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Saturday, January 11, 2025

Radio History: Jan 12


➦In 1925...WGBI-AM  (now WBZU) Scranton, PA signed on the frequency of 1250 kHz owned by Edward Megargee.

In 1927, the station moved to 1300 kHz which it time shared with Scranton's other radio station, WQAN (now WEJL at 630 AM). The two stations which were time sharing a single frequency, moved to 880 kHz in 1931,  and then again to 910 kHz by 1941 (the later move, forced by a nationwide frequency reassignment which took place in 1941). WGBI remained at 910 kHz (at 1,000 watts) when WQAN moved on to its own broadcast tower and new frequency of 630 kHz in 1948. This meant that WGBI had full-time use of the 910 kHz frequency where it remains to this day, as WBZU. WGBI was a CBS Radio network affiliated station by the 1940s.

The Megargee family's company, Scranton Broadcasters, spawned an FM station (now WGGY) and northeast Pennsylvania's second television station (now WYOU). The Megargees held on to the radio stations well into the 1990s. By the turn of the century, WGBI had been sold to Entercom and become a repeater of WILK-AM, existing mainly to improve its signal in Scranton. While WILK's daytime signal easily covers most of Scranton, the northern portion of the city only gets a grade B signal. At night, WILK-AM must power down to 1,000 watts, leaving most of Scranton with only a grade B signal.

WBZU in 2007 moved its transmitter to the tower location atop the Times Building at 149 Penn Avenue in downtown Scranton also being used by WEJL's transmitter. The full-time switch over to the new transmitter facility and tower location happened on August 2, 2007.  This tower sharing arrangement repeats an arrangement the stations shared over 60 years ago in their early history. The efficiency of the new transmitter tower location also caused WBZU to slightly reduce its power to 900 watts to keep within FCC rules on signal strength and coverage.

➦In 1926...“Sam ‘n’ Henry” debuted on Chicago’s WGN radio. When they moved crosstown to WMAQ two years later the show was renamed “Amos ‘n’ Andy” and the voices of its creators, Freeman Gosden and Charles Correll played to huge depression-era audiences via NBC radio.

Although the players were white, the characters were portrayed as black. The popular radio show would attract over forty million fans at its peak during the depression. In 1943 the daily show became a weekly half-hour with an audience and supporting black actors; and in 1954 Gosden and Correll turned into Monday-through-Friday disc jockeys on the “Amos ‘n’ Andy Music Hall” with skits between records until their final sign off in 1960.

➦In 1932...columnist & future TV host Ed Sullivan joined CBS radio in a program of gossip and interviews.

➦In 1951...Rush Hudson Limbaugh IIII was born in Cape Girardeau, Missouri (Died February 17, 2021 from lung cancer). Limbugh was the most popular and most-listened-to conservative radio host in the United States.

Limbaugh began his career in radio as a teenager in 1967 in his hometown of Cape Girardeau, using the name Rusty Sharpe. Limbaugh graduated from Cape Girardeau, Missouri Central High School in 1969. He played football. Because of his parents' desire to see him attend college, he enrolled in Southeast Missouri State University but left the school after two semesters and one summer. According to his mother, "he flunked everything", and "he just didn't seem interested in anything except radio."

After dropping out of college, Limbaugh moved to McKeesport, PA. In 1972, he became a Top 40 music disc jockey on WIXZ, a small AM radio station that reached much of the Pittsburgh area. He started with an afternoon show and later did mornings, broadcasting under the name Jeff Christie. Limbaugh moved to Pittsburgh station KQV in 1973 as the evening disc jockey, succeeding Jim Quinn. He was fired in late-1974, when the station was sold to Taft Broadcasting.

Jeff Christie Aircheck: Click Here (courtesy of Jeff Roteman's radio tribute website)

Limbaugh was reportedly told by management that he would never make it as on air talent, and should consider going into sales.

For the rest of the '70s, Limbaugh took jobs at several radio stations, working in music radio, before settling in Kansas City. In 1979, he left radio and accepted a position as director of promotions with the Kansas City Royals baseball team. There he developed a close friendship with then-Royals star third baseman and future Hall of Famer George Brett; the two remain close friends.

In 1984, Limbaugh returned to radio as a talk show host at KFBK-AM in Sacramento, CA, where he replaced Morton Downey, Jr.  The repeal of the Fairness Doctrine—which had required that stations provide free air time for responses to any controversial opinions that were broadcast—by the FCC in 1987 meant stations could broadcast editorial commentary without having to present opposing views.

On August 1, 1988, after achieving success in Sacramento and drawing the attention of former ABC Radio President Edward McLaughlin, Limbaugh moved to New York City and began his national radio show.

Stern's Class Photo
➦In 1954...Howard Stern born in Roosevelt, New York.

His first on-air job in radio was WRNW in Briarcliff Manor, NY, where covered shifts in late December 1976. Stern was hired full-time, working a four-hour midday shift for six days a week on a $96 weekly salary. He subsequently became the station's production and program director for an increased salary of $250.

In 1979, Stern spotted an advertisement in Radio&Records for a "wild, fun morning guy" at rock station WCCC in Hartford, Connecticut.  He submitted a more outrageous audition tape featuring Robert Klein and Cheech and Chong records with flatulence routines and one-liners.Stern was hired.

