Friday, October 17, 2025

R.I.P.: Susan Stamberg: A Pioneering Voice in Public Radio

Sus Stamberg ('36='25)
Susan Stamberg, one of the "founding mothers" of National Public Radio (NPR) and a trailblazing journalist who broke barriers for women in broadcasting, died on October 16, 2025, at the age of 87. 

Her death was announced by NPR, though no specific cause was disclosed. 

Remarkably, Stamberg had retired from NPR just six weeks earlier, capping a career that spanned more than 50 years and made her one of the most recognizable voices in American radio.

Born Susan Levitt on October 7, 1938, in Newark, New Jersey, and raised in Manhattan, Stamberg graduated from Barnard College. She began her radio career at WAMU in Washington, D.C., before joining NPR at its inception in 1971, when it was little more than a fledgling network of public radio stations. Starting as an audio editor—splicing tape with a razor blade—she quickly rose through the ranks.

Stamberg coined the term "founding mothers" to describe herself and fellow NPR pioneers Cokie Roberts, Nina Totenberg, and Linda Wertheimer, pushing back against the male-dominated narrative of the network's origins. "I got tired of hearing about Founding Fathers, and I knew we were not that, so we were obviously Founding Mothers, and I was going to put that on the map," she once said. 

Her colleague Linda Wertheimer recalled sharing a cramped office with photocopiers, where their political disagreements fueled lively discussions that shaped NPR's early culture.

Stamberg ('72)
In 1972, Stamberg made history as the first woman in the United States to anchor a national nightly news program, co-hosting NPR's All Things Considered for 14 years. With just five reporters to fill a 90-minute show, she brought an "earthy informality" to her interviews, blending rigorous journalism with warmth and wit. Her distinctive New York accent became a signature, as noted by colleague Jack Mitchell.

Later, she hosted Weekend Edition Sunday, where she introduced beloved segments like a puzzle feature and early appearances by the Car Talk brothers. Throughout her tenure, Stamberg interviewed icons such as Rosa Parks, Milton Friedman, Fred Rogers, Sarah Vaughan, and Joan Didion, always making listeners feel included in the conversation. 

NPR President and CEO Katherine Maher eulogized her as someone whose voice was "a cornerstone of American life," proving that journalism could be "rigorous and deeply personal."

Stamberg's honors included a star on the Hollywood Walk of Fame (unveiled in 2020), induction into the Radio Hall of Fame, and numerous awards for her contributions to broadcasting.

Radio History: Oct 17


➦In 1907...Guglielmo Marconi officially opened the first commercial transatlantic wireless telegraph service, which runs between Nova Scotia and Ireland.

In 1919...Radio Corporation of America (RCA) was created.

At the end of World War I, the Marconi Wireless Telegraph Company of America was the only company in the United States that was equipped to operate transatlantic radio and telegraph communications. The United States government found this unacceptable since the Marconi Wireless Company of America was entirely owned by a foreign company—the British Marconi Company.

At the prompting of Franklin D. Roosevelt, who was undersecretary of the navy at the time, General Electric (GE) formed a privately owned corporation to acquire the assets of American Marconi from British Marconi. On October 17, 1919, the Radio Corporation of America (RCA) was incorporated and within a month had acquired those assets.

General Electric was the major shareholder of RCA and the two companies cross licensed their patents on long distance transmission equipment. A year later American Telephone & Telegraph (AT&T) bought into RCA and also cross licensed patents with the new company. Transoceanic radio service began that same year with a major station in New Jersey broadcasting to England, France, Germany, Norway, Japan, and Hawaii. The world’s first licensed radio station also began transmitting in 1920. This station, KDKA of Pittsburgh, was owned by the Westinghouse Company.

In 1921, Westinghouse, too, joined the ranks of asset holders of RCA; in exchange for selling Westinghouse radio equipment to the public, RCA was permitted access to Westinghouse patents.

