Thursday, February 13, 2020

NY Radio: Stephens Files Unfair Labor Practice Charge Against NABET


Stephens Media Group has filed an unfair labor practice charge against the union representing employees at radio stations in Watertown and Massena.

SMG operates affected radio station WMSA-AM in Massena, and WFRY Froggy 97 and WCIZ Z93 in Watertown.

The company filed the charge, saying NABET (National Association of Broadcast Employees and Technicians) is refusing to bargain collectively with SMG.

“The previous, collective bargaining agreements expired almost two years ago. Yet, the union refuses to bargain in good faith to reach new agreements,” said SMG owner David Stephens in a news release. “We had no choice but to file these charges.”

NABET General Counsel Judi Chartier said the union has yet to see the charge, but has read the news release.

She told 7 News that the union will be happy to sit down with Stephens Media Group as soon as it rehires the employees SMG laid off in 2018.

The unfair labor practice charge comes less than a month after an administrative law judge with the National Labor Relations Board directed Stephens to rehire an employee it fired in Massena, and to reinstate, with back pay, full-time employees it laid off in Watertown.

Stephens told 7 News last month that his company plans to appeal some of the findings in the judge’s decision.

SMG claims it and the union are at an impasse; the judge ruled they are not.

“To remain competitive, SMG needs the ability to program the stations as it sees fit. Talent, and not seniority, should determine who gets to be heard on the air. The union refuses to negotiate this point with SMG. Their failure to negotiate is a violation of the law and proof we are at impasse,” Stephens said in the news release.

The news release said the NLRB is expected to rule on the matter within the next few months.

McClatchy Files for Bankruptcy

McClatchy Co. filed for bankruptcy Thursday, a move that will end family control of America’s second largest local news company and hand it to creditors who have expressed support for independent journalism.

The Chapter 11 filing will allow McClatchy to restructure its debts and, it hopes, shed much of its pension obligations. Under a plan outlined in its filing to a federal bankruptcy court, about 60 percent of its debt would be eliminated as the news organization tries to reposition for a digital future.

The likely new owners, if the court accepts the plan, would be led by hedge fund Chatham Asset Management LLC. They would operate McClatchy as a privately held company. More than 7 million shares of both publicly available and protected family-owned stock would be canceled.

“While this is obviously a sad milestone after 163 years of family control, McClatchy remains a strong operating company and committed to essential local news and information,” said Kevin McClatchy, chairman of the company that has carried his family name since the days of the California Gold Rush. “While we tried hard to avoid this step, there’s no question that the scale of our 75-year-old pension plan – with 10 pensioners for every single active employee – is a reflection of another economic era.”


The filing has no immediate impact on McClatchy’s employees or its 30 newsrooms in 14 states, including the Kansas City Star, the Miami Herald, the Charlotte Observer, the Fort Worth Star-Telegram and the Sacramento Bee. The company said it has secured $50 million in new financing from Encina Business Credit to ensure it can continue to operate while in bankruptcy and hopes to emerge with its balance sheet equipped for the future.

McClatchy’s bankruptcy underscores the grim reality facing the local news industry amid profound transformation in its business and revenue model. More than 2,000 newspapers ceased production in the last 15 years, according to a recent think-tank report from the Brookings Institution.

Not only has the business model changed for newspapers, legacy companies carry large pension obligations that eat into cash flow and profits. McClatchy’s qualified pension covers more than 24,500 current and future retirees -- many retired blue-collar workers who manned printing presses or loaded newspapers onto delivery trucks -- supported by fewer than 2,800 active employees.

Between 2006 and 2018, McClatchy’s advertising revenue fell by 80 percent and daily print circulation fell by 58.6 percent. While the company has worked over three years to achieve a more sustainable 50-50 split of print vs. digital advertising, those gains couldn’t outpace the approaching pension and debt obligations.

S-F Radio: KGO Goes Live Mornings, A&G Move To KSFO


CUMULUS MEDIA announces that its legendary San Francisco talk radio stations KGO and KSFO will each debut new morning shows on Monday, March 2, 2020.

Popular nationally syndicated radio program, The Armstrong & Getty Show will move from KGO 810 AM to KSFO 560 AM and will be heard weekdays from 6:00am to 9:00 am PST.
Concurrently, KGO welcomes The Morning Show with Nikki Medoro to its morning lineup, airing weekdays from 6:00am to 10:00am PST. Veteran newsman Bret Burkhart joins host Nikki Medoro to deliver a dynamic new morning show to Bay Area listeners.

Doug Harvill, Vice President and Market Manager for Cumulus San Francisco, said: “Nikki Medoro is a compelling and proven talk show host. Her upbeat and engaging personality makes her the perfect fit to take over mornings on KGO. She’ll team with veteran news anchor Bret Burkhart to deliver an entertaining, informative and interactive morning show. At the same time, Armstrong and Getty have established a very dedicated and loyal Bay Area audience that will follow them to sister station KSFO.”

Lee Hammer, Operations Manager, Cumulus San Francisco, and KGO/KSFO Program Director, said: “Nikki has done a tremendous job working with Chip Franklin in afternoon drive, and she’s earned this opportunity to host mornings on KGO. Nikki and Bret will bring a fresh approach to the day’s news, both locally and nationally. They’ll also invite the Bay Area’s listeners to join the conversation and share their opinions.”