LA R/TV: Mount Wilson Transmitters Escape Damage From Flames


Walt Disney Co.’s KABC-TV Channel 7 station, which uses communications towers near Mt. Wilson, lost its over-the-air signal Friday morning as the Eaton fire continued its rampage through mountainous terrain.

Separately, radio station KLOS-FM 95.5, which also uses transmission facilities in the Angeles National Forest, went off the air overnight. Public broadcaster PBS SoCal lost signals for nearly 24 hours before transmissions were restored Friday morning.

KABC confirmed that it was “experiencing an issue with the transmitter,” without providing details of the problem.

The LA Times reports electrical power to the Mt. Wilson transmitter tower complex — used by Los Angeles’ broadcasters — was cut off late Tuesday as the Eaton fire spread on the mountain. Stations then switched to generator power to maintain their broadcast signals to viewers who rely on over-the-air antennas. On Thursday, the Eaton fire came perilously close to the huge phalanx of mountaintop transmitters.

Television and radio broadcast engineers — including for Nexstar’s KTLA-TV Channel 5, Paramount’s KCBS-TV Channel 2 and KCAL-TV Channel 9, Fox’s KTTV-TV Channel 11 and public radio outlet LAist/KPCC-FM 89.3 — sweated throughout much of the day as they watched the fire’s progress. The communications towers are near the popular Mt. Wilson Observatory.

The transmitters escaped damage by flames. But generators began running out of fuel as early as Thursday, including those powering PBS SoCal’s public television stations KOCE and KCET, said PBS SoCal Chief Executive Andrew Russell.

After KABC lost its signal transmission, the station provided digital streams of its morning newscasts directly to cable and satellite TV operators, Disney-owned Hulu Live TV and other streaming apps.

Only viewers who rely on the over-the-air antennas for television found the station blacked out.

“Teams are obviously working hard to get the feed back up for over-the-air viewers and are hopeful we have it back up soon,” an ABC spokesperson said in an email. The issue was related to the fires, the spokesperson said, but equipment was not burned.

The company directed viewers to the KABC website and streaming apps.

Two people close to the situation, who were not authorized to comment publicly, said a generator pump had malfunctioned.

Meanwhile, Meruelo Group’s KLOS-FM 95.5 radio transmitter controls were disrupted about 2 a.m. Friday and the station went off the air. Station engineers learned that the generator it was using for backup power had failed, according to a station executive.

Station employees were working to resolve the issue Friday.

The two PBS stations, including the signal for KLCS PBS, which is operated by Los Angeles Unified School District, went off the air about 10 a.m. Thursday, Russell said.

By that time, the fire was threatening the Mt. Wilson complex and the California Highway Patrol had shut down the forest roads.

“We had fire right up to the edge of the building,” Russell said. “We did not have access for fuel delivery.”

Station executives also had to scramble because fuel was prioritized for emergency vehicles, Russell said. In partnership with Univision’s KMEX-TV Channel 34, the two station groups were able to source a tank of fuel, which was then trucked up the mountain early Friday.

PBS SoCal station signals were largely restored by 9:25 a.m. Friday.

Local TV stations disrupted their regular programming to provide around-the-clock fire coverage Wednesday and Thursday as their news crews fanned out across the fire-ravaged region. Stations that provide network programming had largely returned to their national programs, including “The Price Is Right” on CBS and “The View” on ABC, by Friday morning.

‘Significant Flare-Up’ in Palisades Fire Forces New Evacuations


Santa Monica Pier

Los Angeles faced another tense night as the Palisades fire moved northeast, prompting new mandatory evacuations, according to The LA Times.

The latest order is in effect from Sunset Boulevard north to Encino Reservoir, and from the 405 Freeway west to Mandeville Canyon — an area that includes the Getty Center museum as well as Brentwood and the foothills of the San Fernando Valley.

“The Palisades fire has got a new significant flare-up on the eastern portion and continues to move northeast,” L.A. Fire Department Capt. Erik Scott told KTLA.

New evacuation warnings were issued for areas to the east of the 405 Freeway, north of West Sunset Boulevard and south of Mulholland Drive, along with areas south of Ventura Boulevard and east of Louise Avenue in Encino.

Offramps from the northbound and southbound 405 Freeway are closed at Getty Center Drive, Sunset Boulevard and Skirball Center Drive, according to the California Highway Patrol.

The fire siege in Los Angeles County has consumed 12,000 structures and killed at least 11 people since the Palisades fire began Tuesday morning.

NYC Radio: Emmis Launches Bi-Lingual AC Format At 98.7 FM


Emmis Corporation has rebranded WEPN and WLIB-AM to a bilingual AC simulcast, now known as La Exitosa 98.7 FM/1190 AM. 

This new format features English and Spanish language hits from the '80s through the '00s. The new format ends four montha of stunting with an Hot AC format.

Mike McVay, who played a key role in the station's development and launch, highlighted the strong Dominican, Puerto Rican, Columbian, Mexican, and Ecuadorian communities in New York, New Jersey, and Connecticut as the primary audience. He believes that delivering the popular hit music these diverse communities grew up listening to will provide a unique and unifying listening experience.

WEPN 98.7 FM (6 kw)

Despite Emmis Corporation's efforts to sell its radio station portfolio, Chairman Jeff Smulyan saw a significant opportunity for a Spanish AC format in the New York market. The launch of La Exitosa was an easy decision, given the potential to connect with these passionate radio fans.