RCA entered the broadcasting field in 1921 with its transmission of the Dempsey-Carpentier fight in Jersey City, New Jersey. Using a transmitter borrowed from the navy. The company began full-time radio broadcasting shortly afterwards when it became an equal partner with Westinghouse in station WJZ of Newark, NJ.

Thursday, October 16, 2025

R.I.P.: Ace Frehley, Founding Member of KISS

Ace Frehley

Ace Frehley passed away Thursday at the age of 74 due to complications from a traumatic brain bleed sustained in a fall at his home studio in late September. The incident occurred around September 26, leading to his immediate hospitalization. Initial statements from his team downplayed the severity, noting it as a "minor fall" and advising against travel, but his condition rapidly deteriorated. He was placed on life support, with family members reportedly considering end-of-life decisions as his prognosis worsened.

Ace Frehley, born Paul Daniel Frehley on April 27, 1951, in the Bronx, New York, was a pioneering guitarist, songwriter, and co-founder of the iconic hard rock band KISS. Known onstage as "The Spaceman" or "Space Ace," Frehley was celebrated for his inventive guitar riffs, charismatic persona, and signature makeup—complete with a star over one eye—that helped define KISS's theatrical glam-rock style. 

His contributions to the band's sound and image were instrumental in their rise to global stardom in the 1970s, selling over 100 million albums worldwide.

His Career Highlights

Early Days with KISS (1973–1982): Frehley joined forces with Gene Simmons (bass/vocals), Paul Stanley (rhythm guitar/vocals), and Peter Criss (drums) to form KISS in 1973. He penned and performed on hits like "Cold Gin," "Parasite," "Shock Me," and "New York Groove." His solo tracks on KISS albums, such as "Fractured Mirror" from Dressed to Kill (1975), showcased his raw, bluesy edge. Live, Frehley's antics—like shooting flames from his guitar—made him a fan favorite.

Solo Ventures and Reunions: After leaving KISS amid personal struggles with substance abuse in 1982, Frehley launched Frehley's Comet in 1984, scoring a Top 20 hit with "Rock Soldiers" from his self-titled debut. He reunited with KISS for their blockbuster 1996–2002 tours, contributing to the platinum Kiss Alive 1975-2000 album. Post-reunion, he resumed solo work, releasing Anomaly (2009) and 10,000 Volts (2024), the latter earning a Grammy nomination for Best Rock Album.


Legacy: Inducted into the Rock & Roll Hall of Fame with KISS in 2014, Frehley influenced generations of guitarists with his Les Paul mastery and unapologetic showmanship. Despite band tensions—often fueled by his off-stage excesses—he remained a symbol of rock 'n' roll rebellion.Frehley's life wasn't without challenges; he battled addiction for decades, achieving sobriety in the 2000s, but health issues, including a 2023 hip replacement, had slowed his touring schedule.

ESPN Names Shae Cornette as New Host of First Take


ESPN announced today that Shae Cornette will be the new host of First Take. Cornette will make her official debut on Monday, Nov. 3 after serving as a fill-in host for the signature morning debate show over the last several years.

Cornette has been a longstanding anchor on SportsCenter and a mainstay across ESPN studio programming since joining ESPN in 2020. She is known for her dynamic presence, extensive knowledge and confident command of conversation, making her a respected and recognizable voice across television, radio and streaming.

“Shae is meticulous in her preparation, connects naturally with our show’s high-profile personalities, and has a unique ability to keep lively debate engaging and on point,” said David Roberts, Executive Vice President, Executive Editor, Sports News and Entertainment. “Her professionalism, presence, and energy make her an ideal fit for First Take and a great addition to one of ESPN’s most successful franchises.”

Stephen A. Smith, Featured Commentator and Executive Producer of First Take, added: “Hosting First Take is no easy assignment. It requires confidence, toughness, and real sports insight — and Shae brings all of that and more. I’ve seen her command the desk with poise and passion every time she’s hosted. She’s the real deal, and I’m thrilled to have her officially join the team.”

