Friday, July 19, 2024

R.I.P.: Lou Dobbs, Cable News Pioneer


Lou Dobbs, the conservative television and radio host who loomed large over the cable news landscape for decades at CNN and Fox Business, and later used his platform to promote baseless conspiracy theories and to lend unwavering support to former President Donald J. Trump, has died. He was 78.

The NY Times reports his death was confirmed on Thursday on Dobbs’s website and social media accounts after Trump announced it on the Truth Social platform. No cause of death was given, and where or when he died was not immediately clear. Mr. Dobbs had been absent from “The Great America Show,” his podcast on the iHeartRadio network, for several weeks.

Lou Dobbs
With his boyish face and authoritative demeanor, Dobbs had an on-air presence that could swing from folksy and avuncular to stridently indignant. He began his climb to cable news stardom as the host of “Moneyline” when CNN was founded in 1980.

Dobbs was part of a rising stable of cable hosts, which included Bill O’Reilly at Fox News and Keith Olbermann at MSNBC, who built national profiles as aggressively opinionated talkers.

Despite CNN’s efforts to position itself as a home for straight news, Dobbs’s 6 p.m. news program was accompanied with the disclaimer that it would contain “news, debate and opinion.”

Dobbs abruptly left CNN in 2009, as Jonathan Klein, the president of the network, said that Dobbs “decided to carry the banner of advocacy journalism elsewhere.” The next year he joined Fox Business, lured by the network’s co-founder Roger Ailes.

In his new network home, Mr. Dobbs would entrench his reputation as a beacon of lunch-pail conservatism — a stance that would bring him more fame, and controversy, with the emergence of Mr. Trump on the national political landscape.

Statement From FOX News Media:

“We are deeply saddened by the passing of Lou Dobbs. An incredible business mind with a gift for broadcasting, Lou helped pioneer cable news into a successful and influential industry. We are immensely grateful for his many contributions and send our heartfelt condolences to his family.”


Radio History: July 19


➦In 1923
...WRC-AM, Washington, DC  signed-on.  WRC started at 640 AM and share the frequency with WCAP.

WRC in the Trans Lux Building

WRC was owned and operated by RCA.  By the 1930, 500 watt WRC moved to 950 AM and was part of the NBC's Red Network. The station moved to 980 AM in the late 1940s.

First Home Riggs Bank
The two stations WRC and now WMAL were located in the Trans Lux Building at 14th & New York Ave.

In 1972,  NBC made the decision to take the MOR station to a Top 40 format and challenge DC champ WPGC in the ratings game.

The birth of The Great 98 had a lot of help from some Philly radio vets.  Lee Sherwood was brought in as PD and Bob Gross was Promotions Director.  Both were from WFIL.  The original on air team consisted of Johnny Andrews, Bobby McGee, Simon Trane, James Michael Wilson and Ron Starr.

Being an NBC O&O had its drawbacks:  NBC Hourly News, NBC Monitor on weekends, special features (Graham Kerr, Gene Shalit, etc) had to be carried.

The Top 40 format moved to WRC-FM, and WRC-AM switched to an all-news format in 1975 before switching to news/talk in 1979.

Greater Media bought WRC-AM in 1984, changing the call letters to WWRC. It switched to business news and talk.   In 1998, sports-formatted WTEM-AM 570 moved its programming and call letters to 980 AM.  The WWRC call letters were moved to 1260 AM, which carried the old business news format until switching to all-sports in 2003.

Today, 1260 AM is owned by Salem Communications, carrying a news/talk format.  The call letters still are WWRC, but the station is branded “1260 WRC,” though it has no connection to WRC-TV, Washington’s NBC affiliate.

Eve Arden, Dick Crenna and Gloria McMillian at CBS Mic

➦In 1948..."Our Miss Brooks", starring Eve Arden and Gale Gordon, debuted on CBS radio.

Our Miss Brooks was a sitcom starring Arden as a sardonic high-school English teacher. It began as a radio show broadcast on CBS from 1948 to 1957. When the show was adapted to television (1952–56), it became one of the medium's earliest hits.

Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, at the time CBS's West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.

Lucille Ball was believed to have been the next choice, but she was committed to My Favorite Husband and did not audition. Then CBS chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script—Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal—Arden agreed to give the newly revamped show a try.

According to radio critic John Crosby, her lines were very "feline" in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast—blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright—also received positive reviews.

Arden won a radio listeners' poll by Radio Mirror magazine as the top-ranking comedienne of 1948–49, receiving her award at the end of an Our Miss Brooks broadcast that March. The radio series continued until 1957, a year after its television life ended.

➦In 2012...Top 40 program director Ted J. Atkins, who helped make KHJ, KFRC, WOL, CKLW and many others successful modern radio stations, succumbed to his pancreatic cancer at age 72.

Thursday, July 18, 2024

RNC: Comcast's MSNBC Tries To Pull A Fast One


MSNBC’s prime-time coverage of the Republican National Convention has featured a typical TV tableau: anchors at a desk perched high above the convention floor, pontificating as the starred-and-striped political pomp unfolds below.

But, the NY Times reports, Rachel Maddow, Nicolle Wallace, Jen Psaki, Joy Reid and the rest of MSNBC’s A-list anchor team have not been inside the convention hall. They were not even in Milwaukee.

Instead, they were broadcasting from a studio in Midtown Manhattan, as a live feed of the convention floor was projected onto an LED screen behind them.




The arrangement — which several veteran television news producers described as unorthodox — is an illusion. A casual glance at the screen would suggest that MSNBC’s top anchors were covering the convention in person.

Report: Streaming Catapults Country Music


Country music is having its biggest boom in 30 years, with an unusual number of artists topping the charts, dominating streaming, striking branding deals and selling out shows and festivals, according to a report by The Wall Street Journal.

“It’s country music’s turn,” says Aaron Bay-Schuck, chief executive and co-chairman of Warner Records, home of Zach Bryan, whose intense, stripped-back country-folk songs have quickly garnered him a devoted following. A few years ago, Bryan was performing in Boston at a 1,200-capacity club. Now the Oklahoman is selling out multiple nights at the city’s nearby 65,000-capacity stadium.

Across the musical universe, country is cool again. This year, for the first time, the country festival Stagecoach sold out before its better-known mainstream counterpart, Coachella. Stagecoach sold around 85,000 tickets—a new high—at record-breaking speed, according to AEG Presents, the second-biggest global concert promoter, which runs both Stagecoach and Coachella. Legendary artist George Strait last month broke the record for most tickets sold at a U.S. concert—more than 110,000 at Kyle Field in College Station, Texas. Live-music juggernauts Luke Combs and Morgan Wallen are also packing stadiums.

“Authenticity is selling right now,” says rising country singer Megan Moroney, who opens for Kenny Chesney at Nashville’s Nissan Stadium in August. “Everyone, especially after the pandemic, is eager to hear honest songwriting and storytelling.”

Black country-hip-hop act Shaboozey recently topped the Billboard Hot 100 all-genre singles chart with his crossover smash, “A Bar Song (Tipsy),” which simultaneously ruled the Hot Country Songs chart. Rock-infused country singer-songwriter Lainey Wilson opened for the Rolling Stones at a June 30 concert in Chicago. Even acts outside country like Beyoncé and Post Malone—both Texans—are jumping on the bandwagon with country albums. Breakout pop star Sabrina Carpenter’s summer chart-topper “Please Please Please” has a good bit of Nashville twang, too.

Source: TSE Entertainment

The country explosion in part reflects country fans’ belated embrace of streaming as a music format.

After years of lagging far behind other genres in popularity on streaming—due largely to older fans sticking with radio and CDs—country has caught fire online, driven by younger listeners and spearheaded by the sustained success of Wallen, a rock-and-hip-hop-influenced singer whose albums “Dangerous” (2021) and “One Thing at a Time” (2023) have, for years now, remained lodged near the top of the industry’s most important charts.

iHM Promotes Rhonda Gerrard To NE-IA Area President


iHeartMedia has announced Rhonda Gerrard has been named Area President for the Nebraska-Iowa Area.