S-F Radio: Cumulus, Bonneville Merge Operations



In another major shakeup for the San Francisco radio landscape, broadcast giants Cumulus Media and Bonneville International are merging their operation centers.

After announcing in November that its sports stations, KNBR 680 and 104.5 KNBR-FM, would relocate to Levi’s Stadium, Cumulus confirmed on Friday, Jan. 10, that it plans to move its entire San Francisco operations to Bonneville’s suburban Daly City facility.

The two companies will share space, with Cumulus subleasing from Bonneville, according to the SF Chronicle.

“We’re moving in and my heart is so excited,” Chasta Michaelis, program director and morning co-host at classic rock station KSAN 107.7 “The Bone,” said in a statement. “There are a lot of humans I already dearly love and respect at Bonneville. A bunch of OG radio freaks in the same building…now this is gonna be FUN!”

In addition to KNBR and KSAN, Cumulus operates the KSFO talk station and KZAC conservative talk radio in the Bay Area.

Sue Hall, host at Bonneville’s adult contemporary station 96.5 KOIT, also celebrated the collaboration, writing on Instagram: “We’re all moving in together! One big happy family! Bonneville SF + Cumulus SF.”

Bonneville’s Bay Area portfolio includes the Top 40 station 99.7 NOW, old-school R&B 102.9 KBLX and classic rock station 98.5 KFOX.


Cumulus originally moved into Clear Channel’s former offices on Battery Street in 2015. But as programming consolidated and local shows were cut — such as Talk 810 KGO and adult alternative 104.5 KFOG — the need for a larger facility diminished. Moving operations to Bonneville’s already bustling facility in Daly City makes sense for Cumulus, whose presence in the market has scaled down in recent years.

While the companies will share physical space, Radio Insight reports that experts believe each will continue to operate its properties independently. Cumulus owns two FM stations and four AM stations in the Bay Area, while Bonneville holds four FM stations. If the two companies were to merge, regulatory constraints would likely require one FM station to be divested.

Report: Watch For FCC Attempt To Reverse Audacy Approval


Future Republican FCC Chair Brendan Carr is out to reconsider the FCC’s approval of Audacy’s bankruptcy reorganization that gives Democratic donor George Soros controlling interest writes Jerry Del Colliano, publisher of the Inside Music Media newsletter.

The rundown

  • It’s politics, says Carr, who risks making a political football of the FCC approval process that made concessions to iHeartMedia in a similar situation without objection.
  • iHeart appears to be playing the Republican party as its friend with questionable donations to Texas Senator Ted Cruz under the guise of paying for his podcast.
  • But it is Soros that sticks in the craw of Republicans and they want to make Audacy pay.

Quick review:  Soros Fund bought $400 million of Audacy debt at cheap prices to amass controlling interest when the debt was converted to equity. There has been no substantive proof that Soros is using Audacy for political purposes and if it did, there is no law against it.

What to look for

  • Carr takes over the majority Republican FCC after Trump is inaugurated and leans on a petition for reconsideration which is pending idle right now as Commission control leaves the Democrats.
  • Unsubstantiated allegations that the Biden administration was playing political favorites in the Audacy approval.
  • Politicization of media matters under the new administration was its publicly stated goal is to upend the way business is done and reduce perceived control of linear media – the Bob Iger Disney issues comes to mind, an attempt to hassle Disney’s operation of their owned and operated television group.
  • Favorable applicants and owners will continue to get favorable treatment such as the ability for failing radio groups to sell 100% interest to foreign investors.
  • The current FCC allowed Audacy’s emergence from bankruptcy to be approved without consideration of foreign ownership issues.
  • An all-out attempt to reverse Audacy’s approval to emerge from bankruptcy based on pure political considerations and not precedent on current facts in spite of the fact that it is unlikely to happen.

What it means

At the exact wrong time, the FCC which some have considered feckless under both political parties will fail to help struggling media companies survive bankruptcy, a declining linear business in the digital age and debt issues.

The author of this commentary is the publisher of Inside Music Media, where this commentary first appeared. Subscription info can be found here.

SCOTUS Signals It Will Uphold TikTok Ban


A majority of the Supreme Court appeared likely to uphold a controversial ban on TikTok over concerns about its ties to China, with justices lobbing pointed questions at lawyers for the social media app and a group of its content creators.

During more than two hours of oral arguments, many of the justices appeared to view the sell-or-ban law approved by Congress in April not as one that primarily implicates the First Amendment but rather as an effort to regulate the potential foreign control of an app used by 170 million Americans.

CNN reports the law, which would restrict the app’s operations in the United States if its Chinese-based parent company ByteDance did not divest from the platform, is set to take effect on January 19 unless the high court steps in to block it temporarily. A decision on that question – the ban’s implementation date – could come quickly, long before the justices resolve any underlying questions about speech protections.

Two presidents – Donald Trump and Joe Biden – have both raised concerns in the past about both content manipulation on the platform and its data collection practices. TikTok argued those concerns were speculative and resisted any suggestion that the Chinese government had a role in picking the cat videos, recipes and news that millions of Americans view on the app.

Justices across the ideological spectrum raised doubts that the TikTok ban even implicated the First Amendment. That’s a bad sign for TikTok, because to win, it had to prove first that the First Amendment applies in the case and then that the law has failed to meet its tests.

