seattle radio in the 1980's as AM radio was fading out in Seattle. KJR was playing Oldies then.
KJR would switch to soft adult contemporary in 1982. In 1988, the station shifted to oldies, playing the music that had made the station famous throughout the 1960s and 1970s.
KJR's shift to sports programming was a gradual evolution starting in 1989, when the station added some sports-themed shows in mid-days and afternoons. The rest of the music programming would be phased out in September 1991.
On November 4, 2011, at 7 AM, KJR began simulcasting on 102.9 FM, replacing country-formatted KNBQ. This ended on June 13, 2013, when KNBQ (now KYNW) reverted to an Adult top 40 format. During this time, Clear Channel did not transfer the KJR-FM calls from 95.7 to 102.9, instead co-branding the station as "Sports Radio 950 AM and 102.9 FM KJR".
A collection of some of the country's greatest air personalities entertained Seattle listeners like Larry Lujack, Scotty Brink, Norm Gregory, Burl Barer, Pat O'Day, Eric Chase, Bob Shannon, "World Famous" Tom Murphy, Bobby Simon, Jerry Kaye, "Emperor" Lee Smith, Lan Roberts, Robert O. Smith, Charlie Brown, Bwana Johnny, Matt Riedy, Marion Seymour, Sky Walker, Tracy Mitchell, and Bob Brooks. Gary "Lockjock" Lockwood, a.k.a. L.J., was the disk jockey who had the longest tenure on the "Mighty Channel 95," from 1976-1991.
➦In 1925....WHBC Canton, OH signed-on. The original license for the station was granted on February 13, 1925 to Father Edward P. Graham and the St. John Catholic Church. WHBC began broadcasting at 1180 kHz with 100 watts. It was the first Catholic radio station on the air in the U.S., as WLWL in New York was not licensed until August 1925. By the middle of 1927 the station had moved to 1270 kHz. Broadcasting had moved to 1200 kHz by the middle of 1930.