Armstrong & Getty
Hammer added: “I’m also excited that Armstrong and Getty will be staying in our station family, just moving down the dial to KSFO. Joe and Jack are fantastic entertainers, super knowledgeable and they’re not afraid to share their opinions. They’ll be a great addition to the KSFO lineup.”

⏩The KGO On-Air Lineup (effective March 2)

6:00am-10:00am The Morning Show with Nikki Medoro
10:00am-Noon The Mark Thompson Show
Noon-3:00pm      The Pat Thurston Show
3:00pm-6:00pm The Chip Franklin Show
6:00pm-9:00pm The John Rothman Show
9:00pm-Midnight The John Batchelor Show

⏩ The KSFO On-Air Lineup (effective March 2)

6:00am-9:00am The Armstrong & Getty Show
9:00am-Noon       The Rush Limbaugh Show
Noon-2:00pm       The Michael Savage Show
2:00pm-3:00pm The Ben Shapiro Show
3:00pm-6:00pm The Mark Levin Show
6:00pm-9:00pm The Dave Ramsey Show
9:00pm-Midnight  The Sean Hannity Show

Portland OR Radio: 105.1 The Buzz Unveils New Line-Up


Entercom has revealed a new weekday programming lineup for HotAC KRSK 105.1 The Buzz in Portland, effective February 25.

The station welcomes Liz Luda and Mike Vezzola as morning show co-hosts, bringing a fresh and interactive pop culture-focused show weekday mornings from 5:00 a.m. to 9:00 a.m. PT. The station also adds Jamie Tanchyk as Assistant Program Director and afternoon drive host from 2:00 p.m. to 7:00 p.m.

Liz Luda
“Building a strong on-air team is why Entercom Portland is the platinum standard for our listeners and advertisers,” said Kim Martinez, Senior Vice President and Market Manager, Entercom Portland. “Liz and Mike’s fun and energetic chemistry coupled with Jamie’s exuberant on-air style and programming prowess cements 105.1 The Buzz as the go-to for young, active listeners in Portland.”

“I am so excited to be joining the Entercom family, especially in Portland,” said Luda. “I love Scott [Roddy, Operations Manager and Program Director, 105.1 The Buzz and 99.5 The Wolf] and Kim’s vision and know that we can deliver great content that audiences can relate to. I am beyond ecstatic for this opportunity.”

Mike Vezzola
Prior to joining Entercom, Luda served as a morning show co-host and Promotions Director for Flinn Broadcasting Corporation in Memphis, TN. She also previously held an Account Executive role for Clear Channel Radio in Charlotte, NC.

Jamie Tanchyk
“I've been fortunate to work with some incredible people throughout my career in several New England markets, and am beyond excited to head out west and begin the next chapter with the extremely talented Liz,” said Vezzola. “Scott Roddy and Kim Martinez are the real deal and have a great vision for the future in Portland, I look forward to getting out there, getting to work and being a part of that.”

Vezzola joins 105.1 The Buzz after previously serving as an on-air personality for sister stations 103.3 AMP Radio (WODS-FM) in Boston and 96.5 TIC FM (WTIC-FM) and HOT 93.7 (WZMX-FM) in Hartford, CT. He also previously held the role of morning show co-host for WWKX in Providence, RI and General Manager for WAIC-FM in Springfield, MA.

“I can't wait to bring my signature spice and seasoning to afternoon drive in Portland,” said Tanchyk. “Scott Roddy and Kim Martinez are incredibly talented leaders and the opportunity to work for them is as exciting as it gets. Let's get it.”

Tanchyk comes to 105.1 The Buzz after holding the role of midday show host for sister station HOT 103.7 KHTP-FM in Seattle.

⏩ New weekday programming lineup is as follows.

5:00 a.m. – 9:00 a.m.:  Liz and Mike
9:00 a.m. – 2:00 p.m.:  Haze
2:00 p.m. – 7:00 p.m.:  Jamie

Listeners can tune in to 105.1 The Buzz (KRSK-FM) in Portland, as well as nationwide on the RADIO.COM app and website. Fans can also connect with the station on social media via Twitter, Facebook and Instagram.

Garth Headlines “Bob Kingsley’s Acoustic Alley” Songwriters Lineup

Hit songwriters, artists, and CRS 2020 attendees will come together to honor and remember the late Bob Kingsley during the annual “Bob Kingsley’s Acoustic Alley,” Thursday, Feb. 20, at CRS.

The evening will end with a writers round hosted by Garth Brooks, who will be joined by special, soon-to-be-announced guests. This always magical CRS event will be hosted by Fitz, who recently assumed hosting duties for Bob Kingsley’s Country Top 40 with Fitz.

The lineup brings a lengthy list of highly-awarded songwriters, and there will be no shortage of County music’s biggest hits on the stage during the night that has become one of Country Radio Seminar’s most anticipated events.

