Plus Pages

Saturday, November 1, 2025

Radio History: Nov 2


➦In 1920...KDKA in Pittsburgh went on the air as the first commercial radio station, a distinction that has also been challenged by other stations (see below), although it has claimed to be the "world's first commercially licensed radio station": WWJ in Detroit, Michigan, lists its "First Air Date" as August 20, 1920.

Listen to announcer Leo Rosenberg, radio's first announcer:

Frank Conrad's experimental 75-watt transmitter

Frank Conrad
KDKA's roots began with the efforts of Westinghouse employee Frank Conrad who operated KDKA's predecessor 75 watt 8XK from the Pittsburgh suburb of Wilkinsburg from 1916. Conrad, who had supervised the manufacturing of military receivers during WWI, broadcast phonograph music and communicated with other amateur radio operators via 8YK. On September 29, 1920, the Joseph Horne department store in Pittsburgh began advertising amateur wireless sets for $10, which could be used to listen to Conrad’s broadcasts.

Westinghouse vice president and Conrad’s supervisor, Harry P. Davis, saw the advertisement and recognized the economic potential of radio. Instead of it being limited as a hobby to scientific experimenters, radio could be marketed to a mainstream audience. Consequently, Davis asked Conrad to build a 100-watt transmitter, which would air programming intended to create widespread demand for Westinghouse receivers.

KDKA 11/2/20 Coverage of Harding-Cox Election

The KDKA callsign was assigned sequentially from a list maintained for the use of US-registry maritime stations, and on November 2, 1920, KDKA broadcast the US presidential election returns from a shack on the roof of the K Building of the Westinghouse Electric Company "East Pittsburgh Works" in Turtle Creek, Pennsylvania.  Four men basically manned that first broadcast: Engineer William Thomas; telephone line operator John Frazier; R.S. McClelland, a standby and Leo Rosenberg, radio’s first announcer.

The election results were relayed to about 1,000 listeners, who learned that Warren Harding beat James Cox in the race for the Oval Office.

The original broadcast was said to be heard as far away as Canada. KDKA continued to broadcast from the Westinghouse building for many months.

Soon after its successful election coverage, KDKA upgraded to a 100-watt transmitter.

Early programming often featured live musical performances from a Westinghouse band. KDKA provided its first remote broadcast by airing a choir, live, from the Pittsburg Calvary Baptist Church in January 1921.  On January 15, 1921, at 8 p.m., KDKA broadcast a speech on European relief by Herbert Hoover from the Duquesne Club in Pittsburgh that was transmitted ten miles down a telephone line to Westinghouse's East Pittsburgh Works.

CBS 60 Minutes to Air Trump Interview


U.S. President Donald Trump sat down Friday afternoon with CBS anchor Norah O'Donnell for an exclusive "60 Minutes" interview at his Mar-a-Lago estate, marking his first appearance on the program since settling a $16 million defamation lawsuit against the network last summer. 

The wide-ranging conversation, covering topics like China, Venezuela, Israel, immigration, and the recent government shutdown, airs Sunday, Nov. 2, at 7:30 p.m. ET/PT on CBS and Paramount+, following the Chiefs-Bills NFL game.

The interview comes exactly one year after Trump filed the suit in October 2024, alleging CBS edited a "60 Minutes" segment with then-Vice President Kamala Harris to make her appear more coherent during the election cycle. Trump settled the case in July 2025 for an undisclosed amount, with CBS agreeing to release full, unedited transcripts of future presidential interviews as part of the resolution—a policy change credited with easing tensions.

O'Donnell, former anchor of "CBS Evening News," traveled to Florida on Thursday to prepare, in a sit-down weeks in the making, according to sources. CBS provided few details on ground rules, but the network emphasized the interview's exclusivity and O'Donnell's role as a non-regular "60 Minutes" correspondent.
\
This marks Trump's return to the CBS newsmagazine after a rocky history: He declined a 2024 election special (which his campaign disputed as unscheduled) and abruptly ended a 2020 interview with Lesley Stahl. The timing follows Paramount's acquisition by David Ellison earlier this year, which some media observers link to softened editorial stances toward the administration.

TWH Restricts Journalists' Access To Top Press Offices


The White House on Friday abruptly barred credentialed reporters from freely entering the West Wing offices of Press Secretary Karoline Leavitt and other senior communications officials, requiring appointments instead of allowing spontaneous access to the area known as "Upper Press," located steps from the Oval Office.

The new rule, announced in a memo co-signed by Leavitt and Communications Director Steven Cheung, cites national security risks, including past incidents of reporters photographing sensitive materials and secretly recording offices. 

The National Security Council emphasized the proximity to the Oval Office as a key concern.

The White House Correspondents' Association immediately condemned the move, calling it an attack on transparency. WHCA President Weijia Jiang said the policy "unequivocally opposes any effort to limit journalists" from areas long used for newsgathering.