Cornette will conclude her SportsCenter anchor responsibilities later this month, with her final show scheduled for Oct. 25.

“I feel ready to step into this role and know I can add to the already successful brand that First Take is,” Cornette said. “From my days in radio to hosting SportsCenter and now First Take, my journey at ESPN has been one of growth, challenge, and opportunity. First Take’s energy, perspective and passion represents everything I love about sports, and I’m excited to bring more of that to the debate desk every weekday morning.”

TV Ratings: Fox News Harvests Octobers Viewers


FOX News Channel (FNC) averaged 2.7 million viewers in weekday primetime during the week of October 6 leading CBS (2.2 million viewers) according to Nielsen Big Data + Panel. Year-to-date, FNC continues to lead all broadcast networks with Monday-Friday primetime viewers. 

In Monday - Sunday total day (6 AM-6 AM/ET), FNC posted 1.5 million viewers and 148,000 in the 25-54 demo. The network commanded 64% of the primetime and 63% total day cable news audience. FNC drew 97 of the top 100 cable news telecasts for the week.


The Five averaged 3.7 million viewers and 325,000 in the 25-54 demo, leading cable with viewers. At 6 PM/ET, Special Report with Bret Baier drew 2.7 million viewers and 271,000 in the 25-54 demo. The Ingraham Angle saw 2.5 million viewers and 238,000 in the 25-54 demo at 7 PM/ET. Jesse Watters Primetime commanded 3 million viewers and 300,000 in the 25-54 demo at 8 PM/ET. At 9 PM/ET, Hannity posted 2.6 million viewers and 258,000 with A25-54. At 11 PM/ET, FOX News @ Night secured 1.4 million viewers and 162,000 in the 25-54 demo.


FNC’s late-night hit Gutfeld! (weekdays, 10 PM/ET) averaged 2.7 million viewers and 297,000 in the 25-54 demo continuing to outpace the broadcast competition including ABC’s Jimmy Kimmel Live! (2.1 million viewers), NBC’s The Tonight Show with Jimmy Fallon (1.4 million viewers) and Late Night with Seth Meyers (838,000 viewers).


FNC continued to see its daytime programs outpace the broadcast competition. The Will Cain Show (weekdays, 4 PM/ET; 2.2 million viewers), Outnumbered (weekdays, 12 PM/ET; 2 million viewers), America’s Newsroom (weekdays, 9-11 AM/ET; 1.9 million viewers) and The Faulkner Focus (weekdays, 11 AM/ET; 1.9 million viewers) each outpaced CBS Mornings and The Story (weekdays, 3 PM/ET; 1.9 million viewers) and America Reports (weekdays, 1-3 PM/ET; 1.9 million viewers) led NBC’s Today with Jenna and Friends (1.4 million viewers), ABC’s GMA3 (1.3 million viewers) and NBC News Daily (1.2 million viewers).

Ratings Graphics Courtesy of RoadMN

On Saturday: Kayleigh McEnany’s Saturday in America (Saturday, 10 AM - 12 PM/ET) was the most-watched show of the day with 1.4 million viewers and 112,000 A25-54. FOX & Friends Weekend (weekends, 6-10 AM/ET) followed with 1.2 million viewers and 104,000 A25-54. In primetime, Life, Liberty & Levin (weekends, 8 PM/ET) and My View with Lara Trump (Saturday, 9 PM/ET) each drew 1.1 million viewers.

On Sunday: Maria Bartiromo’s Sunday Morning Futures (Sunday, 10 AM/ET) was the number one show of the day with 1.6 million viewers and 100,000 A25-54. The Big Weekend Show (weekends, 5-8 PM/ET) and Sunday Night in America with Trey Gowdy each drew 1.3 million viewers. The Sunday Briefing (Sunday, 11 AM/ET) anchored by senior White House correspondent Jacqui Heinrich garnered 1.3 million viewers and 93,000 A25-54.