Kicking off the evening’s three writers rounds will be Kingsley’s long-time friend and songwriter, Rhett Akins (“I Don’t Want This Night To End” by Luke Bryan, “All About Tonight” by Blake Shelton, and “Look What God Gave Her” by Thomas Rhett) with a round featuring Jessi Alexander (“The Climb” by Miley Cyrus, “I Drive Your Truck” by Lee Brice, “Mine Would Be You” by Blake Shelton), Chase McGill (“Lose It” by Kane Brown, “Break Up In The End” by Cole Swindell, and “Sunrise, Sunburn, Sunset” by Luke Bryan), and Neal Thrasher (“There Goes My Life” by Kenny Chesney, “Tattoos on This Town” by Jason Aldean, “I Melt” by Rascal Flatts).

Round two will feature writers Cary Barlowe (“Where It’s At” by Dustin Lynch, “Sun Daze” by Florida Georgia Line, “American Honey” by Lady Antebellum), Ashley Gorley (“That’s My Kind of Night” by Luke Bryan, “All American Girl” by Carrie Underwood, “American Saturday Night” by Brad Paisley), Natalie Hemby (“Pontoon” by Little Big Town, “White Liar” by Miranda Lambert, “Downtown” by Lady Antebellum), Eric Paslay (“Barefoot Bluejean Night” by Jake Owen, “Never Really Wanted” by Eric Paslay, and “Angel Eyes” by Love & Theft), and Jimmy Robbins (“Sure Be Cool If You Did,” “It Goes Like This” by Thomas Rhett, “We Were Us” by Keith Urban and Miranda Lambert).

Closing out the evening will be a round led by Garth Brooks (“Ain’t Goin Down ‘Til the Sun Comes Up,” “If Tomorrow Never Comes,” “Unanswered Prayers”).   A special announcement will also be made from Garth Brooks during his round.



“Bob Kingsley’s Acoustic Alley was always Bob’s favorite event,” Nan Kingsley commented. “I am excited to see the tradition continue, with Fitz as your host during Thursday night’s celebration of songwriters. I have no doubt Bob will be with us in spirit, enjoying the music that he loved.”

Sponsored by Bob Kingsley’s Country Top 40 with Fitz, First Horizon Bank, and Skyview Networks, with bar sponsored by ASCAP, “Bob Kingsley’s Acoustic Alley” will take place on Thursday, Feb. 20 from 6:30-10 p.m. in Omni Nashville Hotel’s Legends D-G – Level 2, closing out the second day of CRS 2020.

For more information, visit www.CountryRadioSeminar.com.

Des Moines Radio: Bonnie Lucas Retires At WHO

Van and Bonnie
News/Talk WHO 1040 AM‘s Bonnie Lucas announced she will be retiring from The Morning Show on March 6th.

Lucas has partnered with Van Harden for 25 years on the top-rated morning show. The show is known for doing live remotes at various locations like shooting a pumpkin cannon, broadcasting from under the earth in a mine, and broadcasting on a street corner in New York City.

Lucas says she will enjoy not having to get up at 2:30 in the morning and will have more time to travel and do events on the weekends with her husband.

Lucas, who has worked at the iHeartMedia radio station for 25 years, made the announcement during Wednesday morning's broadcast.

Harden and Lucas were inducted into the Iowa Broadcasters Hall of Fame last year.

She has been working on this decision since last fall.

Hockey's Jeremy Roenick OUT AT NBC Sports


Former NHL player Jeremy Roenick won't be returning to NBC Sports, a network spokesperson confirmed Wednesday, a little more than a month after he was suspended without pay for making inappropriate comments about his coworkers while on a podcast.

Fox News reports Roenick broke the news himself on Twitter, posting a video titled "What a Joke!!" In the video, he says he was angry and disappointed about NBC's decision.


He adds that he plans to return to broadcasting at some point, “better and more motivated to bring you the best entertainment and the best that I have for the game of hockey.”

Kathryn Tappen
Roenick also thanks the fans who've stood by him, saying their support has been "overwhelming."

Roenick was suspended by the network indefinitely just before Christmas, days after he discussed a vacation to Portugal that he took with his wife and co-broadcaster Kathryn Tappen in which he joked about the idea of the three of them having sex together.

Tappen issued a statement at the time, criticizing Roenick's comments.

“While Jeremy and I continue to be good friends, what he said was unacceptable, especially among workplace colleagues. I do not condone his comments," Tappen said.

Roenick had worked with NBC since 2010 and previously played 20 seasons in the NHL for several teams, including the Chicago Blackhawks, Philadelphia Flyers, San Jose Sharks, Arizona Coyotes and Los Angeles Kings.

iHeartPodcast Unveils AdSuite for Marketers

iHeartMedia unveiled Wednesday the iHeartPodcast AdSuite designed to help marketers drive results, at Podfront LA 2020.

iHeartMedia’s unmatched podcast offerings, distribution and listener reach make it the leading player to deliver the most comprehensive podcast advertising tools to brands, partners and advertisers both at a local and national level.

“As the podcast industry continues to evolve and capture massive consumer attention, advertisers and brands are looking for tools and products to capture and measure the impact. They are often left without a system for quantitatively monitoring the success, impact and reach of podcast advertising,” said Conal Byrne, President of the iHeartPodcast Network. As the leader in the space of both audio and podcasting, we are meeting this challenge head on, offering a new suite of cutting-edge podcast ad products – from better targeting to boosted reach across broadcast radio – as well as pulling together performance and insights across the multiple platforms where we reach audiences.”