Reporters retain open access to lower-level press offices near the briefing room, but the upper floor—historically a hub for impromptu questioning—will now be appointment-only.

The restriction follows other recent media access limits, including Pentagon rules requiring approval for unclassified information, prompting over 50 journalists to surrender badges.

Critics see the policy as part of a broader Trump administration effort to control press interactions, while supporters argue it protects sensitive operations. No legal challenges have been filed as of Saturday.

CNN Features Charlamagne Tha God on Streaming Platform


CNN's All Access subscription-based streaming service, which launched this week, is positioning itself as a fresh, digital-first destination for younger audiences seeking unfiltered, interactive news experiences beyond traditional cable TV.

A key highlight for the Tuesday, off-year elections (focusing on races like New York City's mayoral contest, New Jersey and Virginia governorships, and California's special election) is an exclusive "livecast" program titled CNN Election Livecast. 

This two-hour special is designed specifically for All Access subscribers and will not air on traditional linear TV, emphasizing CNN's push for broadband-native content to engage Gen Z and millennial viewers who prefer casual, podcast-like discussions over desk-bound panels.

Details of the CNN Election Livecast
  • Date and Time: Tuesday, November 4, 2025, from 8:30–10:30 p.m. ET, running alongside CNN's main election night coverage starting at 5 p.m. ET (anchored by Jake Tapper, Dana Bash, Anderson Cooper, and John King on both TV and streaming).
  • Format: Unlike CNN's standard studio setup, this is a relaxed "hangout" vibe—guests will lounge on couches, munching on food and drinks while reacting live to incoming vote tallies, exit polls, and surprises. It promises "unfiltered" banter, blending data dives with cultural commentary to break down results in real-time.
  • Moderator and Guests:
    Harry Enten (CNN's Chief Data Analyst and host of the "Margins of Error" podcast) leads as moderator, using his signature "Enten Scale" to unpack polling quirks and voter trends with humor and transparency.
  • Charlamagne tha God: The influential Radio Hall of Fame inductee and co-host of "The Breakfast Club" (reaching 7 million monthly listeners) brings provocative takes on race, youth turnout, and cultural angles—known for his bold, no-holds-barred style.
  • Ben Shapiro: Conservative powerhouse, founder of The Daily Wire, and host of one of the top U.S. podcasts, offering sharp right-leaning analysis on policy shifts and GOP gains.
  • Kara Swisher: Acclaimed tech journalist and podcaster (from shows like "On the News" and "Pivot"), focusing on how digital media, AI, and tech policy influence elections.
  • Additional Voices: Expect cameos from influencers like conservative commentator Isabel Brown and The Young Turks' Ana Kasparian, plus surprise guests for bipartisan sparks. 
All Access users will also get behind-the-scenes peeks from CNN's on-the-ground team.This livecast ties into All Access's broader election toolkit: interactive Magic Wall explorations via the app, bilingual streams (English/Spanish via CNN en Español), live polls, and post-show on-demand recaps.

Election Day 2024 Coverage Plans: A Network Breakdown


As Election Day unfolds on November 5, 2024, major U.S. news networks are gearing up for extensive, multi-platform coverage of the presidential race between Kamala Harris and Donald Trump, alongside key congressional and state races.

Expect wall-to-wall reporting, real-time results from the networks' decision desks, on-the-ground embeds in battleground states (like Pennsylvania, Georgia, Michigan, Wisconsin, Arizona, Nevada, and North Carolina), and advanced tech like augmented reality (AR) maps and interactive data visualizations. Coverage anticipates potential delays in results due to mail-in ballots and close margins, with fact-checking units and integrity desks monitoring for misinformation. 

Below is a detailed overview of plans for each network, focusing on broadcast, streaming, and digital elements.

These plans emphasize transparency, with networks like ABC and CBS deploying dedicated fact-checking and ballot-monitoring units amid concerns over delays or disputes. Digital and streaming options ensure broad access, often free or via apps, while social media integrations target younger viewers. 

For real-time updates, check each network's app or site, as coverage may extend into Wednesday or beyond if results lag.

Gayle King Disputes Media Accounts That She's Leaving


Gayle King, the veteran co-host of CBS Thie Morning, has firmly pushed back against recent reports suggesting she's set to leave the show, calling the rumors "news to her" and emphasizing her commitment to the program.

In a candid interview with TMZ on Friday, the 70-year-old journalist said, "What I’m hearing in the building is not what I’m reading in the press," and added, "All I know is I am here. I am here and glad to be here." She expressed her love for the job and her colleagues, noting that CBS has reaffirmed their support: "All I’ve been told is they want me here."


The speculation began with a Variety exclusive published on October 30, 2025, which cited four sources claiming King is "expected to depart as an anchor of [CBS Mornings] next year" when her contract expires in May 2026. The report suggested she might transition to another role at CBS News, such as producing her own content, similar to former CBS Evening News anchor Norah O'Donnell's arrangement after stepping down earlier in 2025. 