Source: Nielsen. Big Data + Panel. Week of 10-06-25 ratings data. Average audience for cable news networks Monday-Sunday based on Total Day and Prime (6a-6a, 8P-11P), P2+, P25-54. Cable News/Broadcast Program averages exclude repeats and include the corresponding program name.

150 Staffers Out At NBC News


NBC News announced and began implementing layoffs affecting approximately 150 staffers, representing about 7-8% of its roughly 2,000-person news division workforce and around 2% of the broader NBCUniversal News Group. 

These cuts were communicated during a brief 10 a.m. ET all-staff meeting led by NBC News executive Catherine Kim, who described it as a "difficult day" for many. The reductions are scattered across various teams and departments, rather than targeting specific units, though diversity-focused initiatives like NBC BLK, NBC Asian America, and NBC Latino were notably impacted.

This marks the second round of significant layoffs at NBC News this year, following about 40 cuts in January that also affected diverse audience teams.

Context: The Versant Split

The layoffs are directly tied to Comcast's ongoing spinoff of its cable networks into a new publicly traded entity called Versant, set to take effect soon. Currently, NBC News, MSNBC, and CNBC operate under the NBCUniversal News Group umbrella, led by Chairman Cesar Conde. The Versant split will separate MSNBC and CNBC from NBC News, meaning NBC News will no longer provide shared newsgathering, reporting, and support services to these cable outlets.

This restructuring reflects broader industry pressures, including declining cable TV viewership due to cord-cutting, sagging ad revenues, and the shift toward streaming and digital platforms. MSNBC, in particular, is building its own independent newsroom and has been hiring talent from NBC News, The Washington Post, Politico, and elsewhere to fill gaps. CNBC's separation adds to the efficiency drives, as revenue from these cable arms will now fund Versant's operations independently.

Support for Affected Employees NBC News is providing a comprehensive support package to those impacted: 
  • 60 days' notice before departures.
  • Severance pay.
  • Outplacement services for job placement assistance.    Additionally, not all affected roles will result in immediate exits. The company has about 140 open positions across its news operations, and laid-off staff are being encouraged to apply for them. Roughly a dozen of the eliminated jobs are being repurposed into new roles, with priority application access for those impacted
  • NBC News' Strategic Shifts   While trimming costs, NBC News emphasized reinvestment in growth areas. In a recent memo to staff, Conde highlighted:
✔Launch of a new subscription service later in 2025, building on successes like the daily podcast Here's the Scoop, offering premium news coverage and exclusive content.

✔Expanded coverage in sports journalism, aligning with upcoming events like the NBA's return to NBC broadcasts and the 2026 Milan Olympics.
✔A new marketing campaign to bolster its reputation for "rigorous fact-based reporting" across platforms.
These moves aim to pivot toward digital and streaming revenue streams amid cable's decline. Both NBC News and MSNBC are exploring their own streaming services, with NBC News further along in development.

Layoffs Hit The Wall Street Journal


The Wall Street Journal (WSJ) has announced a major restructuring of its health, science, and education coverage teams, resulting in the layoffs of approximately a dozen reporters and editors. 

The move, detailed in an internal memo from Editor-in-Chief Emma Tucker, aims to streamline operations by reintegrating health coverage into the business desk—where it originated before the COVID-19 pandemic—and merging the science team into the existing education group under National Affairs. 

Tucker acknowledged the impact in her memo: “I recognize that change can be unsettling,” while emphasizing the goal of creating “a single, cohesive reporting group” for health-related stories.

This is part of a broader wave of newsroom reorganizations at the News Corp-owned publication, which has seen multiple rounds of cuts throughout 2025 despite reporting record profits and subscriber growth. 
The layoffs coincide with similar moves at other outlets, including NBC News, which eliminated 150 roles across its diversity-focused verticals on the same day.