“Advertisers have a certain expectation with creative, measurement and data when they invest in digital advertising,” said Carter Brokaw, President of Digital Revenue Strategy for iHeartMedia. “The iHeartPodcast AdSuite product will provide the tools and analytics they need to build and track successful podcast advertising campaigns.”

The iHeartPodcast AdSuite provides advertisers with diverse ad formats and customization tools. Through these products, iHeartMedia has created a dynamic range of options for advertisers and brands to reach their audiences with targetability and scale without sacrificing the listener experience.

iHeartMedia Expands Spanish-Language Podcast Offerings


iHeartMedia announced Wednesday two new efforts aimed at expanding the iHeartPodcast Network with more Spanish-language and Hispanic-focused offerings. The iHeartPodcast Network will roll out a slate of podcasts hosted and co-produced by Enrique Santos, notable on-air radio personality and Chairman and Chief Creative Officer of iHeartLatino; and launch a multi-year development, co-production and distribution partnership with multicultural digital audio network, reVOLVER. These combined efforts will result in the development and promotion of high-quality iHeartRadio Original Podcasts hosted by the most popular Hispanic hosts across the country.

Enrique Santos
“Both Enrique Santos and reVOLVER are dedicated to authentically telling stories through the power of audio that represent and connect with the diverse Hispanic community,” said Conal Byrne, President of the iHeartPodcast Network. “These new offerings create an opportunity to utilize iHeartMedia’s expansive network to amplify diverse voices and highlight genuinely captivating content. Our goal is to deliver the biggest, strongest slate of podcast content to Hispanic audiences nationwide – and this gets us there.”

Enrique Santos, nationally syndicated host of Tu Mañana con Enrique Santos on iHeartMedia’s WZTU TÚ 94.9 FM in Miami will launch the podcast “Hola, My Name Is...” as the first in his new slate of shows. The podcast centers around insightful and honest conversations with celebrities, leaders and everyday people with the aim of showcasing the power and resilience of the Hispanic community. Enrique and iHeartMedia will co-develop additional podcasts in the areas of health, fashion and beauty, sports and the supernatural later this year.

“Being able to help elevate stories from my community is an enormous privilege,” said Santos. “Through iHeartMedia’s impressive network, I’m able to tell these stories in new ways while reaching listeners who may not always feel represented in media.”

As part of the agreement, all new and existing reVOLVER Podcasts will join the iHeartPodcast Network and capitalize on iHeartMedia’s unique ability to promote and introduce the podcasts to the vast majority of the country, reaching hundreds of millions of new potential listeners nationwide. iHeartMedia will also become the exclusive sales representative of the reVOLVER Podcast network.

D/FW Radio: MLS FC Dallas, The Fan Partner For Radio Deal


Entercom and MLS FC Dallas have teamed up to produce soccer programming for the 2020 season. As part of the agreement, KRLD 105.3 The Fan in Dallas will host the “The Luchi Gonzalez Show,” presented by Toyota on Thursdays at 1:30 p.m. CT during the 2020 MLS regular season, which will offer exclusive insight from the FC Dallas head coach.

“As the leader in local sports coverage, we aim to provide fans with premier content of their favorite teams on and off the field,” said Brian Purdy, Regional President and Market Manager, Entercom Dallas. “We’re looking forward to a great season with FC Dallas and to expanding our leading sports platform with engaging content.”

“We’re excited to partner with 105.3 The Fan,” said Gina Miller, Vice President of Media and Communications, FC Dallas. “As FC Dallas enters its 25th season, we’re looking forward to sharing our club’s story and we’re appreciative of the coverage The Fan is going to provide.”

105.3 The Fan will also air FC Dallas-themed programming featuring interviews with players and front office personnel, including a “2020 FC Dallas Season Kickoff Show” at the Verizon Performance Lounge at 105.3 The Fan studios in Dallas. In addition to broadcast support, 105.3 The Fan will partner with FC Dallas to host four TOLO Fan Nights at Toyota Stadium for FC Dallas matches. Additional information on Fan Nights to follow at a later date.

The partnership will feature digital content, signage at Toyota Stadium, ticket giveaways and Fan Jam Live Saturday broadcasts from official FC Dallas watch parties during road matches throughout the season.

SBS, Aptivada Partner For Online Contesting


Aptivada, the fastest-growing solution for online contesting, marketing, revenue and promotions announced today that Spanish Broadcasting System, Inc. has signed a companywide, multi-year deal for their radio stations to utilize Aptivada’s platform for all online promotions solutions.

SBS’s VP, Digital Media Sales, Geraldo Arriaga, commented on the announcement, “Aptivada is a welcome addition to SBS. After seeing the platform and the countless opportunities Aptivada provides to increase engagement with our station audiences all while generating local dollars, it was clear this was an ideal fit.”

Aptivada Co-Founder, Creighton Green added, “Spanish Broadcasting System is a leader within the broadcast and media industry as well as the Spanish speaking community and we look forward to working with them. We are determined to continue to offer streamlined tools in multiple languages that provide our partners with growth opportunities for their audience and revenue streams.”