This comes amid broader turmoil at CBS following Paramount Global's $8 billion acquisition by Skydance Media in August 2025, which has led to layoffs (around 100 jobs), cancellations of streaming companion shows, and a push toward more "apolitical" content. 

Recent exits include O'Donnell after 12 years and John Dickerson, one of her replacements, who announced his departure by year's end.

CBS quickly denied the story in a statement to multiple outlets: "There have been no discussions with Gayle about her contract that runs through May 2026. She’s a truly valued part of CBS and we look forward to engaging with her about the future." 

Denver Radio: KOA Shuffles On-Air Chairs


iHeartMedia announced a significant programming shakeup for KOA, effective Monday, November 10, 2025. 

The headline change is Ross Kaminsky shifting from his longstanding 9 a.m.–12 p.m. midday slot to co-host morning drive (6–9 a.m. MT) alongside news anchor Jeana Gondek. This marks the first time in decades—or possibly ever—that KOA has aired a full talk-radio format during morning drive, replacing the traditional all-news block that previously filled the extended morning hours.

Why the change? It follows the abrupt exit of veteran co-anchor Marty Lenz, who departed after seven years amid iHeartMedia's widespread layoffs earlier in October 2025. Lenz had partnered with Gondek on "Colorado's Morning News." The move aims to inject more "lively conversation, credible information, and laughter" into the commute slot, blending news with talk to better engage listeners in a competitive podcast-heavy landscape.

Kaminsky's Background: A Colorado native and libertarian-leaning commentator, Kaminsky joined iHeartMedia in 2011 as a weekend/fill-in host on KOA. He moved to mornings on sister station KHOW in 2016, then to KOA's 9 a.m.–noon slot in September 2021 (replacing Dave Logan). Before radio, he was a financial trader and has guested on national shows like Fox News. His style mixes sharp analysis on politics, economics, and culture with humor—expect similar vibes in mornings, but with more real-time news integration.

Quote from Kaminsky: In a social media post this week, he shared excitement: "This will be the first time in decades (or maybe ever) that KOA has a talk show in morning drive. We'll keep bringing you plenty of news but now we're doing it in a show that also talks about the news (and lots of other things). 

Ross Kaminsky
Replacement in Middays:
Michael Brown Takes Over 9 a.m.–12 p.m. To fill Kaminsky's vacancy, Michael Brown—a Denver radio staple since 2006—shifts from mornings on KHOW to KOA's 9 a.m.–noon slot. Brown, known for his no-nonsense conservative takes on "The Situation with Michael Brown," started at KOA as a weekend host, later handling afternoons across KOA and KHOW, and landing KHOW mornings in 2021. 

His experience as former FEMA Director under President George W. Bush adds gravitas to topics like emergency preparedness and policy.This cross-station shuffle strengthens ties between KOA and KHOW, iHeart's Denver talk duo.

The changes come amid iHeart's ongoing cost-cutting (including the Lenz layoff) and a push for more dynamic, personality-driven content to boost ratings and digital streaming via the iHeartRadio app. Afternoon and evening slots remain unchanged: Mandy Connell (12–3 p.m.), The KOA Sports Zoo (3–6 p.m.), and Broncos Country Tonight with Ryan Edwards and Benjamin Allbright (6–9 p.m.), followed by syndicated fare like Coast to Coast AM.

Amazon Crushes Q3 Expectations


This week Amazon turned in a third quarter well ahead of expectations, with net sales surging 13% to $180.2 billion (vs. $158.9B YoY), driven by strong North American growth of 11%. Net income more than doubled to $21.2 billion from $9.9 billion a year ago. Defying widespread fears of a consumer spending slowdown, Amazon issued aggressive Q4 guidance of $206–$213 billion in sales—implying 10%–13% growth.

Advertising Dominance Accelerates
Ad services revenue jumped 24% to $17.7 billion, with CEO Andy Jassy telling investors that “every single” ad product grew. Gartner senior director analyst Brad Jashinsky described the results as “incredibly impressive,” noting Amazon’s rapid evolution from a low-funnel conversion channel to a full-funnel media powerhouse just a few years ago. Momentum is expected to build further from new partnerships with Netflix and Roku, plus upcoming live sports integrations—including the NBA, Masters Golf, and NFL—many of which are not yet reflected in current numbers.


Amazon Web Services revenue rose 20% to $33 billion—its fastest pace since 2022—signaling sustained AI leadership and aggressive capacity expansion. Wedbush analyst Scott Devitt wrote that investors have “regained comfort in management’s ability to retain a leading position in the AI space,” forecasting a “positive narrative shift” ahead. The strong performance stands in contrast to mounting investor criticism of AI spending at rivals Meta and Microsoft.Operational Efficiency and Strategic 

During the earnings call, Jassy addressed recent layoffs, confirming 14,000 corporate roles—roughly 4% of 350,000—were eliminated not for financial savings but to “remove layers” and accelerate decision-making.