Key Details of the Restructuring
  • Health Coverage: Returning to the Corporate group under Kate Linebaugh, this bureau will now encompass business aspects like health insurers, pharmaceuticals, and the economics of health care, merged with existing personal-health reporting. WSJ plans to recruit a new health bureau chief to lead this unified team.
  • Science Coverage: Folded into the Education team, which remains part of the National Affairs section. This shift reduces the standalone science team's footprint.
  • Education Coverage: Unaffected structurally but absorbs the science integration.
  • Affected Staff: Around 12 positions eliminated, including long-time contributors. Notably, Stefanie Ilgenfritz, the health and science editor with over 35 years at WSJ, was among those departing. 
Ilgenfritz led award-winning work, including a 2015 Pulitzer Prize-winning series on Medicare fraud and a 2025 Pulitzer finalist on the same topic, as well as the paper's acclaimed COVID-19 coverage.

Tucker praised the outgoing staff in her memo, stating, “I want to thank them for their many contributions to the Journal, particularly Stefanie Ilgenfritz.” Specific names of other laid-off reporters and editors beyond Ilgenfritz have not been publicly disclosed in initial reports.

iHM To Syndicate Black Information Network


iHeartMedia has announced a major expansion for its Black Information Network (BIN), making the full 24/7 all-news format available for syndication to radio stations owned by other companies through Premiere Networks, iHeartMedia's syndication arm. 

The move opens BIN beyond iHeartMedia's own 860+ stations, allowing non-iHeart broadcasters to integrate its content on a market-exclusive basis. The syndication launches on November 1, 2025, marking a shift from BIN's previous exclusivity to iHeart-owned outlets.

Tony Coles
This development builds on BIN's growth since its 2020 launch, positioning it as a go-to source for objective, culturally relevant news tailored to Black audiences. As iHeartMedia President of Multicultural Business & Development and BIN President Tony Coles stated: “Over the past five years, the Black Information Network (BIN) has grown into one of the most trusted and credible news brands serving Black audiences. You’ll find the BIN All News format on AM and FM radio in 34 markets and nationally on the iHeartRadio app. Around the clock, Black writers, anchors, and reporters are telling the stories that matter to our community, from a Black perspective.”

BIN is iHeartMedia's pioneering 24/7 national and local all-news audio service, launched on June 30, 2020, amid heightened national conversations about racial justice following the killing of George Floyd. 

It was created to fill a gap in mainstream media by providing:

Objective, Black-perspective journalism: Coverage of national and local stories impacting Black communities, delivered by Black anchors, reporters, and writers.

Low ad load: Fewer commercials per hour compared to typical radio networks, allowing more focus on content.

Multi-platform access: Available on iHeartRadio app, connected devices, and over-the-air via dedicated AM/FM stations or HD Radio subchannels.

Key milestones:Initial rollout: Debuted on 15 iHeartMedia stations in markets with large African American populations (e.g., New York, Chicago, Los Angeles).

Growth: Expanded to 60 affiliates across 49 U.S. markets by 2025, including acquisitions like WWRL (New York) in 2020 and KHVN/KKGM (Dallas-Fort Worth) in late 2020.

Early syndication: In September 2020, Premiere began offering short (:60) top/bottom-of-hour newscasts from BIN to nearly 20 stations nationwide, including in Chicago, Houston, and Minneapolis. 

BIN draws from iHeartMedia's resources, including its Total Traffic and Weather Network for local updates, and partners with brands like Bank of America, CVS Health, GEICO, Lowe’s, McDonald’s, Sony, 23andMe, and Verizon to fund its mission without heavy reliance on ratings pressure.

Broadcasters interested in affiliating can contact Martin Melius at MartinM@premierenetworks.com.