Gerrard will add oversight to her portfolio of stations and be responsible for all operations across the Omaha, Des Moines, Cedar Rapids, Davenport, Ogallala, and Sioux City. She will continue to report to Shosh Abromovich, Division President for iHeartMedia.

Rhona Gerrard
“I am thrilled to announce Rhonda as our new Area President. Her insightful knowledge of the industry, combined with her sharp skillsets, will undoubtedly drive our team’s growth and development throughout the Nebraska-Iowa Area and throughout iHeartMedia. Her fresh perspective and unwavering dedication to excellence will make her an invaluable asset to our community, our partners, and our listeners,” said Shosh Abromovich.

Rhonda is a 30-year media veteran who has been with iHeartMedia for 13 years. She most recently oversaw the Nebraska-Iowa Area as the Senior VP of Sales prior to taking on this new role. Rhonda began her career at KFOR/KFRX in Lincoln, Nebraska and is a graduate of the University of Nebraska Lincoln. She is a member of the Woodcliff Lions and a committee member of Replant Woodcliff, a 501C-3 focused on common ground development, tree planting, community beautification and recycling.

“It is an honor and privilege to take the reins of the Nebraska-Iowa area and lead this incredibly talented group in employing iHeartMedia’s cutting edge assets to drive listener engagement, community outreach and client outcomes,” said Rhonda Gerrard.

Morale Sinks At Public Radio Newsrooms


From coast to coast, stations have been announcing layoffs virtually nonstop: 10 percent of the workforce at NPR and 12 percent at Sacramento’s Capitol Public Radio last year; 15 staffers at WAMU in Washington, DC, in February; 15 at Colorado Public Radio in March; 14 at Chicago Public Radio in April; as many as 25 at KQED in the Bay Area in May; 14 percent of staff WBUR and 31 staff members at WGBH, both in Boston, this spring.

These layoffs have left dedicated frontline journalists dazed and hurting and looking for work, according to NonProfit Quarterly.

The layoffs are also having a profound impact on the journalists left behind at the stations and on the struggling American journalism industry as a whole.

“The morale inside the newsrooms is devastated and it’s horrible,” said Robert Hernandez, a professor of professional practice of journalism at the University of Southern California (USC), Annenberg. “I am teaching students and mentoring and doing consulting in industry. I see that impact…and when these folks with these incredible skills go to other industries they get paid a lot more. They are valued more.”

But public radio stations are facing steep financial challenges. Their audiences, in particular, are dwindling as the nonprofit and journalism sectors struggle with declining membership and donations in an ever-fragmenting media landscape.

“Public media’s problems parallel those of legacy media more generally—a secular shift to digital platforms plus a cyclical decline in advertising and user revenue,” says Jim Friedlich, CEO and executive director of the Lenfest Institute, a Pennsylvania nonprofit that’s searching for ways to sustain local news organizations. “These challenges don’t mean that the whole of public media is broken, nor that it cannot return to growth or emerge even stronger. To do so, however the public media sector needs to move decisively to engage users digitally, to build new and younger audiences at lower cost, and to generate new streams of revenue, all much easier said than done.”

ABC News: Schumer Tells Biden To End Reelection Campaign


Senate Democrat leader Chuck Schumer told President Joe Biden in a meeting on Saturday it would be better for the country and the Democratic Party if he ended his reelection campaign, ABC News reported on Wednesday.

Another news outlet, Politico, said Schumer met Biden at his home in Rehoboth Beach, Delaware. Although Politico said it could not independently confirm ABC's account of their conversation, it described a grim prediction from Schumer that Democrats were on track to lose big in November.

That, according to a person "who was granted anonymity to speak freely about the private conversation."

According to Politico, the person said "the meeting discussed recent polling, the Democratic Party, and where it's headed," all of which was "predicated on the recent troubles facing the president."