In grocery, Whole Foods Market is growing faster than the overall category, with profitability improving due to expanded same-day delivery of perishables. Jashinsky noted that success in fresh foods has shifted Amazon’s strategic thinking on physical grocery expansion. “Competition with Walmart in grocery is going to intensify next quarter and into 2026,” he added.

SiriusXM's Holiday Music Channels for 2025


SiriusXM has long been a go-to for holiday tunes, offering a mix of seasonal channels that cater to various tastes—from classic carols to modern pop hits. For 2025, the company is continuing its tradition of launching a full lineup of Christmas and holiday music channels, starting November 4, 2025. 

This date marks the return of fan-favorite stations, along with some fresh additions to keep the festivities vibrant. These channels are available to subscribers via satellite radio, the SiriusXM app, and streaming services, running through December 26 (with some extending into New Year's programming).

If you're eager for holiday vibes earlier, SiriusXM's year-round channel, Holiday Traditions (Channel 602), streams classic tracks from the 1940s–1960s by artists like Bing Crosby, Andy Williams, Nat King Cole, and Ray Conniff 24/7—no waiting required.

Key Details on the 2025 
  • LaunchStart Date: November 4, 2025 (a slight shift from some prior years' November 1 kickoff, but consistent with recent patterns).
  • Duration: Most channels run until December 26, 2025, transitioning to New Year's content afterward.
  • Availability: All channels are on the SiriusXM app; some have dedicated satellite dials (channel numbers may vary by device).
  • New for 2025: Highlights include celebrity-curated specials and genre twists, like Jimmy Fallon's new channel.
🎄Lineup of Christmas/Holiday Channels
  • Holly (Ch. 70): Modern holiday hits (Mariah Carey, Michael Bublé); Mariah Mondays weekly.
  • Holiday Traditions (Ch. 602): Year-round classic 1940s–60s carols (Bing Crosby, Andy Williams).
  • Christmas Spirit (Ch. 63): Contemporary Christian holiday favorites.
  • Country Christmas (Ch. 58): Country-style holiday songs (Carrie Underwood, Blake Shelton).
  • Sounds of the Season (Ch. 68): Traditional carols & gospel tracks.
  • Holiday Soul (Ch. 49): R&B/soul holiday classics (Otis Redding, James Brown).
  • Navidad (Ch. 78, starts Nov 23): Latin holiday music (Selena, Gloria Estefan).
  • Hallmark Channel Radio (Ch. 104, Nov 23–Dec 26): Heartwarming movie-tied songs; hosted by Lacey Chabert.
  • Holiday Pops (Ch. 76, Dec 24–25 only): Classical Christmas (Pavarotti, Boston Pops).
  • Holiday Instrumentals (App-only): Vocal-free orchestral/piano holiday music.
  • Kids Christmas (Ch. 79): Family-friendly Santa/Rudolph songs.
  • Acoustic Christmas (App-only): Unplugged, cozy holiday tunes.
  • Cool Jazz Christmas (App-only): Smooth jazz holiday instrumentals/vocals.
  • Rockin’ Xmas (App-only): Classic rock Christmas + rarities.
  • Holiday Chill-Out (App-only): Downtempo/relaxed holiday beats.
  • Mannheim Steamroller Channel (App-only): Symphonic new-age Christmas.
  • Trans-Siberian Orchestra Radio (App-only): Epic rock-orchestra holiday anthems.
  • Jimmy Fallon’s Holiday Seasoning Radio (App-only, new 2025): Fallon-curated classics + comedy bits.
🎅Special Programming and Extras
  • Celebrity Takeovers:  Expect guest hosts like Kelly Clarkson, Robert “Kool” Bell, and Pentatonix sharing their holiday playlists.
  • Specials: Tune into 17+ Christmas specials on the app, including golden-era radio shows (e.g., "The Bing Crosby Show") and movie soundtracks.
  • Non-Christmas Options: Channels like Hanukkah music and Festival of Lights programming for diverse celebrations.

Time to Fall Back


At 2 a.m. Sunday, daylight saving time comes to an end — at least until the second Sunday in March — meaning that the clocks must be reset and we get back the hour we lost in March.

For most of us, the extra hour comes and goes because we are in bed at 2 a.m., sleeping, and other than noticing more sunlight in the morning and perhaps feeling a little more refreshed, we hardly even notice it. Smart clocks, now, know when to change on their own.

But every year, partly because stupid clocks still need to be changed, news outlets remind everyone to "fall back." And the debate begins: How did this tradition start? Is it good for us? And if it is not, should we always be an hour ahead or an hour behind?

⏰What is daylight saving time?