For more information on Aptivada, contact sales@aptivada.com

Berkeley Radio: Non-Com KPFA Building Set for Auction


KPFA 94.1 FM's iconic building in Berkeley CA is scheduled to be auctioned off March 20 because of the non-payment of taxes, Berkeleyside.com reports.

The progressive radio station has not paid property taxes since December 2013, and currently owes $486,751 to Alameda County. The Tax Assessor’s office has a contract to sell off delinquent properties. The public auction starts March 20. The minimum bid is $486,853.

The station has until March 19 to pay the debt to stop the auction.

“We’re all freaking out about it,” said Christina Huggins, the chair of the KPFA local station board. “We’re all worried about it. It’s alarming.”

She and others believe that the Pacifica Foundation has hired a Southern California law firm, Alpert Barr & Grant, to negotiate a settlement with the Alameda County Tax Collector.

Huggins and others say the reason KPFA has not been paying its property taxes stems from the time the Pacifica Foundation legally changed its name but neglected to register the new name with California’s Board of Equalization, which oversees nonprofits.

Since the new name was never registered as a nonprofit, the Alameda County Tax Assessor’s office levied a corporate tax rate on the KPFA building, not a nonprofit rate. With the tax exemption, the rate would have $1,500 a year. Without the tax exemption, the rate was $53,216 a year, wrote Huggins.

It is not clear if there is enough money in Pacifica’s coffers to pay off the $486,751 property tax bill. The foundation has been on financially shaky grounds for a few years.

In 2018, the Pacifica Foundation was $8 million in debt, according to a statement by the then-executive director. A huge chunk of that debt came from WBAI in New York City, which had been unable to pay rent for its transmitter on top of the Empire State Building. In 2016, the landlord, Empire State Realty Trust, had sued Pacifica for $1.3 million in back rent. A New York Supreme Court judge ruled in favor of ESRT in 2017, awarding the company a judgment of more than $1.8 million.

Help arrived in 2018 when the nonprofit lender FJC agreed to lend Pacifica $3.4 million to pay off ESRT. The terms freed the foundation from making any payments for 18 months and allowed it to pay interest only for the next 18 months. The loan must be paid off in 2021.

Radio+Music Could Reduce Morning Grogginess


A study by the Royal Melbourne Institute of Technology (RMIT)  University suggests melodic alarms could improve alertness levels, with harsh alarm tones linked to increased levels of morning grogginess.

The surprising finding, published in PLoS One, could have important implications for anyone who needs to perform at their peak soon after waking, such as shift workers and emergency first responders.

Lead author, RMIT doctoral researcher Stuart McFarlane, said morning grogginess – or sleep inertia – was a serious problem in our 24-hour world.

“If you don't wake properly, your work performance can be degraded for periods up to four hours, and that has been linked to major accidents,” McFarlane said.

“You would assume that a startling ‘beep beep beep’ alarm would improve alertness, but our data revealed that melodic alarms may be the key element. This was unexpected.

“Although more research is needed to better understand the precise combination of melody and rhythm that might work best, considering that most people use alarms to wake up, the sound you choose may have important ramifications.

“This is particularly important for people who might work in dangerous situations shortly after waking, like firefighters or pilots, but also for anyone who has to be rapidly alert, such as someone driving to hospital in an emergency.” 

How adults are waking up
The research involved 50 participants, using a specially designed online survey that enable them to remotely contribute to the study from the comfort of their own home.

Each person logged what type of sound they used to wake up, and then rated their grogginess and alertness levels against standardized sleep inertia criteria.

The results of a poll at YouGov shows that while many people still use a traditional alarm clock to wake them up, the majority of people are using their phones now as their alarm. These phone alarms usually offer more options for sounds to wake-up to.

NYC-Miami Radio: SBS Unveils 'Mega Mezcala Alex Sensation'


LaMusica App WSKQ Mega 97.9 FM will once again present the “MEGA MEZCLA Alex Sensation”. The show will bring performances by some of the year's biggest recording artists. Mega Mezcla 2020 returns to the Prudential Center in Newark, New Jersey on Saturday, April 25th, 2020. Tickets are currently on sale at www.ticketmaster.com.

The full artist line-up will be announced soon on El Nuevo Zol 106.7FM and across social media platforms. Listeners can tune-in for more lineup updates.

Join the conversation on social networks using the hashtag #MegaMezcla2020. Follow on Twitter and Instagram @mega979nyc, on Facebook at Facebook.com/Mega979FM and online at http://lamega.lamusica.com.

"Our goal has always been to produce unprecedented events and on April 25th we will be bringing together these great figures at the iconic Prudential Center," said Albert Rodriguez, COO of SBS.

"We are pleased to present this mega production with the best music and concert technology; So that the faithful audience of Mega97.9FM could enjoy a show of the best quality possible," said Maire Mason, VP of Sales and General Manager of SBS New York.


In Miami..,LaMusica App and South Florida’s  WXDJ El Nuevo Zol 106.7 FM its currently on sale for MiamiBash at www.ticketmaster.com. The show will bring performances by some of the year's biggest recording artists. MiamiBash 2020 returns to the AmericanAirlines Arena in Miami, Florida on Saturday, April 18th, 2020.

The full artist line-up will be announced soon on El Nuevo Zol 106.7FM and across social media platforms. Make sure to tune in to El Nuevo Zol 106.7FM for more exciting lineup updates.