Newsmax reports a Schumer spokesperson, in a statement Wednesday night, did not deny ABC's report directly, but called it "idle speculation," saying only that Schumer had conveyed the views of his caucus to the president.

TV Ratings: Fox News Channel Remains Top Choice For Viewers


FOX News Channel (FNC) was again the leader in television for coverage of the second night of the Republican National Convention (RNC) in Milwaukee, Wisconsin on Tuesday, July 16th, according to data from Nielsen Media Research.


Notably, the network increased its share of the cable news audience versus night one, occupying 76% of the prime viewers, a nearly record-breaking share. Additionally for the second consecutive night, FNC posted growth among total viewers compared to night one and night two of the 2016 RNC. FNC is the only network that gained viewership versus 2016, up double-digits in total day and primetime, while CNN and MSNBC have shed massive amounts of viewership among every category. (CNN: -62% in total day and -68% in primetime) and (MSNBC: -29% in total day and -48% in primetime.)

FNC’s special coverage FOX News Democracy 2024: 
  • The Republican National Convention co-anchored by Bret Baier and Martha MacCallum (10 – 11:30 PM/ET) averaged 5.4 million viewers and nearly 951,000 in A25-54, notching a 498% total viewer and 222% 25-54 demo advantage over CNN and a 566% and 747% advantage over MSNBC. 
  • At 9 PM/ET, Hannity delivered 5.5 million viewers and nearly 842,000 in the 25-54 demo, beating the competition with triple-digit percentages and finishing as the most-watched program of the night, behind only the MLB All-Star game on FOX.
Originating from Milwaukee, Wisconsin the network’s programming delivered 5.4 million in primetime (8-11 PM/ET) and 830,000 in the 25-54 demo. In total day (3-3 AM/ET), the network notched over 2.6 million viewers and 401,000 in the 25-54 demo. In contrast, MSNBC and CNN failed to reach 1 million viewers in primetime, while MSNBC delivered less than 100,000 viewers in the 25-54 demo.

Throughout primetime, FNC’s signature lineup crushed every hour among the competition, leading with The Ingraham Angle at 7 PM/ET (4 million P2+ and 519,000 A25-54) and Jesse Watters Primetime at 8 PM/ET secured 5.2 million viewers and 705,000 in the 25-54 demo. Late-night show Gutfeld!, which aired in front of a live audience in Milwaukee from 11:30 PM/ET – 12:30 AM/ET, drew 3.1 million viewers and 668,000 in the 25-54 demo.

At 5 PM/ET, FNC’s powerhouse program and the most-watched show in all of cable news, The Five, delivered 4.7 million viewers and 526,000 in the 25-54 demo. Following the hour, Special Report with Bret Baier had nearly 3.6 million viewers and 423,000 in the 25-54 demo.

MSNBC – 557,000 P2+; 84,000 A25-54

TV Ratings: Fox News Channel Leads All Basic Cable


Saturday’s assassination attempt against former President Donald Trump drove viewers to the respective cable networks, lifting what would have been a slow summer news period. Fox News received finished first among total viewers and the advertiser-coveted Adults 25-54 demo during both dayparts, while MSNBC ranked second in total viewers and CNN claimed second in the primetime and total day demos.

TV Newser reports Nielsen live plus same-day data for the week of July 8 saw Fox News average 3.887 million total viewers and 566,000 A25-54 viewers during primetime. The network was up by a respective +89% and +134% relative to the week prior. FNC averaged 2.056 million total viewers and 293,000 demo viewers in total day viewing. Compared to the previous week, it was up +49% in the former category and +68% in the latter.

Among all basic cable networks, Fox News was No. 1 in total primetime viewers and in the primetime demo. In total day, it continued to lead in both measured categories.