Daylight saving time, or some people say daylight savings time, is the term we use to distinguish between the part of the year starting in March when we advance clocks — or they now advance themselves — an hour ahead. Ironically, when this happens there's less daylight in the morning.

When we set clocks back an hour, it's called standard time.

To help schoolchildren remember what to do with clocks when they learn the mnemonic device: "spring forward" and "fall back." Get it?


Benjamin Franklin, the statesman and inventor whose picture appears on the $100 bill, is credited with the idea to conserve candles back in 1784. Others offered other proposals over the years, and in 1966, when President Lyndon Johnson signed the Uniform Time Act, the twice-year time change became law.

Radio History: Nov 1


➦In 1880...Sportswriter Grantland Rice was born in Murfreesboro Tennessee.  He was with the NY Herald Tribune when he was pressed into service as a broadcaster; he was at the mike for the first World Series game which aired on  KDKA in 1921 and the first complete World Series WJZ in 1922. He died July 13 1954 at age 73.

➦In 1894…Billboard Advertising, a 10-cent trade publication dealing with billboard advertising, began publication. After a few years, it started to focus on the entertainment shows advertised by billboards, and by the 1930s Billboard, as it came to be known, was covering radio and sales of a new medium, juke box records.


➦I
n 1922...KHJ radio, owned and operated by the Los Angeles Times, made its first broadcast with a new Western Electric 500-watt transmitter on 400 meters, equivalent to 750 kilocycles.  The 2 hour broadcast from 8 to 10 p.m. took place on Wednesday, November 1, 1922, from KHJ's  new $30,000 broadcasting plant, with a new studio and transmitter room.  

Harry Chandler, president and general manager of the Times Mirror spoke over the "new KHJ" with 10 times more power than it started with on April 13, 1922.  Major J.F. Dillon, Department of Commerce supervisor of the sixth radio district, also spoke after inspecting the station and transmitter.  Then, 18 vocal and instrumental artists performed before the KHJ microphone.  

After 7 days, the Times and KHJ announced that cards and letters came in from 25 states, reporting they had been able to tune-in the 500-watt KHJ.  KFI would go on the air with a new 500-watt transmitter in January of 1923.  KHJ would remain a non-commercial radio station until November 1927, when Don Lee bought the station. (H/T: SoCal Radio People)

The Baltimore News 1925
➦In 1937..."Hilltop House" first aired on CBS Radio. It's stories centered around Bess Johnson and the struggles that she faced as the person in charge of Hilltop House Orphanage. Children were integral to the plots, and the stories usually dealt with the youngsters' interactions with adults.

Financial problems and conflicts between the staff and members of the orphanage's board of directors also arose frequently. Sponsored by Palmolive soap, this version was broadcast on both CBS and Mutual beginning on November 1, 1937. It left Mutual in 1938 but remained on CBS until March 28, 1941. It was replaced by a spinoff, then was re-launched twice, with its final episode coming on July 30, 1957.

➦In 1937…"Terry and the Pirates," a radio serial based on the popular comic strip, debuted on NBC's Red network.

When the late afternoon series began, it was heard at 5:15pm, three times a week, sponsored by Dari-Rich, airing on NBC Red Network from November 1, 1937 to June 1, 1938. It switched to NBC Blue Network on September 26, 1938, continuing until March 22, 1939. Absent from the airwaves for over two years, it returned shortly before the Attack on Pearl Harbor, heard in the Midwestern United States on the Chicago Tribune's WGN. That series, sponsored by Libby's, aired five days a week from October 16, 1941 to May 29, 1942.

With increasing popularity during the World War II years, the show next took off at a fast pace on Blue Network, airing daily for 15 minutes on weekday afternoons beginning February 1, 1943. The Quaker Puffed Wheat and Puffed Rice "shot from guns" commercials often had a patriotic pitch.

After 1945, with no wartime villains for Terry and his pals to fight, ratings began to drop in the post-World War II period until the final episode on June 30, 1948.

➦In 1946...The following ad appeared November 1 in the NY Times heralding a change in call letters from WEAF to WNBC. Also, WABC became WCBS-AM.

Friday, October 31, 2025

The Radio Hall of Fame Inducts 2025 Class of Honorees


The Radio Hall of Fame, operated by the Museum of Broadcast Communications, held its 2025 induction ceremony on Thursday evening at the Swissotel Hotel in Chicago. This marked a return to an in-person event in the city after previous years' adaptations, celebrating the medium's enduring impact through a "standing room only" gathering of industry professionals, honorees, and fans.

Hosted by tech and radio personality Kim Komando, the ceremony honored a diverse class of 19 inductees—11 contemporary figures and 8 posthumous "Legends"—whose work has spanned entertainment, news, sports, syndication, and innovation in radio. Tickets for the event included a tax-deductible donation to the museum, underscoring its role in preserving broadcast history.