In an exchange with a lawyer for users of the application, Chief Justice John Roberts said that, in passing the law, Congress was “fine with the expression.”

“They’re not fine with a foreign adversary, as they’ve determined it is, gathering all this information about the 170 million people who use TikTok,” he said.

Roberts also pressed TikTok’s lawyer on the lack of precedent of the court striking down a law, on First Amendment grounds, that was crafted around regulating a company’s corporate structure.

TikTok Threatens Shut Down


TikTok’s attorney’s on Friday reiterated the popular app will shut down, rather than make a last-minute deal to keep it active in the U.S., if the app’s looming ban is not overturned by the Supreme Court. The app, which boasts 170 million American users, is set to be removed from the U.S. on Jan. 19.

“At least as I understand it, we go dark,” TikTok attorney Noel Francisco said on Friday. “Essentially the platform shuts down.”

That comment comes after TikTok said in court filings in December that it planned to completely exit the U.S. if its ban is not canceled at the last minute.

Last April, President Joe Biden signed a law that called for TikTok to be banned unless ByteDance, the app’s Beijing-based parent company, sold its American operation. The chief concern U.S. lawmakers say they have with TikTok is that it could double as a spyware app for the Chinese government; TikTok, per Chinese law, is required to share user data with China’s communist government, if asked to do so.

Some big business names, including “Shark Tank” star Kevin O’Leary, have said they are looking to buy TikTok before its ban goes into effect. But ByteDance, the New York Times reported on Friday, believes a sale is “not feasible.” That’s because the Chinese government — which would have to approve any deal — has indicated it will block any sales that includes ByteDance’s algorithm.

And if a long-shot deal were to take place, it would not come cheap; Wedbush managing director Dan Ives told TheWrap the price tag for TikTok would be a record-setting $300 billion. Either way, China’s government appears content forgoing a massive payday instead of seeing the app sold to a non-Chinese owner.

TikTok Creators, Marketers Prep For The Worst


The impending disappearance of TikTok, one of the most popular social media apps in the United States, has sent marketers, agencies and creators racing to embrace alternatives — even if they’re not entirely convinced that TikTok will in fact exit the United States this month.

The NYTimes reports marketers are shifting dollars to Instagram and amending their contracts with social media stars so they aren’t stuck paying for sponsored TikTok posts in the app’s absence. Creators are pleading with fans to follow them elsewhere while collecting their email addresses to connect on other platforms. And talent agents are telling TikTok stars to hit pause on buying a house or car for now.

Joe Mele
“I’m just hitting 30 million followers, and 10 days from now I might lose it all,” said Joe Mele, a 26-year-old TikTok star from Long Island who started posting jokes when he was a college freshman. “It’s a little scary.”

TikTok, which is owned by the Chinese company ByteDance, is trying to overturn a law, signed by President Biden in April, that calls for ByteDance to sell the app to a non-Chinese company or face a ban in the United States on Jan. 19. TikTok has claimed a sale is impossible and challenged the law as unconstitutional.

TikTok’s disappearance would upend the social media and marketing landscape, routing billions in advertising dollars to rival platforms like Meta’s Instagram and Google’s YouTube and scattering its 170 million monthly U.S. users. TikTok, known for its video feed that quickly adjusts to users’ interests, has become a cultural juggernaut since 2020, giving rise to best-selling books, viral recipes, Billboard 100 hits and even a “Saturday Night Live” cast member.

“This will either be the biggest headline-making nonevent in marketing history or the most shock to the system in the last decade,” said Craig Brommers, chief marketing officer of the retailer American Eagle Outfitters.

General Says Navy Vet Became 'Too Risky' After CNN Report


An Army major general testified Friday he would have hired U.S. Navy veteran Zachary Young, the plaintiff in a high-stakes defamation lawsuit against CNN, before the controversial network report involving him, but not after it aired, saying it made him "too risky."

Young alleges CNN smeared him in a November 2021 report that first aired on "The Lead with Jake Tapper," suggesting he illegally profited off desperate people trying to flee Afghanistan following the Biden administration's military withdrawal, implying he was involved in "black market" dealings and ruining his professional reputation as a result.  

Major Gen. James V. Young, who is not related to the plaintiff, was the first expert witness to take the stand to share his military and intelligence experience, including his knowledge of Afghanistan leading up to the withdrawal and his thoughts on the aftermath.

General Young
He testified that he holds a security clearance but hasn't worked in over a year. On Thursday, a document showing the plaintiff renewed his security clearance caused courtroom chaos when CNN's legal team implied that it contradicted testimony that the plaintiff hasn't worked since the CNN segment aired. 

Fox News Digital reports Maj. Gen. Young also explained how he would often delete messages related to evacuations, which is something CNN's legal team has repeatedly scolded the plaintiff for doing. Additionally, he thought the prices the plaintiff was charging corporations for evacuations from Afghanistan were "reasonable" after CNN labeled such pricing "exorbitant." 

When asked whether he would hire the plaintiff after watching the CNN segment, he replied "no." When he was asked why, that sparked an immediate objection from CNN's defense team that led to a sidebar with Judge William Henry. 

Henry ordered plaintiff attorney Kyle Roche to rephrase the question to ask why Maj. Gen. Young's firm wouldn't retain the plaintiff's services, to which he responded the CNN segment created "risk" and could harm the reputation of anyone who hired the plaintiff.