Edison: Influencers Are Among Us


The influencer industry is a major force in shaping U.S. culture and economy, valued at approximately $250 billion in 2024 and projected to grow to $500 billion by 2027, according to Forbes. Prominent creators like Mr. Beast, Charli D’Amelio, Alix Earle, and Ms. Rachel command millions of followers and secure lucrative brand and merchandising deals. 

While these names are widely recognized, Edison Research conducted a national online survey to determine what percentage of Americans aged 13 and older identify as digital content creators. The following highlights new data from this survey.




As of May 2025, 18% of Americans aged 13+ report creating or producing original content shared publicly online. 

Nearly one in five Americans is actively engaged in creating and sharing online content for others to view, like, and share. This varies significantly by age group. 

About 30% of Americans aged 13–24 identify as digital content creators, and a comparable 28% of those aged 25–44 also report creating content. Given that Millennials and Gen Z have grown up with the internet, it’s unsurprising that these groups show the highest participation. 

In contrast, only 7% of Americans aged 45 and older identify as digital creators, reflecting a significant drop-off in older age segments.

CNN To Launch Streaming Service This Month


CNN announced today, the launch of its new "All Access" subscription tier, a premium streaming service designed to provide comprehensive access to its journalism and video content. Priced at $6.99 per month or $69.99 annually, this tier builds on CNN's existing digital paywall (introduced in October 2024) and marks the network's latest push into direct-to-consumer streaming amid declining cable viewership. 

The service aims to create a "centralized destination" for live and on-demand programming, targeting superfans and heavy users of CNN.com. This follows the short-lived CNN+ experiment in 2022, which was shuttered after just one month due to low adoption and corporate restructuring under Warner Bros. Discovery.
  • Monthly Plan: $6.99/month.
  • Annual Plan: $69.99/year (equivalent to about $5.83/month).
  • Promotional Offer: Subscribers signing up for the annual plan by January 5, 2026, can lock in a discounted first-year rate of $41.99 (roughly $3.50/month).
  • Launch Date: October 28, 2025, initially available in the United States across web, mobile, and connected TV apps.
  • Free Tier Context: CNN's existing "Basic" tier (from the 2024 paywall) costs $3.99/month or $29.99/year for unlimited articles and some exclusive content, but lacks video streaming. All Access upgrades this with full video access.
The pricing positions All Access as an affordable entry into premium news streaming, undercutting competitors like The New York Times' bundle (starting at $9.99/month with video) or Fox Nation ($5.99/month, but more niche).

LA Times Took $50M Hit In 2024


The Los Angeles Times has disclosed a significant financial setback, reporting an operating loss of nearly $50 million for the fiscal year 2024, as detailed in newly published unaudited accounts. 

The revelation comes amid the newspaper's ambitious plans to raise up to $500 million through a private placement of shares, priced at $5,000 each, as a precursor to an initial public offering (IPO) targeted for 2027. The funding effort is part of a broader restructuring under owner Dr. Patrick Soon-Shiong, who has invested approximately $750 million in the publication since acquiring it in 2018.

Patrick Soon-Shiong
Financial Details2024 Loss Breakdown:
The $50 million loss reflects ongoing challenges in the media industry, including declining print advertising revenue, which still accounted for 54% of the LA Times Media Group's total revenue in 2024. Digital and subscription growth has not fully offset these declines.

Historical Context: This isn't the first major hit for the LA Times. In 2020, the paper and its sister publication, the San Diego Union-Tribune, reported a "catastrophic" revenue drop of over $50 million, primarily from print ads amid the COVID-19 pandemic. More recently, in early 2025, the LA Times faced additional pressures, including the loss of about 25,000 subscribers and ad revenue from major clients like Netflix.  These figures underscore the broader struggles of legacy newspapers transitioning to digital models, with print still dominating revenue but eroding rapidly.