  • MSNBC’s primetime lineup averaged 1,199,000 total viewers and 138,000 viewers in the A25-54 demo for the week. The network saw respective week-to-week gains of +31% and +79% from the week prior. In total day, MSNBC averaged 691,000 total viewers and 78,000 demo viewers for gains of +21% and +39%, respectively. MSNBC was the No. 2 cable network in total primetime viewers and jumped from 28th to ninth place in the demo. During total day, it remained at second place in total viewers and tied with TV Land for 9th place in the demo, up from 20th place last week.
  • CNN averaged 1.013 million total primetime viewers and 252,000 A25-54 viewers for week-to-week gains of +87% and +155%, respectively. In total day, CNN brought in 563,000 total viewers and 121,000 viewers in the demo for respective increases of +40% and +78% in those measured categories. CNN finished third in primetime with total viewers and the demo, and also ranked as the No. 3 cable network with total viewers and the demo in total day.

Fox News occupied all 15 spots of the most-watched cable news shows of the week, with Hannity (4.168 million viewers at 9 p.m. ET) taking the top spot.

WNBA Secures $2.2 Billion TV Deal


The WNBA will earn an estimated $2.2 billion as part of the NBA’s multi-year deals with NBC, Amazon and Disney for broadcasting rights, according to multiple outlets, more than tripling the value of the league’s media rights amid increased demand for women’s basketball.

The new deals, spanning the next 11 seasons, will increase the value of the WNBA’s media rights from about $60 million per year to $200 million per year, a person familiar with the deal told The Washington Post on Wednesday

The league’s current media rights deals will expire after the 2025 season and the NBA—which owns about 60% of the WNBA—negotiated the WNBA’s new deals that were approved by the NBA’s board of governors Tuesday, according to The Athletic.

It’s likely the WNBA will sell two other rights packages that could bring in another $60 million annually, The Athletic reported.

WNBA commissioner Cathy Engelbert indicated earlier this year she planned to double the league’s annual revenue from its broadcasting deals as viewership increased. In recent months, the WNBA has broken several viewership records, including a game between the Indiana Fever and Chicago Sky that peaked at 2.3 million viewers, the most for the WNBA since 2001. 

Forbes reports the massive rise in interest in the WNBA has largely been attributed to the arrival of former Iowa Hawkeyes phenom Caitlin Clark in the league—Clark was drafted No. 1 overall this year by the Indiana Fever.

B-Dub Radio Adds 5 New Affiliates


B-Dub Radio, through its syndication partner, Skyview Networks, has announced its recent growth across multiple new markets with the addition of five radio affiliates. 

Through the program’s newly expanded network, award-winning host, Bryan “B-Dub” Washington, can now be heard on: KPNW-FM Seattle, WA – Hubbard Broadcasting – Monday-Saturday; WXLC-FM/WCCQ-FM Chicago, IL – Alpha Media – Monday-Saturday; KWEN-FM Tulsa, OK – Cox Media Group – Monday-Friday; WOLF-FM Syracuse, NY – Foxfur Communications – Monday-Friday; and WJKR-FM Columbus, OH – North American Broadcasting – Saturday.

“I still wake up every day feeling absolutely blessed to have a team of people that believe in what I do,” said B-Dub, host of B-Dub Radio. “From our affiliate partners to the team at Skyview Networks, I’m so thankful.”

B-Dub Radio airs five hours daily, Monday through Saturday evenings, and offers customization and content-only options to its affiliates. For affiliation information, contact affiliation@skyviewsat.com or visit skyviewnetworks.com/b-dub.

R.I.P.: Maria Garcia, Veteran NY-Miami Radio Broadcaster

Maria Garcia, a beloved veteran radio personality, passed away on July 12 at the age of 52. She had a remarkable career, working in major markets like Miami and New York. Garcia was known for her vibrant personality and significant contributions to the radio industry, earning multiple awards, including two Gracie Awards.

Garcia, a Miami native, began her career in her hometown, holding positions at WINZ-AM, WIOD-AM and WHQT-FM. In 1996, she relocated to New York, where she worked as a news writer and traffic reporter for WCBS-AM. By October 1997, she had joined Cox CHR 106.1 WBLI as a morning co-host alongside Steve Harper.