CBS This Morning Host Gets Apology From Snoop Dogg


Snoop Dogg has officially apologized to CBS This Morning host Gayle King. USAToday reports.

"Two wrongs don't make no right. When you're wrong, you gotta fix it," the rapper said in an Instagram video Wednesday.

Snoop had been blasting King since she conducted an interview with WNBA player Lisa Leslie last week that touched on the legacy of the late Kobe Bryant. King broached a sensitive topic by invoking the basketball icon's 2003 rape charge.

In response, Snoop Dogg set off a firestorm on Instagram referencing his anger toward King.

Snoop clarified his comments more defensively over the weekend, insisting he "didn't threaten" King, saying that he was "very non-violent" and spoke "from the heart."

But on Wednesday the rapper offered a more heartfelt, nuanced apology. "Gayle King, I publicly tore you down by coming at you in a derogatory manner based off of emotions about me being angry about questions that you asked. (I) overreacted. Should have handled it way different than that. I was raised way better than that."

He added: "So I would like to apologize to you publicly for the language that I used and calling you out … and just being disrespectful. I didn't mean to be like that. I was just expressing myself for a friend who wasn't here to defend himself. … Hopefully we can sit down and talk privately."

R.I.P.: Paula Kelly, Actress, Dancer

Paula Kelly, an actress who earned Emmy Award nominations for roles on NBC’s 1980s sitcom Night Court and the 1989 ABC miniseries The Women of Brewster Place, died on Saturday, February 8 in Whittier, California from chronic obstructive pulmonary disease.

Paula Kelly
She was 77, reports msn.com.

Kelly, who was also a dancer, choreographer and singer, had her breakthrough role of Helene in Bob Fosse’s 1969 film Sweet Charity, sharing the screen with star Shirley MacLaine and Chita Rivera in such musical numbers as “There’s Gotta Be Something Better Than This” and the showstopper “Hey, Big Spender.” She’d already played the role in a West End stage production.

Other film credits include The Andromeda Strain (1971), Uptown Saturday Night (1974) and Once Upon A Time When We Were Colored (1995).

Kelly appeared in numerous TV series from the 1970s through the ’90s, including Sanford & Son, Medical Center, The Streets of San Francisco, Police Woman and The Richard Pryor Show. In one memorable performance, she played an arrogant doctor called upon to treat the young Janet Jackson’s character in a 1979 episode of CBS’ Good Times.

In 1984, she earned an Emmy nomination for Outstanding Supporting Actress in a Comedy Series for her performance as Night Court‘s public defender Liz Williams.

Her second supporting actress Emmy nomination came in in 1989, when she played the lesbian Theresa in the two-night miniseries The Women of Brewster Place, produced by Oprah Winfrey’s Harpo Productions.

Other television credits include a mid-’80s run on daytime’s Santa Barbara, and co-choreographing, with Michael Kidd, BBC’s 1976 presentation of Peter Pan.

R.I.P.: Christine Blatchford, Toronto Journalist, CFRB Commentator

Christie Blatchford has died in Toronto died Wednesday morning in hospital at age 68, The Sun reports.

Christine Blatchford
The respected Canadian journalist was diagnosed with cancer in November 2019; she had lung cancer that had metastasized to her spine and hip.

In the same month as her diagnosis, Blatchford was inducted into the Canadian News Hall of Fame. In a statement at that time, Blatchford said the most meaningful work in her career was as a war correspondent reporting on Afghanistan, where she travelled in 2006-07.

(Her book on those experiences, Fifteen Days: Stories of Bravery, Friendship, Life and Death from Inside the New Canadian Army, won the Governor-General’s Literary Award in 2008. Blatchford also wrote four other non-fiction books and published two collections of humour columns from the Toronto Sun.)

Her first choice of war correspondent notwithstanding, Blatchford became a superstar of journalism through her coverage of crime and the courts. Her writing changed the face of court coverage.

Blatchford worked for every major newspaper in Toronto: The National Post, the Sun chain, Toronto Star and The Globe and Mail.

Besides crime and the courts, she wrote everything from sports and politics to personal lifestyle stories.

Blatchford began her career at The Globe and Mail almost 50 years ago, starting while she was still a student and landing a full-time job in 1973 when she graduated from Ryerson. Within two years, she broke gender barriers by becoming a sports columnist at the paper. There were no more than about six women writing sports in North America at that time.

Her media presence was huge. Blatchford had a voice on News/Talk CFRB 1010 AM Toronto for years and was a welcome guest/commentator on television.

February 13 Radio History


➦In 1914...the American Society of Composers, Authors and Publishers (known as ASCAP) was formed in New York City. The society was founded to protect the copyrighted musical compositions of its members.  A rival performing rights organization, Broadcast Music Incorporated (BMI), was formed in 1939.

Tennessee Ernie Ford
➦In 1919...Singer Tennessee Ernie Ford was born in Bristol, Tenn.  He began his career as a radio announcer at hometown station WOPI, and continued after WWII at stations in San Bernardino & Pasadena. He joined Cliffie Stone’s Dinner Bell Roundup on KXLA radio, and his Hometown Jamboree TV show. In 1950 he had his first crossover song hit with Kay Starr, I”ll Never Be Free.  His big smash five years later was Sixteen Tons, which propelled him to a six year prime time show on NBC TV.  He has three stars on the Hollywood Walk of fame, for records, television, and radio.