Investment and Restructuring Plans:  The $500 million raise involves issuing Series A preferred stock with a 7% annual dividend and a 25% conversion discount to common stock. The funds will support the newly formed Los Angeles Times Media Group, an integrated entity that combines:
  • The core LA Times newspaper operations
  • LA Times Studios (content production)
  • NantStudios (virtual production for film and TV)
  • NantGames (gaming and esports)

Journalists Move Out Of The Pentagon


Dozens of journalists covering the U.S. Defense Department left their Pentagon offices and surrendered their credentials on Wednesday as new press access restrictions took effect. The Defense Department had set a Tuesday deadline for news outlets to sign a new access policy or lose their press credentials and workspaces.

At least 30 news organizations, including Reuters, refused to sign, arguing the policy threatens press freedom and independent reporting on the U.S. military. The policy requires journalists to acknowledge rules that could label them security risks and revoke their badges for seeking classified or certain unclassified information.

The Pentagon Press Association, representing over 100 news outlets, called Wednesday "a dark day for press freedom," warning of weakened transparency, accountability, and free speech. Pentagon spokesperson Sean Parnell defended the policy, stating it’s necessary for national security and only requires journalists to acknowledge the rules, not agree with them. He accused reporters of overreacting.

The Pentagon press area was eerily quiet Wednesday as journalists removed furniture, servers, and TV studio equipment. JJ Green, a 20-year national security correspondent for WTOP, described the scene as unprecedentedly subdued. TV outlets have until Friday to clear their gear.Credentialed reporters, restricted to unclassified areas, work near the Pentagon press office for access to spokespeople.

Background-checked badges signify their clearance. Defense News reporter Stephen Losey emphasized that journalists don’t access classified areas or eavesdrop, countering some accusations.

Some journalists told Reuters the restrictions won’t stop their reporting. A Pentagon Press Association member, speaking anonymously, noted that sensitive discussions occur over encrypted apps like Signal, not in Pentagon hallways.

The policy, introduced under Defense Secretary Pete Hegseth, a former Fox News host, is the latest in a series of press access curbs. Fox News is among the outlets rejecting the new rules.

Pentagon Press Restrictions Slammed On Fox News Channel


Retired U.S. Army General Jack Keane sharply criticized a new Pentagon policy that limits journalists’ ability to report on unauthorized material and requires escorts in certain areas. 

Speaking on Fox News’s “Special Report”, Keane argued the policy stifles true journalism. “They want to spoon-feed information to journalists, and that becomes the story. That’s not journalism. Journalism is going out, finding the story, and getting the facts to support it,” he told host Bret Baier.

Keane, former vice chief of staff of the U.S. Army, recounted how journalists pursued legitimate stories during his tenure, noting, “No one’s banging on a four-star general’s door, but they were chasing stories about what was happening in the Army.” 

He emphasized that news reports serve as a vital “conduit to the American people,” even when stories exposed military shortcomings, which he admitted could sting but were often warranted.


The policy, announced in September 2025 by Defense Secretary Pete Hegseth, requires reporters to sign a pledge agreeing to Pentagon restrictions or risk losing their press badges. Hegseth called the measures “commonsense” to prevent journalists from soliciting classified information from soldiers. 

However, the rules also bar reporting on unclassified information without Pentagon approval.

The Hill reports this marks a significant departure from past practices, when journalists had broader access to certain Pentagon areas. A joint statement from ABC News, CBS News, CNN, Fox News Media, and NBC News condemned the policy as “without precedent” and a threat to “core journalistic protections,” affirming their commitment to covering the military while upholding a free and independent press.

Study: Digital Consumers Crave Human Touch


iHeartMedia has released its third annual consumer study AudioCon 3.0: The Human Consumer. This research builds on previous reports in the series, including "The New American Consumer" (featuring Malcolm Gladwell) and "America’s Ignored Consumer." The study explores how Americans are navigating an era of AI proliferation, digital overload, and social fragmentation, revealing a strong desire for authentic, human-centered interactions amid growing tech fatigue.