Norfolk Radio: Karen West Named PD At WGH-FM


Max Media's Country WGH-FM/Norfolk has named Karen West as their new Program Director (PD). This announcement likely marks a significant development in the radio station's leadership and programming strategy.

Karen West
As Program Director, Karen West will oversee the station's overall sound, content, and brand direction. 
  • Her responsibilities may include:
  • Developing and implementing programming initiatives
  • Managing the station's on-air talent and staff
  • Analyzing ratings and market trends to inform programming decisions
  • Collaborating with sales and marketing teams to drive revenue growth
Karen West's experience and expertise will likely play a crucial role in shaping WGH-FM's programming and strengthening its position in the Norfolk radio market.

Zuck Tells Rogan: Biden's Team Screamed & Cursed Over Posts


Biden officials ‘screamed’ and ‘cursed’ at Meta execs to take down vaccine posts, Mark Zuckerberg tells Joe Rogan.

The NY Post reports Biden administration officials phoned executives at Meta to “scream” and “curse” at them while demanding that they remove Facebook posts casting doubt on the coronavirus vaccine, Mark Zuckerberg said during a sit-down with Joe Rogan on Friday.

The billionaire tech executive said that Biden aides pressured Meta to remove content about the vaccine “that was honestly true” during the early days of the administration, when it rolled out the jabs.

“These people from the Biden administration would call up our team and, like, scream at them and curse,” the Meta chief said on the “Joe Rogan Experience.”

When Rogan asked whether these phone calls were recorded, Zuckerberg responded that he didn’t think so.

Zuckerberg said the Biden team wanted Meta to remove posts that correctly stated that the vaccines could induce side effects.

“Basically it just got to this point [where we told them], ‘No, we’re not going to take down this thing that was true’,” Zuckerberg said.

R.I.P.: Grammy Winner Sam Moore, of Sam and Dave Fame

Sam Moore (1935-2025)

Sam Moore, the tenor half of the scorching soul duo Sam & Dave — known for indelible hits like “Soul Man,” “Hold On, I’m Comin’” and “I Thank You” — died on Friday. He was 89, according to The NYTimes.

His death, after surgery at a hospital in Coral Gables, Fla., was confirmed by his wife and longtime manager, Joyce Moore. The exact cause was unclear, she said.

At their peak in the 1960s, Sam & Dave churned out rhythm-and-blues hits with a regularity rivaled by few other performers. When “Soul Man” topped the R&B charts and crossed over to No. 2 on the pop charts in 1967 (it also won a Grammy), its success helped open doors for other Black acts to connect with white audiences.

Sam Moore - 2023
Sam & Dave’s live shows were so kinetic — they were known as the Sultans of Sweat and Double Dynamite — that even as charismatic a performer as Otis Redding was hesitant to be on the bill with them, for fear of being upstaged. Moore once spoke of his need to “liquefy” the audience before he considered a show a success.

“The strength of Sam & Dave,” he said, “was that we would do anything to please the audience.”

Moore and Dave Prater, a baritone, met at an amateur night at the King of Hearts, a nightclub in Miami, in the early 1960s. The two unpolished young singers wound up together onstage by accident — Mr. Prater was having trouble remembering the lyrics to a song, and Mr. Moore fed them to him — but they clicked instantly with the audience.

Both men had started out singing in church, and they developed a stirring, gospel-tinged call-and-response style that became their trademark. They signed with a local record label, Marlin, and then moved on to Roulette Records in New York. But their early records failed to chart, and they retreated to the King of Hearts.


One night in 1964, Ahmet Ertegun, Jerry Wexler and Tom Dowd of Atlantic Records came to see them perform. Impressed, they offered the duo a contract. The company put the Memphis soul label Stax Records in charge of the production of their records, which would then be released and distributed by Atlantic.

Lending them to Stax proved to be an inspired move. In Memphis, Sam & Dave became part of a remarkable musical family that was a grittier counterpoint to Berry Gordy’s humming hit factory at Motown.

Working with the producers and songwriters Isaac Hayes and David Porter, the house band Booker T. & the M.G.’s and the crisp horns of the Mar-Keys, Sam & Dave were soon enjoying the benefits of stardom, including their own tour bus and plane, plus an entourage of women and hangers-on. They also both became addicted to heroin.

Sam & Dave were inducted into the Rock & Roll Hall of Fame in 1992 and received a lifetime achievement Grammy Award in 2019.

R.I.P.: Danny Wild, Longtime Morning Host At KLIZ

Danny Wild (1982-2025)

Well-known radio personality Danny Wild (Daniel E Wileman) died earlier this week.  He recently has been battling cancer.

After graduating from high school in 1982, Wileman worked in Finley for a couple of years before deciding to go into Radio Broadcasting. He earned associate’s degree in 1986 and returned to North Dakota to pursue fame and fortune as a radio personality.

Wileman worked for KFGO Light and Easy, Magic 103 and Lite Rock 105 in Fargo. In 1992 Dan got his big break and scored a morning show gig in Brainerd, Minnesota on 107.5 KLIZ The Power Loon. He spent the next 32 years as Danny Wild; filling the morning airwaves with news, humor, advice for life and sparing with his morning partners Tim and Mac. 

He was often seen hosting local events and meeting and greeting his listeners. He was a fixture at Moon Dance Jam for many years.