A First Lieutenant, he served in the United States Army Air Corps in World War II as the bombardier on a B-29 Superfortress flying missions over Japan.

After the war, Ford worked at radio stations in San Bernardino and Pasadena, California. At KFXM, in San Bernardino, Ford was hired as a radio announcer. He was assigned to host an early morning country music disc jockey program, Bar Nothin' Ranch Time. To differentiate himself, he created the personality of "Tennessee Ernie", a wild, madcap, exaggerated hillbilly. He became popular in the area and was soon hired away by Pasadena's KXLA radio.

At KXLA, Ford continued doing the same show and also joined the cast of Cliffie Stone's popular live KXLA country show Dinner Bell Roundup as a vocalist while still doing the early morning broadcast. Cliffie Stone, a part-time talent scout for Capitol Records, brought him to the attention of the label. In 1949, while still doing his morning show, he signed a contract with Capitol. He became a local TV star as the star of Stone's popular Southern California Hometown Jamboree show. RadiOzark produced 260 15-minute episodes of The Tennessee Ernie Show on transcription disks.

He released almost 50 country singles through the early 1950s, several of which made the charts.

Ford eventually ended his KXLA morning show and in the early 1950s. He became a household name in the U.S., largely as a result of his portrayal in 1954 of the 'country bumpkin', "Cousin Ernie", on three episodes of I Love Lucy. His big hit in 1955 was Sixteen Tons, which propelled him to a six year prime time show on NBC TV.  He has three stars on the Hollywood Walk of fame, for records, television, and radio.

 A heavy drinker off stage, Ernie died of increasing liver problems Oct. 17 1991 at age 72.


➦In 1919...Early radio singer Joan Edwards was born in New York City (died at age 62 from an apparent heart attack August 27, 1981).  She was perhaps best known for her work on the radio version of Your Hit Parade. She also was a vocalist for Paul Whiteman and His Orchestra.

Edwards' early appearances on radio came "via small stations in New York City."Her first network appearance was on Fred Allen's program.

Beginning March 3, 1941, Edwards had her own program, Girl About Town, on CBS. The 15-minute show was broadcast Wednesdays and Fridays at 10:30 p.m. Eastern time. Although her singing was featured, she played the piano for one song in each episode.

In December 1941, Edwards was selected as the new female soloist on Your Hit Parade. Three years later, an article in Tune In magazine observed, "Joan Edwards sets something of a record, lasting through the regimes of three male singers -- Barry Wood, Frank Sinatra, Lawrence Tibbett -- in a three-year period."

Her tenure on the program eventually reached five years, and the list of male singers' names grew to include Dick Todd and Johnny Mercer. She was dropped from Your Hit Parade in 1947 when the sponsor, American Tobacco Company, changed format, using guest stars rather than regular soloists.

On March 3, 1952, Edwards began a morning disc jockey program on WCBS-AM in New York City



➦In 1934...WNEW 1130 AM NYC Signed on

The station's origins go back to 1922 as WAAM and 1925 as WODA. A radio institution throughout the majority of the 20th century, WNEW was known for its music selection as well as its staff of radio personalities including Martin Block, Dee Finch, Gene Rayburn, Gene Klaven, Ted Brown and William B. Williams. WNEW is credited with pioneering the role of the disc jockey, as well as for developing the modern morning radio show format and debuting the first all-night radio show. In addition to its music and entertainment programming, WNEW featured an award-winning news desk and became "the voice of New York sports" for its coverage of New York Giants football games. After years of declining ratings and management changes in the 1980s, WNEW was purchased by Bloomberg L.P. in 1992 and changed call letters to WBBR.

WODA was acquired in 1934 by advertising executive Milton Biow and watch manufacturer Arde Bulova after the Amalgamated Broadcasting System failed and began selling off its radio stations.
The call letters were changed to WNEW for “the NEWest thing in radio”.

The station was launched in a ceremony performed on February 13th at 9 pm by President Franklin D. Roosevelt.  From the White House the president pushed a button and moments later a lamp illuminated in a New Jersey transmitter room. As the light shined, soprano Yvonne D’Arle sang the Star Spangled Banner and WNEW 1130 AM officially went on the air.

New York socialite Bernice Judis was hired as WNEW's first General Manager.

As a small, independent radio station, WNEW lacked the funds larger networks Columbia Broadcasting System, Mutual Broadcasting System, and the National Broadcasting Company used to produce daily programming common for that time such as comedy shows, soap operas and dramatic programs. However, Judis was not discouraged, and even welcomed the opportunity to develop her own schedule of innovative programming that included playing recordings of popular music throughout the day, creating the first all-night radio show, Milkman's Matinee, and cultivating a line-up of popular morning radio show personalities.

In 1935, WNEW pioneered the concept of a disc jockey when staff announcer Martin Block needed to fill time between new bulletins during his coverage of the Lindbergh kidnapping trial of Bruno Hauptmann. Block did not have access to a live orchestra to play music during the breaks as most network stations did, so he played records instead.  Soon afterward, he piloted a 15-minute experimental show called the Make Believe Ballroom, during which he played records from popular bands and singers, posed as a live performance in an imaginary ballroom. During Block's tenure as host of Make Believe Ballroom, the show attracted 25% of the listening audience in New York City. The show continued in sporadic runs until the station's end in 1992.