The findings were unveiled at iHeartMedia's AudioCon 2025 event in New York City, presented by Lisa Coffey (Chief Business Officer) and Lainie Fertick (President of Insights). It surveyed a nationally representative sample of U.S. consumers to uncover shifting behaviors and preferences in media consumption and marketing.Key Findings on Digital Fatigue and Craving Human ConnectionThe study highlights a paradox: while technology offers unprecedented connectivity, it's leaving many feeling isolated and exhausted. Consumers report being emotionally driven, digitally fatigued, and yearning for authenticity in an "algorithmic world." 

Here's a breakdown of the core insights:


These results underscore how digital saturation and AI acceleration are amplifying emotional needs. As Fertick noted, "The data shows us that consumers are emotionally driven, digitally fatigued and yearning for authenticity." 

Chairman and CEO Bob Pittman emphasized that in turbulent times, brands should "listen to Americans more closely than ever before and focus on ways to foster real connection and amplify our collective humanity."

MLB Playoff Viewership Surges, Hitting Multi-Year Highs


Major League Baseball (MLB) is riding a wave of robust television viewership that has carried through the 2025 postseason, from the wild-card round to the division series and into the early games of the League Championship Series (LCS). 

The league’s strong performance follows a regular season that saw across-the-board audience growth, signaling a resurgence in fan engagement with the sport on television.

⚾Division Series Viewership Highlights

The 2025 Division Series round averaged 4.17 million viewers per game, a 17% increase from the 2024 postseason and the highest figure for this round since 2011, according to Nielsen data. 

Key standout moments include:
  • Tigers vs. Mariners Game 5 (October 10, 2025): This dramatic 15-inning contest, won by Seattle, drew 8.72 million viewers on Fox, marking the most-watched American League Division Series (ALDS) game in 14 years. The game’s intensity and extended play captivated audiences, showcasing the postseason’s ability to deliver high-stakes drama.
  • Yankees vs. Blue Jays ALDS: Toronto’s series victory averaged 7.65 million viewers across the U.S. and Canada. In Canada alone, viewership averaged 3.65 million per game, a 10% increase from 2016, the last time the Blue Jays appeared in the ALDS. (Note: Canadian viewership is excluded from U.S.-based Nielsen figures.)
Through the first two rounds of the 2025 postseason (wild-card and division series), MLB games have averaged 4.33 million viewers per game, a remarkable 30% jump from 2024. This marks the highest postseason viewership average since 2010, driven partly by record-setting numbers in the wild-card round. The wild-card games, which kicked off the postseason, set a strong foundation with significant audience gains, reflecting heightened interest in early playoff matchups.

Several factors likely contribute to MLB’s viewership boom: Compelling Matchups: High-profile teams like the Yankees, Blue Jays, Tigers, and Mariners, combined with nail-biting games like the 15-inning Tigers-Mariners clash, have drawn casual and dedicated fans alike.

Regular-Season Momentum: The 2025 regular season saw increased viewership across MLB’s broadcast partners (e.g., Fox, ESPN, TBS), setting the stage for a strong postseason. This growth contrasts with broader declines in traditional TV audiences, highlighting baseball’s enduring appeal.
Accessibility and Promotion: Expanded streaming options on platforms like ESPN+ and MLB.TV, alongside aggressive marketing by MLB and its broadcast partners, have made games more accessible to younger and digital-first audiences.

Cultural Moments: The Blue Jays’ ALDS run, for instance, resonated strongly in Canada, boosting viewership in a market hungry for postseason success since their last deep playoff run nearly a decade ago.

As the 2025 postseason progresses into the LCS, early indications suggest the viewership trend may continue. The combination of star-driven teams, competitive series, and high-profile broadcast slots on networks like Fox and TBS positions MLB to potentially sustain or even exceed these numbers. 

For context, the 2024 LCS averaged 5.2 million viewers per game, and with 2025’s upward trajectory, MLB could challenge or surpass that benchmark.