The inductees were announced in stages: the core class of 11 in late June 2025, with the Legends added in September. Six of the main inductees were selected by a panel of over 900 radio professionals via confidential ballot, while the rest were chosen by the Nominating Committee. 

As Museum Chairman David Plier noted, this group "reflects the depth, creativity, and cultural impact of radio across generations and formats." Co-Chairs Kraig Kitchin and Dennis Green emphasized the honorees' role in "entertaining, informing, and bringing special moments to our lives through a medium that does this better than any other."Main Class of 2025 Inductees:



Legends Inductees (Posthumous)Added in September to honor trailblazers no longer with us, these eight figures include pioneering DJs, executives, and innovators who laid radio's foundations:
  • Gordon McLendon: "The Old Scotchman," Texas broadcasting mogul who innovated Top 40 formatting and owned over 100 stations.
  • Jean Shepherd: Writer and WOR-AM nighttime host, inspiration for A Christmas Story, famed for storytelling and humor.
  • Johnny Holliday: DC-area sports and music DJ, voice of Washington teams, with a career spanning six decades.
  • Robert K. Morgan: Longtime WSM Nashville executive, key in country radio's growth and the Grand Ole Opry.
  • Hal Jackson: New York's first Black radio DJ, founder of the first all-Black station (WLIB), civil rights supporter.
  • Art Linkletter: Host of House Party and Kids Say the Darndest Things, radio's family entertainment icon.
  • Ted Yates: ABC News correspondent, trailblazing Black journalist covering civil rights and urban stories.
  • William Sherrod: Early African American broadcaster in Memphis, mentor to talents like Rufus Thomas.
As Kitchin reflected, these Legends "contributed to the growth and vibrance of our radio industry" and remain "worthy of induction." Their stories were shared through tributes, highlighting radio's role in cultural and social progress.

The induction ceremony will air this weekend on SiriusXM Channel 132 and on over 80 stations across the U.S. For a complete list of stations carrying the show, visit: www.radiohalloffame.com.

Disney Channels Go Dark On YouTube TV


Disney-owned channels, including ESPN, ABC, Disney Channel, FX, and National Geographic networks, went dark on YouTube TV after the two companies failed to renew their carriage agreement before a midnight ET deadline. This blackout affects over 20 channels and impacts YouTube TV's more than 8 million subscribers, particularly sports fans and families relying on Disney content. The dispute is the latest in a series of tense negotiations for YouTube TV, following resolved standoffs with Fox and NBCUniversal earlier in 2025.

What Channels Are Affected?The blackout includes a wide range of Disney networks. Here's a breakdown:


Viewers can no longer access live broadcasts, on-demand recordings, or algorithmic recommendations for these channels. Searches for Disney shows on YouTube TV now show tiles without playable links.

The core issue is a disagreement over carriage fees—the per-subscriber rate YouTube TV pays Disney to carry its channels. Disney is seeking higher fees to reflect the value of premium content like ESPN (a major draw for sports viewers) and ABC's local news and game shows. YouTube TV, now the top U.S. media distributor by audience engagement (over 13% of TV watch-time per Nielsen), is pushing back, demanding rates aligned with competitors like Comcast and Charter, plus a shorter contract term than the industry standard. 

Google accuses Disney of terms that unfairly favor its own services, like Hulu + Live TV.

This isn't isolated: YouTube TV has faced similar disputes with four other major distributors in 2025, all resolved without blackouts except this one. Tensions were heightened by Google's earlier hiring of Disney executive Justin Connolly, leading to a breach-of-contract lawsuit from Disney (Connolly recused himself from talks).

Apple Revenue Spikes 8 Percent


Apple reported record quarterly sales and forecast 10%–12% revenue growth for the holiday quarter—far exceeding Wall Street’s 6% estimate—as customers rush to buy the new iPhone 17.

Key highlights:
  • Holiday outlook: CFO Kevan Parekh said December-quarter revenue will rise 10%–12% year-over-year, driven by strong iPhone 17 demand.
  • Q4 results (ended September): Total revenue hit $102.5 billion, up 8% from last year and slightly above the $102.2 billion analyst consensus.
  • iPhone sales: $49 billion, up year-over-year for the second straight quarter but slightly below expectations due to supply constraints on several models. Parekh declined to specify which versions are leading demand.
  • Stock reaction: Shares jumped more than 3% in after-hours trading.
  • Services milestone: The division surpassed $100 billion in annual revenue for the first time, fueled by App Store fees, Google search payments, and subscriptions like Apple Music and Apple TV+.
  • Google ruling: A judge upheld Alphabet’s $20+ billion annual payment to remain the default search engine in Safari, preserving a deal that accounts for roughly 20% of Apple’s operating profit.

Early third-party data from Consumer Intelligence Research Partners showed strong uptake of iPhone 17 Pro and Pro Max models, but “virtually no traction” for the new iPhone 17 Air.