➦In 1947... “Family Theater” was heard for the first time on Mutual radio. Jim Ameche and Loretta Young starred in the program’s first episode, “Flight from Home”.  The overtly-Christian stories were directed at Roman Catholic families. Production ceased in 1956 but reruns continued through the 1960’s.


➦In 1949...'Pat Novak for Hire', a radio detective drama series debuted. It was produced at KGO in San Francisco program and in 1949 as a nationwide program for ABC. The regional version originally starred Jack Webb in the title role, with scripts by his roommate Richard L. Breen. When Webb and Breen moved from San Francisco to Los Angeles to work on an extremely similar nationwide series, 'Johnny Madero Pier 23', for the Mutual network, Webb was replaced by Ben Morris and Breen by other writers.



➦In 1956...Coral Records, a subsidiary of Decca Records, signed a deal with NYC radio personality Alan Freed to curate four rock 'n' roll dance and party albums.



➦In 1956...KYW 1060 AM in Philadelphia PA gave call letters to WTAM Cleveland. Philadelphia’s KYW has a long (and mobile) history.

KYW began in 1921 in Chicago, Illinois. It was jointly owned by Westinghouse Electric Corporation and Commonwealth Edison. Westinghouse later bought out ComEd's share and became sole owner of the station. In 1927, Westinghouse aligned its four radio stations (KYW, KDKA in Pittsburgh, WBZ in Boston and WBZA in Springfield, Massachusetts) with the NBC Blue Network, which originated from former sister station WJZ (the present-day WABC) in New York City. Westinghouse had been a founding partner of the Radio Corporation of America (RCA), NBC's original parent company.


In 1934, the assignment of clear channels took a frequency away from Illinois and gave it to Pennsylvania, resulting in Westinghouse moving KYW to Philadelphia.  Upon arriving, KYW supplanted WFI and WLIT (which merged as WFIL in 1935) as Philadelphia's Blue Network affiliate – an affiliation that lasted 20 years (according to the June 14, 1940 edition of the Philadelphia Daily News, KYW used the frequency of 1020 AM at the time).

Circa 1946
In March 1941, KYW changed frequencies to 1060 AM as part of a nationwide shift of radio frequencies mandated by the North American Radio Broadcasting Agreement. KYW and the other Westinghouse radio stations remained with NBC after RCA was ordered by the FCC to break up its radio networks, aligning with the former Red Network (the predecessor of modern-day NBC) in 1942. KYW acquired a television counterpart when Westinghouse bought WPTZ (channel 3) – the nation's third commercial television station and NBC's second television affiliate – in 1953.

In June 1955, Westinghouse agreed to trade KYW and WPTZ to NBC in exchange for the network's properties in Cleveland, WNBK television and WTAM-AM-FM. Westinghouse also received $3 million in cash compensation.  The main impetus for the trade was NBC's desire to acquire an owned-and-operated television station in the fourth-largest American television market. NBC had to seek a waiver for the swap since KYW and NBC Radio's New York City flagship, WRCA (now sister station WFAN) were both clear channel stations; at the time, the Federal Communications Commission (FCC) normally did not allow common ownership of clear-channel stations with overlapping nighttime coverage. After clearing final regulatory hurdles, the swap went into effect on February 13, 1956. NBC took over the Philadelphia stations, rechristening 1060 AM as WRCV (for the RCA-Victor record label), and Westinghouse moved the KYW call letters to Cleveland.

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However, almost immediately after the trade was finalized, Westinghouse complained to the FCC and the United States Department of Justice about NBC's coercion and an lengthy investigation was launched.  In August 1964, NBC's license for WRCV radio and television was renewed by the FCC – but only on the condition that the 1956 station swap be reversed.[9] Following nearly a year of appeals by NBC, Westinghouse regained control of WRCV-AM-TV on June 19, 1965 and subsequently restored the KYW call letters to the radio station (the television station became KYW-TV at this point).   To this day, the KYW stations insist that they "moved" to Cleveland in 1956 and "returned" to Philadelphia in 1965. However, the two stations' facilities remained the same.

On September 21, 1965, shortly after Westinghouse regained control of 1060 AM, the newly rechristened KYW once again dropped its NBC radio affiliation and was converted into one of the first all-news stations in the country.

Today KYW, Philadelphia is owned by Entercom Communications.

➦In 2007...Premiere Radio Networks announced that American Top 40 with Ryan Seacrest had passed the 400-station mark worldwide. Seacrest also enjoyed a #1 rating in New York and Los Angeles with the target demo of adults 18-34.  In January 2004, Seacrest became the new host of the syndicated weekly countdown show, created and formerly hosted by Casey Kasem. A month later, Seacrest became host of Los Angeles radio station KIIS 1027 FM morning show, replacing long-time host Rick Dees.

➦In 2019...the Chicago Cubs and Sinclair Broadcast Group announced the formation of a regional channel called the Marquee Sports Network to carry the team’s games starting the following spring.