In 1992 Dan married the love of his life Joan Christensen in Breckenridge, Minnesota. They met at church in Fargo and the faith they shared formed the foundation of their life together.  Dan found great enjoyment working with Joan restoring their 100 plus year old home, affectionately know as “the project”.

Radio History: Jan 11


➦In 1927...The Bernard B. Jacobs Theatre opened. It was formerly called the Royale Theatre and the John Golden Theatre, and is located at 242 West 45th Street (George Abbott Way) in Midtown Manhattan, New York City.

It opened with a musical entitled Piggy. Produced by William B. Friedlander, Piggy had a weak script, but the popular comedian Sam Bernard played the starring role and carried the show for 79 performances. Bernard died soon after the show closed.  Built as part of a three theater complex, alongside the 800-seat Theatre Masque, the 1,600-seat Majestic, and the Lincoln Hotel (now the RowNYC Hotel and previously the Milford Plaza Hotel), the theater features an ornate stone facade, with vaulted large windows above the street frontage. With a seating capacity just over 1,100, the theater has been home to both plays and musical productions in its 93-year history.

Royale Theater

Producer John Golden leased the theatre and renamed it for himself from 1932 to 1937. The Shubert Organization then assumed ownership and initially leased the theatre to CBS Radio as the CBS Radio Playhouse. In 1940, the Royale was restored to use as a legitimate theater under its original name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs.

➦In 1947... “The Amazing Mr. Malone” (aka “Murder and Mr. Malone”) debuted on ABC radio. The half-hour weekly program starred Frank Lovejoy.

➦In 1964...‘Louie Louie’ by Seattle’s The Kingsmen was the number one song on the Cash Box music chart. For a while, the record was banned by a handful of US radio stations because of its indecipherable lyrics, which were rumored to contain some naughty words. Even the FBI investigated the song, but finally concluded that they could find nothing wrong.

➦In 1973...actress Isabel Randolph died at age 83.  She was best known as the prickly Mrs. Abigail Uppington on NBC Radio’s “Fibber McGee & Molly” in the 30’s & 40’s.  She played similar recurring characters in the TV sitcoms “Meet Millie,” “Our Miss Brooks,” “December Bride” & “The Dick Van Dyke Show,” plus dozens of guest spots.

➦In 2006...Chicago radio personality Mancow sidekick Cowboy Ray Hoffstatter died from injuries sustained in a hit-and-run accident in November. The driver, described as a woman who appeared to be drag racing a black Honda Civic, has never been found.

The crew on Mancow's Morning Madhouse on Q101 mostly had fun at Ray's expense because he was mentally handicapped, but he was often the funniest part of the show. After the accident, Mancow offered $5,000 of his own money as a reward for the arrest of the driver.

➦In 2013…Pittsburgh/Los Angeles radio deejay Jimmy O’Neill, the host of ABC-TV’s Shindig in the 1960’s, lost his long battle with a diabetes-related heart condition and died three days after his 73rd birthday.

Friday, January 10, 2025

L-A Radio/TV: 2 Mount Wilson Stations Forced Off Air













UPDATE Friday 2:30 PM Walt Disney Co.’s KABC-TV Channel 7 station, which uses communications towers near Mt. Wilson, lost its over-the-air signal Friday morning as the Eaton fire continued its rampage through mountainous terrain.

Separately, radio station KLOS-FM 95.5, which also uses transmission facilities in the Angeles Crest Forest, also went off the air overnight.

The LA Times reports KABC confirmed that it was “experiencing an issue with the transmitter,” without providing details of the problem.

The Eaton fire came perilously close to the huge phalanx of mountain-top transmitters on Thursday. Television and radio broadcast engineers, including for Nexstar’s KTLA-TV Channel 5, Paramount’s KCBS-TV Channel 2 and KCAL-TV Channel 9 and other local stations, including LAist/KPCC-FM 89.3, sweated throughout much of the day as they watched the fire’s progress toward their critical infrastructure.

The transmitters escaped damage by flames.

While KABC lost its signal transmission, the station was able to provide digital streams of its morning newscasts directly to cable and satellite TV operators, Disney-owned Hulu Live TV and other streaming apps.

Only viewers who rely on the over-the-air antennas for television found the station blacked out.



“Teams are obviously working hard to get the feed back up for over the air viewers and are hopeful we have it back up soon,” an ABC spokesperson said in an email. The issue was related to the fires, the spokesperson said, but equipment was not burned.

The company directed viewers to the KABC website and streaming apps to watch the highly rated television station.

Meanwhile, Meruelo Group’s KLOS-FM 95.5 radio transmitter controls were disrupted around 2 a.m. Friday and the station went off the air. Station engineers learned that the generator it was using for backup power had run out of fuel, according to a station executive.

Mount Wilson is home to nearly every Class B FM signal serving L.A.; 21 FM signals in all broadcast from there. The 5,700-foot peak is also home to the Mount Wilson Observatory and Park. In addition, TV stations KCBS, KNBC, KTLA, KABC, KCAL, KTTV, KCOP, KMEX, KVEA and KDOC use the site. 

Disney, Fox, WBD Pull Plug On Venue


Disney’s ESPN, Fox Co and Warner Bros. Discovery aren’t moving forward with their joint streaming venture Venu Sports, the companies said Friday, calling off what would have been a major bet as the industry’s dynamics shift rapidly.