Garcia's career then took her back to Miami, where she was part of Cox Radio's Hot AC WFLC (97.3 The Coast) from 2006 to 2009. She later returned to New York and Long Island, contributing to stations such as WALK-FM, WKJY-FM, WCBS, WABC-AM, WINS-AM, WEMP (FM News 101.9), WNYW-TV and CBS News Radio.

Garcia moved to New York with her future husband, radio journalist and current Skyview Networks executive Andrew Kalb, in 1996 and spent a year at WCBS-AM, where she would later return. In October 1997, Garcia began her long-running WBLI show and evolved into a beloved Long Island radio personality.

"She was part of a number-one radio show on Long Island. They were on the air during 9/11," Kalb said. "Her pregnancy with our son was announced at Jones Beach, at the WBLI Summer Jam in 2002."

Radio History: July 18


➦In 1909...Harriet Nelson, formerly Hilliard; born Peggy Lou Snyder. (Died at age 85  – October 2, 1994) . She was best known is best known for her role on the radio and TV sitcom The Adventures of Ozzie and Harriet.  She sang with husband Ozzie Nelson’s band, and played other comedic roles on radio’s Red Skelton Show.

➦In 1913...Richard Bernard Eheart born (Died at age 84 – September 17, 1997). Professionally known as Red Skelton, he was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist.

Red Skelton
Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The "Doughnut Dunkers" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films.

His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953).

Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was cancelled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971.

Marvin Miller
➦In 1913...Marvin Elliott Miller born (Died at age 71  – February 8, 1985). Possessing a deep, baritone voice, Marvin Miller began his career in radio in St. Louis, Missouri, before becoming a Hollywood actor.

Miller graduated from Washington University before commencing his career in radio. When a singer named Marvin Miller debuted on another St. Louis radio station, he began using his middle initial to distinguish himself from the newcomer. For the Mutual Broadcasting System, he narrated a daily 15-minute radio show entitled The Story Behind the Story, which offered historical vignettes. He also served as announcer on several Old Time Radio shows of the 1940s and 1950s, including The Jo Stafford Show and the long-running mystery series The Whistler.

Miller played Dr. Lee Markham on The Woman in White on NBC radio and Howard Andrews on Midstream on the Blue Network and appeared as "The voice of the Past" on the May 21, 1942 broadcast of The Right to Happiness. In 1945–47, he was the announcer for Songs by Sinatra. He played two characters and was the announcer on The Billie Burke Show (1943-1946).

From 1949 to 1950 he starred as Dr. Yat Fu on the short-lived ABC series Mysteries of Chinatown, with Gloria Saunders cast as his niece. In 1961, Miller guest-starred as Johnny Kelso, with Erin O'Brien, in "The Marble Slab" episode of the Frederick Ziv-, United Artists-, and MGM-produced Bat Masterson, starring Gene Barry. Original air date was May 11, 1961.

Miller as depicted in 1959
Miller made a guest appearance in 1963 on Perry Mason as unscrupulous attorney F.J. Weatherby in "The Case of the Lover's Leap."

He voiced Aquaman for the Filmation studio for their 1967 series The Superman/Aquaman Hour of Adventure. He was also the voice of pilot/scientist Busby Birdwell in the company's animated series Fantastic Voyage.

He was the voice of the arrogant alien "Zarn" in three episodes of the second season of Land of the Lost.  Miller also lent his distinct voice to The Pink Panther Show, often talking with the feline offscreen and asking questions, while also voicing The Inspector, his second Deux Deux and their boss The Commissioner.

On The Millionaire, Miller played Michael Anthony in over 200 episodes, conveying the wishes of the "fabulously wealthy" John Beresford Tipton, voiced by Paul Frees.[24

He won Grammy Awards in 1965 and 1966 for his recordings of Dr. Seuss stories: in 1967 for Dr Seuss Presents – If I Ran the Zoo and Sleep Book and 1966 for Dr Seuss Presents Fox in Socks and Green Eggs and Ham. He also read Horton Hatches the Egg, The Sneetches and Other Stories and Yertle the Turtle and Other Stories.