New Advertisers Are Giving Fox News A Try


Fox News Media attracted 350 new national advertisers in 2025, driving Fox Corporation to its highest quarterly ad revenue ever—just one year after a presidential election, when cable news viewership typically spikes.

According to Forbes, the channel has dominated all television in weekday prime year-to-date through October, averaging 3.281 million viewers—edging out ABC (3.252 million), CBS (3.104 million), and NBC (3.087 million)—while leading all cable networks in total day and primetime. 

In October, Fox News averaged 2.3 million primetime viewers, as rivals CNN and MSNBC hit record lows.Fox Corp beat Wall Street expectations for its fiscal first quarter, reporting adjusted earnings of $1.51 per share (vs. $1.06 consensus) and $3.7 billion in revenue (vs. $3.58 billion expected). 

Ad revenue at Fox News rose 7% to $345 million; Fox broadcast and local stations gained 6% to $1.07 billion.

“Fox News sustained strong ratings and audience momentum,” Executive Chair and CEO Lachlan Murdoch said Monday during the earnings release. “We’re the most-watched network in all television in weekday prime calendar year to date.”

Murdoch highlighted a 63% share lead over cable news competitors and called the year-to-date No. 1 ranking “a tremendous achievement,” despite upcoming fall competition from entertainment and football.

He told investors Fox charges far less than ABC, CBS, or NBC despite higher ratings, making it “a very efficient buy” for new advertisers—who are returning and increasing spend. 

“We’re seeing very healthy, strong pricing,” he added.Murdoch views Fox News as more than cable news. 

In March, he told the Morgan Stanley Technology, Media & Telecom Conference: “We see it as one of the top five broadcast networks in the United States, even though we don’t have the same distribution.”

“The quality of our assets and their consistent capacity to deliver financially gives me great confidence in the positive outlook for Fox,” Murdoch concluded in the earnings release.

Cumulus CEO Cites "Challenging Macroeconomic Environment"


Cumulus Media Inc.  held its Q3 2025 earnings conference call Thursday following the release of its financial results. The company reported net revenue of $180.3 million, down 11.5% year-over-year (YoY), or 5% excluding political revenue. Adjusted EBITDA fell to $16.7 million from $25.2 million in Q3 2024, reflecting ad market headwinds, while net loss widened to $20.4 million ($1.17 per share), versus expectations of -$0.71 EPS. Year-to-date revenue through nine months was $550.1 million, down 4.2% YoY.

Mary Berner's CEO Remarks emphasized the "challenging macroeconomic environment" for national radio ads, with total revenue declines driven by a 15% drop in spot revenue and softer network performance. 

Berner
Positives included a 34% surge in Digital Marketing Services (DMS) revenue, now comprising ~50% of total digital, fueled by Cumulus Boost subscriber growth and new client wins in travel/financial categories. 

Berner touted strategic wins like the Westwood One Sports 24/7 Network launch for enhanced sports syndication and podcast expansions (e.g., The Next Role with Vernon Davis and Family Matters joining the Cumulus Podcast Network). She reiterated focus on cost discipline and digital diversification amid broadcast headwinds.

The ~20-minute Q&A addressed analyst queries on:
  • Ad Market Outlook: Executives cited persistent softness in national spots but optimism for Q4 holiday upticks and political rebound in 2026 midterms.
  • Digital Momentum: DMS growth attributed to sales force expansion (tripled since 2024); podcast network now at 100+ shows, with top performers like Bongino and Levin driving 20% streaming gains.
  • Cost and Debt: Further $5-10M savings targeted for 2026; debt maturities monitored, with ABL facility extensions providing liquidity buffer.
  • Strategic Initiatives: Westwood One's sports network launch expected to add $2-3M in annual revenue; emphasis on "audio-first" synergies across 395 stations and 9,500 affiliates.

Fox Ran Out Of Commercials During World Series Marathon


In Game 3 of the 2025 World Series on October 27, Fox ran out of paid national ad spots by the 13th inning of the Los Angeles Dodgers' marathon 6-5 victory over the Toronto Blue Jays, filling nearly two hours of subsequent breaks—through the 18th inning—with self-promos instead of commercials, as the game stretched to 6 hours and 39 minutes, ending at 3 a.m. ET with Freddie Freeman's walk-off homer.

This tied for the longest World Series game in history (matching the 2018 Red Sox-Dodgers clash), giving the Dodgers a 2-1 series lead and boosting Fox's leverage for future ad sales despite lower overall ratings.

The Dodgers' thriller averaged 11.4 million U.S. viewers across Fox platforms (down 16% from 2024's Dodgers-Yankees series), peaking at 13.2 million around 11:30 p.m. ET but holding steady with 8 million in the 2:45 a.m. quarter-hour—over half its peak audience—demonstrating remarkable late-night retention for a game that began at 8:08 p.m. ET. 