On Monday, Disney agreed to merge its Hulu + Live TV service with sports-focused FuboTV and take a controlling interest in the combined company.

Even after that deal was announced, multiple Venu partners still believed their plan could move forward, according to The Wall Street Journal citing people familiar with the talks. That confidence eroded as the week went on, these people said.

While the Fubo agreement put an end to Fubo’s litigation opposing the formation of Venu, it didn’t quell all legal gripes over Venu. On Thursday, DirecTV penned a letter to the judge in the legal dispute between Fubo and the three companies behind Venu, flagging concerns about Venu on antitrust grounds.

“In an ever-changing marketplace, we determined that it was best to meet the evolving demands of sports fans by focusing on existing products and distribution channels,” Disney, Fox and Warner said in a joint statement about the end of Venu. 

In 2024, the three companies announced plans to pool some of their most valuable sports programming into a joint streaming service that would serve sports fans who want access to live sports content. 

Shortly after, Fubo sued to block the launch of Venu, alleging the companies wouldn’t let Fubo carry a small bundle of sports-focused channels that they were looking to include in the new service. 

In August, a judge granted a preliminary injunction to block Venu’s launch while the litigation continued, saying the service would “substantially lessen competition and restrain trade.” Venu’s three partners appealed the decision. 

Disney, Fox and Warner are making an aggregate cash payment of $220 million to Fubo to resolve the legal dispute.

Live sports are highly valuable programming for media companies adapting to the streaming landscape. Of the 100 most-watched broadcasts in 2023, sports accounted for a whopping 96, according to Nielsen. Venu would have offered a large portfolio of live-sports options including National Football League, Major League Baseball, the National Hockey League and collegiate athletics.

L-A Fires: Death Toll Reaches 10, Structures Destroyed 9,000



Officials said Thursday that at least ten people were killed and more than 9,000 homes, businesses and other buildings appeared to have been damaged or destroyed in the Palisades and Eaton fires.

Around 5,300 of these structures were destroyed in the Palisades fire, while another 4,000 to 5,000 structures were estimated to be damaged or destroyed in the Eaton fire burning in the Altadena area.

Officials made the estimate using aerial infrared technology and stressed that it was a preliminary number. If accurate, it would place the firestorm among the worst in Los Angeles history in terms of property damage.

“The Palisades fire is one of the most destructive natural disasters in the history of Los Angeles,” said Los Angeles Fire Chief Kristin Crowley.


At a morning news conference, L.A. County Fire Chief Anthony Marrone said growth of the Eaton fire had been “significantly stopped.” At 3:30 p.m., however, he announced that the fire had grown by more than 3,000 acres — to 13,690 acres — as it spread toward the historic Mt. Wilson area with 0% containment.



Don Fregulia, an operations section chief with the California Department of Forestry and Fire Protection, said efforts to protect Mt. Wilson had proved successful and he expected that to remain the case.

“We’re actively engaged there,” Fregulia said. “We’re feeling good about what we have to do up there tonight to keep that site secure.”



The Palisades fire grew from around 17,200 acres Thursday morning to 19,978 acres Thursday evening, at which time the blaze was 6% contained, according to fire officials.

Joe Rogan Made Eerie Warning of LA Fires


Resurfaced clips from “The Joe Rogan Experience” show that the mega podcaster has been warning that the “right wind” will catch one of California’s many wildfires and “burn through LA to the ocean.”

The NY Post reports Rogan, 57, was eerily wearing a Los Angeles Fire Department shirt while speaking with fellow comic Sam Morril in July and was sharing why he left Los Angeles — one of the reasons being that he was always “waiting for the next fire.”

“I was evacuated three times from my house from fires,” Rogan said. “Last one, two houses in front of my house burned to the ground.”

The UFC commentator said seeing the raging inferno approaching was “f–king scary,” and he and his wife decided to leave with their kids before an evacuation order was put into effect, adding that the fire eventually “swept through” and destroyed “40 houses” in his neighborhood.

 Rogan then said that one of the things that “freaked” him out was when he spoke with an unnamed fireman, pointing out that he was wearing a department shirt.

“He goes, ‘One day, it’s just going to be the right wind, and fire’s gonna start in the right place, and it’s going to burn through LA all the way to the ocean, and there’s not a f–king thing we can do about it,'” he recalled.

Rogan said the fireman told him that people in LA “get lucky with the wind” and that it’s a crapshoot when one of these fires becomes unstoppable.

The podcaster’s story about the firefighter’s warning is something he has repeated for years on his show.

In 2018, while living in Bell Canyon in Ventura County before moving to Austin, Texas, Rogan spoke with English mentalist Derren Brown while wildfires were ongoing in the city.

Brown said in the opening remarks of the episode that he was fortunate to make it to the interview because of the fires, and Rogan immediately told him the same firefighter’s warning that the “right wind” could catch one of these fires and run through LA “to the ocean.”

Project Liberty Proposes Bid For TikTok's US Assets


Entrepreneur and former Los Angeles Dodgers owner Frank McCourt's Project Liberty and its consortium of partners in The People's Bid said on Thursday they proposed to make a formal bid to ByteDance to buy TikTok's U.S. assets.

The move comes ahead of a Jan. 19 deadline by which ByteDance has to sell the platform or face a ban under a law signed by President Joe Biden on April 24.