In the mid-1970s, Miller even lent his voice to sports films, narrating the official Indianapolis 500 films in 1975 and 1976.

➦In 1922...WHAS-AM signed-on in Louisville KY.

Wednesday, July 17, 2024

Sports Audio: Integral Role in Female Sports Fandom


The latest report, Sports Audio Report: Female Fans with Edison Research, SiriusXM Media, and GroupM explores the unique audio listening habits of U.S. female sports fans and shows how they interact with sports beyond the field.

Sports audio plays an integral role in female sports fandom – 57% of female sports fans “frequently” or “occasionally” listened to sports audio content in the last year.

Findings were presented in a webinar by Salma Aly, Manager of Research at Edison Research and Sophie Anderson, Associate Director, Podcast Sales Marketing at SiriusXM Media.

Top findings among women sports fans include: 
  • The majority of females are sports fans: 57% of the U.S. female population age 13+ consider themselves to be sports fans; an estimated 83 million Americans. 
  • Female fans use sports to keep their family ties strong: 70% of women sports fans agree that sports brings their family closer together compared to 66% of male sports fans. 
  • Female fans leverage sports for social connections: 58% of female sports fans socialize with other people while watching or listening to sports content. 
  • Male sports fans are more likely to have cried because of the outcome of a sporting event than female sports fans: 25% of male sports fans say yes, they have cried and 20% of female sports fans say yes, they have cried. 
  • Men and women rally behind women’s sports: 32% of male sports fans are following more women’s sports or athletes more than they were five years ago; 26% of female sports fans are following women’s sports or athletes more compared to five years ago.
Top findings among women who listen to sports audio: 


  • Female fans devote significant time to sports audio content: 33% of female sports fans listened to sports audio content in the last week; 37% of female sports audio listeners spent 5+ hours listening to sports audio in the last week. 
  • Female sports audio listeners are more likely than male sports listeners to listen to sports audio with others: 80% of female sports audio listeners ever listen to sports audio with other people compared to 73% of male sports audio listeners. 
  • Female sports audio listeners are turning to podcasts to seek new perspectives: 59% of female sports audio listeners and 67% of female sports podcast listeners say yes that they consume sports audio to hear unique perspectives on sports topics not covered in other media. 
  • There is an opportunity with female sports audio listeners as they lack a wide variety of content: 35% of female sports audio listeners agree that there aren’t enough sports audio programs that give different perspectives; 34% agree that there aren’t enough audio programs that cover the sports they like/follow.

Disney: TV Needs To Become Stickier


Disney is developing new features aimed at getting subscribers to spend more time watching its streaming services.

The Wall Street Journal reports the changes include a more-personalized algorithm for content recommendations, customized promotional art for new shows and movies, reminder emails to viewers who’ve stopped watching mid-series, and pop-up live channels to entertain viewers who don’t want to scroll through viewing options, according to people familiar with the matter. Some of these moves toward a more Netflix-like model could come in the next six months. Disney, which offers Disney+, Hulu and ESPN+, wants to reduce subscriber cancellations and generate more revenue from advertising sales.

A metric known as “hours per subscriber”—a measure of user engagement—has taken on increased importance at Disney in recent months, current and former streaming employees say. Netflix, famous for enabling binge-watching with batch releases of episodes, has also given priority to improving user engagement and return visits in recent years.

New features in the works at Disney include a more-personalized algorithm to power content recommendations, customized promotional art for new shows and movies based on subscriber’s tastes and usage history, and emails sent to viewers who stop watching in the middle of a series reminding them to finish, according to people familiar with the matter. Some of these features could roll out in the next six months.

The company is developing pop-up live channels aimed at entertaining viewers who don’t have the time or energy to scroll through viewing options, people familiar with the matter said. Some ideas that have been discussed are channels that play through the entire Marvel Cinematic Universe or popular series like “The Simpsons” from start to finish. Such channels could be sponsored or have ads or not. The Information earlier reported on plans for live channels.