Nielsen ratings only covered up to the last national ad (around 1:36 a.m. ET, mid-14th inning), excluding the final four innings of promos. Including Canadian viewership on SportsNet (6.2 million), the North American total hit 17.6 million for Game 3, with the series averaging 18.7 million through three games.

Fox typically sells 108.5 national ad spots for World Series games, anticipating extra inventory from pitching changes, home-team wins, and playoff drama—far more than the 76 spots in a standard nine-inning affair. Each 30-second slot commands $350,000–$800,000, sold months in advance based on projected length. 

The 18-inning epic exhausted this by the 13th (around 12:30 a.m. ET), prompting Fox to forgo real-time sales—deemed unfeasible due to plummeting post-midnight viewership—and pivot to promos for shows like The Masked Singer or upcoming NFL coverage.

Chicago Radio: KISS-FM Extends The Fred Show


iHeartMedia Chicago’s 103.5 Kiss FM, has announced a multi-year extension of “The Fred Show,” heard live weekdays from 6 a.m. to 10 a.m. The new deal sees “The Fred Show” extended through 2030.

First debuting in 2011, “The Fred Show” delivers the perfect mix of humor, heart and real connection to Chicagoland and beyond. Led by Fred and his cast of unforgettable personalities, the show’s genuine chemistry and unpredictable moments keep listeners coming back every day. Whether you’re tuning in for the first time or you’re a loyal fan, “The Fred Show” promises to brighten your day and keep you smiling.

“I’m deeply grateful for the opportunity to continue growing ‘The Fred Show’ in Chicago and across the country with iHeartMedia and Premiere Networks for many years to come. I’m privileged to share a studio with some of the most talented and hardest-working teammates in the business,” said Fred. “I’m also grateful to the many incredible people across iHeart who have championed me not just now, but over the past 23 years. Bob, Rich, Julie, Tom, Bernie, Brad, Thea, Adam, Kris and James — your leadership empowers shows like ours to thrive. A heartfelt thanks as well to Paul Anderson at Workhouse Media, whose partnership has helped shape my career in so many meaningful ways.”

“The Fred Show’ perfectly embodies what iHeartMedia stands for in connection, authenticity and companionship,” said James Howard, Senior Vice President of Programming for iHeartMedia Chicago. “Fred and the team have built something special. Their humor, heart and honesty resonate deeply with listeners, which is why the show continues to see remarkable growth across the country.”

Summit Media Adds Frankie Robinson For WBHK, WJMZ


SummitMedia has announced Frankie Robinson joins afternoons in the company’s Birmingham and Greenville markets. She can be heard on Urban AC WBHK (98.7 Kiss)/Birmingham and WJMZ (107.3 Jamz)/Greenville from 2 to 7 p.m.

Frankie Robinson
Robinson is a nationally recognized media personality with more than 15 years of experience captivating audiences across Chicago and beyond. Known for her authentic voice and deep connection with listeners, she built her reputation as a top-rated host on two of the city’s most influential stations — 107.5 WGCI and Power 92.

“I am so thrilled and honored to be a part of the SummitMedia family! Everything that I’ve ever desired in a career is what they have provided. This is a dream come true to be able to continue to do what I love after 18 years,” Robinson said.

“Frankie’s influence continues to shape conversations across entertainment and culture,” said J’Michael Francois, SummitMedia’s VP of Programming for R&B and Gospel. “Her authenticity, energy and ability to connect with listeners make her the perfect addition to our lineup and a major win for our R&B brands.”

CBS Layoffs Trickle Down To Local Markets


Paramount Global began slashing 2,000 jobs this week following its $8 billion merger with Skydance, with Boston’s WBZ-TV cutting five staffers—including longtime political analyst Jon Keller.

Keller, a fixture on WBZ since 2005 with his “Keller @ Large” segments on the 5 and 6 p.m. news, was classified as freelance on-air talent and let go amid the cuts, the Boston Herald has learned.  Back in 2020, WBZ Newsradio 1030 cut ties with Keller amid an onslaught of iHeartMedia layoffs across the country.

At CBS News, around 100 layoffs are expected in the coming days, starting with Saturday morning anchors Michelle Miller and Dana Jacobson, plus their executive producer. Gayle King, co-anchor of CBS Mornings for over a decade, is also set to exit next year, per Variety.

CBS News has responded to reports that TV staple Gayle King might be stepping away from her hosting job at "CBS Mornings" following a shakeup at the network.

A spokesperson for CBS News told USA TODAY in a statement that "there have been no discussions with Gayle about her contract that runs through May 2026." The statement added that King is "a truly valued part of CBS and we look forward to engaging with her about the future."

New CBS Editor-in-Chief Bari Weiss warned staff of an “enormously difficult” period ahead.

The layoffs mark the first wave of long-anticipated reductions after the merger closed earlier this year, targeting inefficiencies across Paramount’s broadcast, cable, and streaming divisions.