The consortium, which did not disclose the value of the proposal, said the financial capacity to complete the deal included expressions of interest from investors - including major private equity funds, family offices, and high net worth individuals - for sufficient equity capital, as well as debt financing from one of the largest banks in the United States.

McCourt and his firm Project Liberty formed the consortium last year to buy social media platform TikTok in the United States.

"By keeping the platform alive without relying on the current TikTok algorithm and avoiding a ban, millions of Americans can continue to enjoy the platform. We look forward to working with ByteDance, President-elect Trump, and the incoming administration to get this deal done," McCourt said in a statement.

Hearing For TikTok Today


The Supreme Court is set to hear oral arguments today in a case that could determine TikTok's fate in the US.

At issue is a bipartisan law requiring ByteDance, TikTok's parent company, to sell its stake in the app or face a ban by Jan. 19. TikTok, with more than 170 million US users, is asking the court to block the law's enforcement, citing First Amendment concerns. The Biden administration says the law is necessary to address national security risks posed by ByteDance's potential ties to the Chinese government.

TikTok said it could shut down the app by Jan. 19 if the Supreme Court does not intervene. President-elect Donald Trump filed a brief last month requesting the court delay the deadline, seeking time for his incoming administration to pursue a political resolution, a reversal from previous attempts to ban TikTok during his first term.

Separately, ByteDance appears to be preparing for a potential TikTok ban by promoting its Lemon8 app, encouraging users to migrate to the platform as a contingency plan.


Miami Radio: K Marie Lands Middays On Y100


iHeartMedia Miami announced today that Kirsten Savik, known on-air as K Marie, has been named the new midday personality for Top 40 WHYI (Y100). Effective immediately, K Marie will broadcast from 10am to 2pm on weekdays

K Marie has been a prominent radio personality and influencer in the Miami market since joining iHeartMedia’s Spanish-language flagship CHR station, TÚ 94.9, in 2016. Known to listeners as “La Gringa Más Latina,” she has achieved remarkable ratings success while embracing Miami’s multicultural Hispanic community. With this move to Y100, K Marie makes a seamless crossover from Spanish-language to English-language radio and joins one of the most iconic CHR stations in the U.S.

Kirsten Savik
“I’ve worked closely with K Marie for nine years, and her natural talent for connecting with audiences is remarkable,” said Larry Calderón Jr. (Yako), Program Director for Y100. “She has a special ability to blend her ‘Gringa’ roots with her passion for Miami’s Hispanic culture. Her energy, music style and commitment to celebrating the vibrancy of our community make her a perfect fit for Y100.”

K Marie began her radio journey 18 years ago at 1530 AM La Picosa, a Spanish-language Regional Mexican station in Minnesota. Although she is not Hispanic, she fully immersed herself in the culture by learning Spanish and developing a deep appreciation for Latin music, food and traditions. She later transitioned to English-language radio at 96.3 NOW before moving to Miami 14 years ago. In Miami, she worked at DJ 106.7 and Power 96.5 before hosting middays at TÚ 94.9, Y100’s Spanish CHR sister station.

“I’m incredibly honored to join the legendary Y100 family,” said K Marie. “Since starting at TÚ 94.9, Miami’s diversity—from Cubans and Colombians to Venezuelans, Nicaraguans, Dominicans, Puerto Ricans and so many others—has made me feel right at home, even though I’m not Latina by background. This city has taught me to embrace its sazón, vibrancy and pride, and I’m humbled to bring that spirit to Y100. Thank you, Miami, for inspiring me every day!”

In addition to hosting middays, K Marie will serve as a digital influencer for Y100, contributing to iHeartMedia’s social and digital platforms. She will report to Larry Calderón Jr. (Yako), Program Director for Y100, and PJ Gonzalez, Senior Vice President of Programming for iHeartMedia Miami.

Radio's Opportunity: Captive In-Car Listeners


The latest Global Traffic Scorecard reveals that Americans spent an average of 43 hours in traffic in 2024. This presents a significant opportunity for brands to connect with consumers while they are in their cars, particularly through radio. Katz Radio Group highlights that between daily commutes and other activities, people spend a considerable amount of time in their vehicles.

New York City tops the list with drivers losing 102 hours in traffic last year, well above the national average. Other cities with high traffic congestion include Chicago (102 hours), Los Angeles (88 hours), Boston (79 hours), Philadelphia (77 hours), Miami (74 hours), Houston (66 hours), Atlanta (65 hours), Seattle, and Nashville (both 63 hours)1. On the other hand, cities like Dallas, Charlotte, and San Antonio are below the U.S. average.

Interestingly, some cities have seen an increase in time spent in traffic, with Denver (+19%), Stamford, CT (+18%), Nashville (+13%), and Philadelphia (+12%) experiencing the most significant increases. However, there have been improvements in Los Angeles, Washington, and Boston.

Time spent in the car, even in traffic congestion, offers significant opportunities for brands to engage with captive audiences through audio. And no audio platform is equipped to turn these opportunities into connections with local consumers better than AM/FM radio. According to Edison's Share of Ear, 9 out of every 10 minutes of ad supported listening time is spent with AM/FM radio.

As Americans get closer to spending 2 full days in traffic a year, radio is a must for brands looking to reach these attentive consumers in the car with ad messaging. Radio dominates ad-supported listening, and its Drive Time programming of popular Morning and Afternoon shows are designed to accompany listeners through peak AM and PM commuting hours.